STARA - 14.11.2015, Blaðsíða 35

STARA - 14.11.2015, Blaðsíða 35
S T A R A V o l 5 . issu e 3 . 2 0 15 35 The government’s understanding is not sufficient; we need more insight into our work. Artists themselves also need a change of heart as do many others working within the art field. The opportunity is here and now. If not us, then who? If not now, then when? We finally have a tool at our disposal – a draft of a contract between visual artists and public museums – a tool we can use to change the old traditions surround- ing exhibitions in galleries run on public funding. That contract needs to be publicized, our rights need to be championed, and that change of heart needs to happen. We now have the chance to dismantle the ingrained idea that visual artists should not be paid for their work. The campaign WE PAY ARTISTS will be launched on November 20th 2015 at 4PM at the Nordic House. The pur- pose of the campaign is to promote visual art’s field of work and enable artists to be paid for their work. When other fields of art are consid- ered, it is rare that artists with experi- ence and expertise in their field, like those offered to display their work in public museums, do not get paid for their work contribution. It is the hope of SÍM’s board that this campaign will change the minds of visual artists, the public, and officials of museums and cultural institutions, as well as mu- nicipal governments and the state. At the centre of this campaign is the newly drafted contract about partici- pation and contributions for artists in exhibitions. This draft could be the foundation of a contract with all museums in Iceland and exhibitions funded by public offices, partly or completely. On the behest of SÍM, a decision was made to assemble a workgroup in col- laboration with the National Gallery of Iceland, Reykjavík Art Museum, Hafnarborg – The Hafnarfjörður Centre of Culture and Fine Art, The Living Art Museum, LÁ Art Museum, and Akureyri Art Museum. Members of the workgroup were, the visual artists Ilmur Stefánsdóttir and Úlfur Grönvold (on behalf of SÍM), Þorgerður Ólafsdóttir, director of the Living Art Museum (On behalf of the museums), and Dr. Halldór Björn Runólfsson, museum director of the National Gallery of Iceland. The group manager was the visual artist Ásdís Spanó. During the creation of the draft the workgroup referred to the Swedish MU (Medverkande og Ustallnings- ersattning) contract. The Swedish government signed a contract in 2009 allocating compensation toward art- ists who display their work in public museums in Sweden. These compen- sations are in addition to payments for transportation, installation and publication of material for the artist’s exhibition. The contract stipulates that the museum must pay for all work the artist takes on in relation to the exhibition - before, during, and after it. A written contract shall be drawn about every item concerning salary according to the contract’s rate, as well as the compensations about displayed work. The MU contract has been the basis of comparable contracts in Norway and Denmark. Similar contracts are being drawn up in Finland and Austria, also based on the MU contract. The board of SÍM welcomes as a milestone the current draft which can be used as a reference point for art museums and artists. Work has begun on a cost analysis for the contract in accordance with the museums’ last operational year in order to gauge the influence of the contract. It is known that museums in Iceland do not have the resources for increased costs. This is why those who operate in the visual art work environment need to work together as one; to change the general attitude and increase the budget of visual art related matters in order to make the contract viable. It is reasonable to insist that the work environment of visual artists better resemble the work environment of other professions. In addition to the work on the new contract between artists and public museums, SÍM has started a twofold petition to highlight the importance of the big public funds for visual art- ists and art scholars. We object to the cutbacks to the main funds available to visual artists, The Visual Art Fund and The Public Buildings Art Fund, and challenge Parliament to show ambition and foresight and allocate 52 million ISK to The Visual Art Fund and 10 million ISK to The Pub- lic Buildings Art Fund for 2016. The plan is to present Vigdís Hauksdóttir, president of the budget committee, with a petition during the meeting in the Nordic House on November 20th. I want to thank the workgroup for the contract on a job well done, and the art museums for a successful coop- eration. I would also like to thank everyone who had a hand in the WE PAY ARTISTS campaign. It is crucial that artists stick together in the coming months and collaborate on getting paid for their work. Now is the time for a change. “We now have the chance to dismantle the ingrained idea that visual artists should not be paid for their work.”
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