Reykjavík Grapevine - 16.08.2013, Blaðsíða 41

Reykjavík Grapevine - 16.08.2013, Blaðsíða 41
August is your last chance to see the cavalcade of classic Icelandic films that have been playing at Bíó Paradís this summer. Especially worth seeing are two films—‘Heima’ and ‘Back- yard’—that capture the local music scene in the last decade. For many, the music of Sigur Rós conjures up images of the Icelandic countryside, magnificent mountains and peaceful fjords. It’s somewhat ironic that initially they primarily appealed to big city folks, whereas country-dwellers in Iceland preferred the more dance-friendly, less cere- bral concerts given by mainstream pop bands with sól (“sun”) in the title (such as SS Sól, Á móti sól or Sóldögg). ‘Heima’ (“At Home”) from 2007 docu- ments the attempts of the ethereal elves to bring their music back home. The locals at first seem puzzled by the latté-drinking, lopapeysa wearing post- rock superstars but are soon won over. The setting is fantastic and the music is sublime. A darker undercurrent in the film is the damming of the highlands, which was vigorously protested by the band. Perhaps one day ‘Heima’ will be seen as a vital document, not just of a great band at the peak of their powers, but also of these isolated communities before the dams of modernity burst. Whereas Sigur Rós set off to explore the countryside, ‘Back- yard’ keeps its heart firmly in 101 Reykjavík, revolving around a concert held in somebody’s backyard on Culture Night in 2009. It is perhaps the ultimate cinematic document of the ‘krútt’ (“cute”) generation of Icelandic musicians who grew up in the shadow of Björk and Sigur Rós, where originality was key and inter- national fame was just around the corner. Múm are the biggest stars here and Retro Stefson the brightest hope, but it is perhaps the band Reykjavik! that gives the best performance, rocking out fiercely and at some point attempting to eat their microphones. FM Belfast closes the show surrounded by fans on all sides, some of them only in their underwear in keeping with the lyrics, which prompts the band to do the same. Like the music, the film is low-key, intimate and charming, a sort of ‘Rock in Reykjavík’ film of this new generation ‘Unraveled,’ the debut novel of seasoned journalist, translator, author, and blogger Alda Sigmundsdóttir, opens on the brink of calamity—the sort of world- changing upheaval whose warning signs, in retro- spect, seem so obvious, but which completely elude those involved until it’s much too late. The year is 2008, and Frida Lowe, the wife of a British diplomat, has just returned to Iceland after 12 years’ absence. Struggling with the ghosts of her difficult childhood, the last-gasps of a failing marriage, and a pervasive lack of confidence, Frida’s own personal meltdown coincides with the kreppa, the financial crisis which crippled Iceland’s economy and sent the entire nation into its own bout of soul-searching and regeneration. For Frida, the past is, as the saying goes, but a prologue to the growth and change that her future promises. And so, much of the novel’s first chapters are spent in flashback, examining the defining moments in Frida’s life which have led her to her present situation. This backstory is not strictly necessary from a narrative standpoint, but it is so richly realised that it creates a genuine intimacy with the character, a context which allows the reader to see all of her behaviour in a clearer light. Alda takes the same approach with the histori- cal elements of her novel: a pivotal scene takes place just after the two airplanes were flown into New York City’s World Trade Center. This event obviously sets about serious historical consequences, but in the context of the novel, it also has a profound impact on Frida and her relationship with her husband. With this gift for hindsight, ‘Unraveled’ can be forgiven for occasionally veering from its present- day plotline into melodrama, although even these unexpected twists are ground- ed in retrospective revelations. Looking backwards, everything falls into place. Playing narrative tragedy off of so recent, so fraught, and so controversial an historical moment is an ambitious project to be sure, but Alda handles it with bal- ance and clarity, and no wonder. Not only did she spend six years good-naturedly providing non-Icelanders with a window into Iceland’s culture and political land- scape via her beloved blog The Iceland Weather Report, she has also published ‘Living Inside a Meltdown,’ a collection of interviews with Icelanders about the fi- nancial crisis. Moreover, as an Icelander who spent over 20 years living outside the country, Alda has a unique perspective—she, like her main character Frida—can be both inside of Icelandic society and also maintain a bit of distance from it. This gives her writing—from her humorous essays on the Icelandic character (‘The Little Book of Icelanders’) and her retellings of traditional Icelandic folktales (‘Ice- landic Folk Legends’), to this, her first novel—a welcoming quality, an awareness that certain truisms (or generalisations, depending on your perspective) about the Icelandic character are helpful to have explained. Occasionally, these snappy factoids (ranging in topic from Icelanders’ insis- tence on hygienic bathing rituals and their predilection for arriving at the last min- ute, to the renowned independence of Icelandic women) read a bit awkwardly, although Alda appears to be in on the joke: “You’re giving me the Icelandic Tourist Board spiel,” Frida teases, after being warned about the unpredictability of Icelan- dic nature. “Oh, sorry,” comes the reply. “I forget that I’m not showing a foreigner around.” 41 Film Backyard Babies Review by Larissa Kyzer By Alda Sigmundsdóttir By Valur Gunnarsson B O R G R E S TA U R A N T - P Ó S H Ú S S T R Æ T I 9 - 1 1 - 1 0 1 R E Y K J AV Í K T E L : + 3 5 4 - 5 7 8 - 2 0 2 0 - I N F O @ B O R GRESTAURANT . I S - W W W. B O R GRESTAURANT . I S “Out of this world!!!” “It certainly was the best of the many places we dined in Reykjavik!” FrequentFlyer513 - New York City, New York - Trip Advisor CBondGirl - Calgary, Canada. Trip Advisor k100 k60 THE FRESHEST FISH ....AND IDEAS! SKÓLAVÖRÐUSTÍGUR 14 - 101 REYKJAVÍK - 571 1100 After years of study, strings of awards and having led kitchens of some of Reykjavík’s most esteemed restaurants, Gústav still sees him self as just a kid from up north, with a life- time passion for fish. Unraveled REVIEW BOOK
Blaðsíða 1
Blaðsíða 2
Blaðsíða 3
Blaðsíða 4
Blaðsíða 5
Blaðsíða 6
Blaðsíða 7
Blaðsíða 8
Blaðsíða 9
Blaðsíða 10
Blaðsíða 11
Blaðsíða 12
Blaðsíða 13
Blaðsíða 14
Blaðsíða 15
Blaðsíða 16
Blaðsíða 17
Blaðsíða 18
Blaðsíða 19
Blaðsíða 20
Blaðsíða 21
Blaðsíða 22
Blaðsíða 23
Blaðsíða 24
Blaðsíða 25
Blaðsíða 26
Blaðsíða 27
Blaðsíða 28
Blaðsíða 29
Blaðsíða 30
Blaðsíða 31
Blaðsíða 32
Blaðsíða 33
Blaðsíða 34
Blaðsíða 35
Blaðsíða 36
Blaðsíða 37
Blaðsíða 38
Blaðsíða 39
Blaðsíða 40
Blaðsíða 41
Blaðsíða 42
Blaðsíða 43
Blaðsíða 44
Blaðsíða 45
Blaðsíða 46
Blaðsíða 47
Blaðsíða 48
Blaðsíða 49
Blaðsíða 50
Blaðsíða 51
Blaðsíða 52
Blaðsíða 53
Blaðsíða 54
Blaðsíða 55
Blaðsíða 56
Blaðsíða 57
Blaðsíða 58
Blaðsíða 59
Blaðsíða 60
Blaðsíða 61
Blaðsíða 62
Blaðsíða 63
Blaðsíða 64
Blaðsíða 65
Blaðsíða 66
Blaðsíða 67
Blaðsíða 68
Blaðsíða 69
Blaðsíða 70
Blaðsíða 71
Blaðsíða 72

x

Reykjavík Grapevine

Beinir tenglar

Ef þú vilt tengja á þennan titil, vinsamlegast notaðu þessa tengla:

Tengja á þennan titil: Reykjavík Grapevine
https://timarit.is/publication/943

Tengja á þetta tölublað:

Tengja á þessa síðu:

Tengja á þessa grein:

Vinsamlegast ekki tengja beint á myndir eða PDF skjöl á Tímarit.is þar sem slíkar slóðir geta breyst án fyrirvara. Notið slóðirnar hér fyrir ofan til að tengja á vefinn.