Lögberg-Heimskringla - 04.06.1970, Blaðsíða 4

Lögberg-Heimskringla - 04.06.1970, Blaðsíða 4
4 LÖGBERG-HEIMSKRINGLA, FIMMTUDAGINN 4. JÚNÍ 1970 Lögberg-Heimskringlo , Published every Thursday by NORTH AMERICAN PUBLISHING CO. LTD. Prinied by WALLINGFORD PRESS LTD. 303 Kennedy Slreei, Winnipeg 2, Man. Ediior: INGIBJÖRG JÓNSSON Presidcnt, Jakob F. Kristjansson; Vice-President S. Alex Thorarinson; Secretary, Dr. L. Sigurdson; Treasurer, K. Wilhelm Johannson. EDITORIAL BOARD Winnipeg: Prof. Haraldur Bessason, chairman; Dr. P. H. T. Thorlakson, Dr. Valdimar J. Eylands, Caroline Gunnarsson, Dr. Thorvoldur Johnson, Hon. Phillip M. Petursson. Minneopolis: Hon. Valdimar Bjornson. Victorio, B.C.: Dr. Richard Beck. Icelond: Birgir Thorlacius, Steindor Steindorsson, Rev. Robert Jack. Subscriplion $6.00 per year — payable in advance. TELEPHONE 943-9931 "Second class mail registration number 1667". Njala And Laxdaela by ROBERT JOHANNSON The Penguin Classics’ series has recently published the Lax- daela Saga in a new translation by Magnus Magnusson and Her- mann Palsson. These two excel- lent translators have managed a translation that is exceptionally readaible while at the same time retaining much of the subtlety of the original. They have also translated for Penguin Classics, Nj'al’s Slaga, King Haralds Saga, and The Vinland Sagas. Njal’s Saga and Laxdaela Saga are generally considered among the greatest of the family sagas. Th!ey weire both written in the Thirteenth Century by anony- mous authors and deal with the saga period of the late Tenth and early Eleventh Centuries, the period of the settlement and the conversion. Njal’s Saga tells the story of a blood feud from its minor be- ginnings through the finai death of the hero, Gunnar of Hlidarend, and of the sage, Njal, to dts final end when Kari, Njal’s son-in-law, f i n a 11 y is reconciled to Flosi Thordarson the leader of the men who burnt Njal and bis sons to death. The Laxdaela Saga is a story of the doomed love of Kjartan Oiafsson a n d Gudrun Osvif’s daughter, that eventually results m the death of both Kjartan and his best friend Bolli, after Bolli marries Gudrun While Kj'artan is away in Norway. In this essay I have tried to bring out a few of the more in- teresting elements of the two sagas. As a result I have concen- trated on the literary questions rather than the more scholarly questions of sources, authorship, and historical accuracy. The sagas are historícal. They purport to state what happened in the past. But they are interested in more than merely recording past events. They are not chroni- cles. The historiam is concerned with the society in general, with the great movements that shake the society. When we read Ari the Learned we see that he concentrates on the settlement of Iceland, the discovery of Greenland, the coming of Christianity, and the men that were lawspeak- ers. These are things that are important to the society as a whole. The writers of the sagas are also concerned with this aspect of history. In Njal's Saga and Laxdaela Saga both authors discuss the coming of Christianity; they both men- tion the settlement; they both stop at times to give the ety- mology of place names. In this sense, that they mention major historical events, they are historical. But they are historical in a more modern sense. The mod- ern historian has tended to take more of a sociological look at history. He is inter ested in social institutions; how they work and how they chamge. Ari gives us a list of the lawspeakers, but very little idea of how the law worked. Whem we turm to Njal's Saga we fimd that it is about the law ais a social in stitution, not just who the lawspeakers were or what the laws were, but rather how the law affected people; how the law worked when people brought their conflicts to it. Throughout the saga we have on the one hamd the com- flict betweem those who are clever lawyers amd attempt to avoid respomsibility by a clev- er mamipulatiom of the law and on the other hand those who try to avoid the Law by resorting to force. The con- frontation of Hrut amd Mord Fiddle is a good example of this. Mord Fiddle by his craft tells Unn how to divorce Hrut. When they come to the Althingi, Mord Fiddle wants all of the marriage settle- ment. Hrut on his part is un- willing to give it to him be- cause it would include his part of the settlement as well. To avoid the legal decision Hrut appeals to trial by com- bat. Mord Friddle, of course, is no match for him in a fight and therefore backs down, losing both parts of the mar- rilage settlement. In this in- stance neither side stands for a just settlement. Through manipulating the law Mord Fiddle hopes to get it all. By force Hrut mamages to keep it all. The inability of the Alth- ingi and the law to come to a just settlement in the case of Hrut and Mord Fiddle is merely one aspect of the weakness of the law. When we come to the blood feuds we find that the law is help- less to settle them. The money that is given for the dead man never provides an adequate recompense and the killing goes on. Njal’s Saga is histor- ical in the sense that it deals with the workings and weak- nesses of al major social in- stitution, the law. The Laxdaela Saga on the other hand is not concerned with a social institution. It is concerned with the land. It is the story of Laxdaelir. As such, it is closer to history in the sense that a list of kings is history; for it tells of who controlled the land and how the land changed hands. We are told at the beginning of how Unn the Deep-Minded settled the land, and when she dies we are told exactly how the land is divided. Njal's Saga on the other hand begins its concem with the law right at the beginning with the story of Hrut and Unn, and the battle over the dowry. Whereas the settle- ment is the importamt evemt im the Laxdaela Saga because it is closely concerned with the land; the comimg of Chris- tianity and the establishment of the fifth court are impor- tant events im Njal's Saga be- cause of its concem for the law. Hrut is a character in both of thé sagas, and his different concems reflect the different concerns of the authors. In Njal's Saga he goes to Nor- way for his inheritance and the trip is important for it results in the curse put on him by the Queen of Norway that disrupts his marriage. This leads to the fight over the marriage settlement. In the Laxdaela Saga on the other hand he comes from Norway to Iceland to collect his inheritance and it is am iniheritance not of money or chattels but of lamd. He is concerned mainly with the land. The land becomes almost an actor in the drama. It is as though the land formed the people and their fate. We are told the story of Killer Hrapp and how his ghost seems to hang over the land. It is finally at his old farm that Gudrun and Bolli settle and there seems to be a kind of connection between their fate and the land that they live on. The story of the freedman that Hrut settled on the boundary between his land and Hoskuld’s is rele vant as a battle over the land. For the basic conflict between Hrut and Hoskuld is over the land. All we know of Bergthor’s Knoll is that Njal lives there. But if Njal's Saga is Jittle concemed with the land, then L a x d a e 1 a Saga is equally little concerned with the law. It does not portray any Alth- ingi battles. The only event that occurs at the Althingi is the killing of Thorkel. We can see then that both the sagas are concemed with history in more than simply the sense that they discuss events that are supposed to have, in fact, happened. But if the sagas are history, they are also entertainment. They are concerned not with the abstraictions of land and law, but with the people that lived on the lamd amd the people that tried to work the law. The cemtre of Njal's Saga is the buming of Njal, just as the centre of Laxdaela Saga is the killing of Kjartam by Bolli. The centre of the saga is the fate of individuals rather than the society. Both are concemed with the forces that drive people into strange crimes. They are stories as much as they are history. Because it is primarily con- cemed with individuals, the saga becomes involved in the problems of conflict and mo- tivation. One of the hardest things to grasp immediately in these sagas is the family re- lationships that are involved, but they are one of the more importamt parts, for mamy of the struggles involve conflict- ing loyalties. Thus Ketil of Mork is sworn to avenge Hos- kuld Hvitaness Priest, but he is also married to Njal’s daughter. Perhaps one of the strangest things is how Gunn- ar and Njal remain friends while their wives are engaged in a blood feud. Loyalty to friend amd family become ’as destructive as the pride amd greed that start most of the b a 111 e s . For the otherwise good characters are drawm imto the struggle by the need to avenge their friends and relatives. The personal motives that start the feuds are generally pride and greed. The men are proud and they will kilt any- one that insults them. Gunm- ar kills Otkel in the Ranjg River b a 111 e after he is wounded by one of Otkel’s spurs. But in the main this pride and desire for revenge is held in cheek by a sense of prudence and greed. Gunn- ar and Njal are willing to set- tle for a cash settlement in the killings. Grim’s relatives seem even more interested in the money than they are in The women in the sagas are seldom persuaded from their desire for revenge, and their pride is a constant source of conflict. It is Hallgerd’s pride and Berthora’s insult that starts the feud between them. Once it is begun neither of them is willing to put an end to it. They constantly- goad the men until there is re- venge. When Hoskuld Njals- son is killed, his mother Hrodny demamds a blood re- venge by bringing the dead Saga translations by Magnús Magnússon and Hermann Pálsson

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