Reykjavík Grapevine - 11.10.2013, Qupperneq 56

Reykjavík Grapevine - 11.10.2013, Qupperneq 56
2 SURVIVAL GUIDE ISSUE 16 — 2013GRAPEVINE AIRWAVES While some may think of Iceland Airwaves as a festival of locals and devotee tourists, we know that the city welcomes hundreds of first-time visitors and hardcore music fans into its arms every year. And though a lot of those people have probably been to other music festivals, ours is one un- like most others! There is a sort of magic that chang- es the feeling in the air and a sense that anything can happen. Yet within this electrifying spontaneity one still wants to feel ready for whatever’s about to come. We are here to assist you with some helpful suggestions to get you through your Airwaves so- journ. HUNGRY HEARTS Reykjavík Roasters (Kárastígur 1) If you just want to grab a cup of joe to-go, nowhere will get your engine running as well as these caffeine ex- perts. They were known up until re- cently as Kaffismi!jan and the name change only reflects their dedication to delivering finely crafted coffee, roasted on premises and brewed to perfection. Take it away and feel the buzz. Priki! (Bankastræti 12) This classic and cool catch-all diner is great any time of the day, but early birds should hit up their long run- ning Airwaves Rock’n’Bacon break- fast concert series. Get yourself geared up with good music and hefty servings of bacon, eggs and Ameri- can style pancakes and some of the best coffee in the biz. Búllan (Geirsgata 1) The only restaurant in town lucky enough to have its own street sign, this burgerjoint in the old harbour area is beloved for having introduced the real American-style burger to Ice- land. It’s a sure-fire spot to pick up a quick grilled meal (meaty or veggie), perfect to soak up last night’s party or prep your stomach for the madness of the night to come. Nóra Magasin (Pósthússtræti 9) This fairly recent addition to the city’s dining scene is a perfect mix of casual comfort with a unique, up- scale menu. Their short menu offers a taut selection of fresh dishes that combine elements of French and Asian cuisine made with fine local produce. It’s a great place to start the night, with an intimate date or with your entire festival party group. CULTURE CLUB Sundhöllin (Barónsstígur 45a) Nothing is more local than a trip to the local pool for a communal shower and then some good ol’ hot tub gos- sip. It’s also a proven hangover killer! Take part in this timeless tradition at the oldest pool in Reykjavík, con- veniently located in 101 just behind Hallgrímskirkja church. Make sure to follow those shower rules—no one is looking at your junk, but they’ll no- tice if you don’t wash it! Hafnarhús (Tryggvagata 17) If you’re not up for off-venue daytime concerts, take in some great Icelan- dic art at this branch of the Reykjavík Art Museum (it is also an official Air- waves venue at night). Not only does it hold temporary exhibits by cutting edge artists from the world round, but it officially houses the collection of Iceland’s great modern artist Erró. The permanent exhibition of his work is completely breathtaking and gives a glimpse at one of our biggest cultural influences. Iceland Expo Pavillion (Old Harbour) Even though everyone wants to get out of the city and see some of those iconic landscapes, it’s not so easy to pull off between the concerts and the parties and the hassle of car rentals. If you can’t make it happen, head to this giant 360° panoramic film that was originally made for the 2010 World’s Fair in Shanghai. The fifteen minute long film is a complete im- mersion into the intensely enigmatic power of Iceland’s nature, without all that extra raingear and emergency supplies. Kraum (A!alstræti 6) Since you’re coming for Airwaves, you’re most likely going to want to grab some of the official festival merch (available at the visitor’s cen- tre), but you might also want to grab some of that great Icelandic design you’ve heard so much about. Kraum is the perfect spot for all your design needs, covering a massive range of styles, sizes, prices and practical pur- pose. Even if you’re not in the market to buy, drop in to check all these cre- ations out, gallery style. PARTY ALL THE TIME Loft Hostel (Bankastræti 7) What better way to start an evening of shows than by socialising on a forty-foot square deck overlooking the city’s main drag? Not too much, honestly. This bar on the top f loor of a fine hostel is both an off-venue and just a generally great place to hang out. It’s also high up enough that you can maybe get a view at how bad the line-ups are outside venues! Okay, maybe not, but it’s a really nice place for a drink. Bravó (Laugavegur 22) This location has had many names, but it’s always been a great place to have a drink. Now the downstairs neighbour to gay bar du jour KiKi, this cosy corner is ideal for the begin- ning of a night or for the very end. The friendly bar staff have a secret cocktail recipe that will loosen up your bones to get you moving at the shows. Dolly (Hafnarstræti 4) It’s one hundred percent pure house at this funky little shack named after Mrs. Parton herself. If you’re not all danced out after all the great hip- shaking sets at the festival, come work out that extra energy here where you’ll be surrounded by like-minded grinders. Who knows who you might find to grind on there, too. Hmm... Kaffibarinn (Bergsta!astræti 1) Of course, you can’t go wrong start- ing or ending (especially ending) your night at this Reykjavík stal- wart. It has its up and downswings, but in the end, this place is like the beating heart of the local nightlife, immortalised in classic movies and raved about by locals and bloggers. Go there to find out why and have an unforgettable, or an unforgettably forgotten night! How to make the most of Reykjavík during the five-day festival —Words by R.X. Beckett Wasted At Airwaves Your last sip of beer is not the bot- tle’s last song —Words by Alex Baumhardt You may have noticed that the big Air- waves festival booklet is nowhere to be found this year. That’s a good thing, says festival manager Grímur Atlason, who came into Airwaves four years ago with the intention of making the festival less wasteful and more sustainable. The book, which was more than 50 pages long in the past, will be available digitally on the Air- waves website and on their app. As the festival grows, paper won’t be the only thing getting cut. Grímur would like glass bottles, garbage bins and out- dated equipment to be, in some part, re- placed by aluminium cans, recycling bins and the most energy efficient gear. “We’re taking baby steps right now,” Grímur says. By default, the festival starts on a good foot. Taking place in a city means you can walk and bike everywhere and the infra- structure already exists. No one is driving to the countryside to trample over nature in the name of two-stepping to a sun god and flailing their arms in the air. But this doesn’t negate the toll of getting to Reykja- vík in the first place and romping around the city on a 120-hour bender. “We know this festival means that there are a lot of extra flights coming into the country,” says Grímur, who oversees the arrival of 8,000 people to the festival each year, 4,500 of whom come by plane, leaving a carbon trail in the airwaves as they fly in. Going forward, he’s thinking of buy- ing carbon offsets for those 4,500 or more flights that bring concertgoers in, and then plugging that into the ticket price. He’s also trying to model Airwaves after Hillside Festival, an event of similar size that takes place each summer in Ontario, Canada. Environmentalism is a part of Hillside’s mission statement and they provide concertgoers with reusable cups to bring to shows, locally sourced, or- ganic food and recycling bins everywhere. “I saw what they were doing there and thought, ‘we should definitely be doing it this way, too,’” he says. Grímur says he wants to distinguish the festival from Iceland’s tourism indus- try, one industry he feels is unsustainable and shamelessly cashing in on the fest’s foreign audience. “Iceland kind of brands itself as this really ‘green’ country and we all know that’s not totally the case,” he says. He’d like Airwaves, however, to earn the distinction of a ‘green’ event. The potential to carry this out has a lot to do with where Grímur can extend his control. In 2012, he commissioned volun- teers from World Wide Friends (WWF), a non-profit organisation promoting envi- ronmentalism, to pick up at venues after shows and salvage recyclables. He is hop- ing to get more volunteers this year. At venues like Harpa and Reykjavík’s Art Museum, he wants to make sure that beer is being sold in aluminium cans rather than glass bottles (aluminium cans are more easily recycled and repurposed) and he wants to make sure they are mak- ing access to recycling bins easier for all. At smaller venues and off-venue sites, he carries little weight over the materi- als used, what’s served or how clean they choose to make their involvement in the festival. He hopes to incentivise all venues to join Airwave’s green effort in the future and to please start by selling beer in alu- minium cans at a lower price (with recy- cling bins in handy spots). And if a more environmental Airwaves festival means cheaper beer, then perhaps we’re ready to dance on the grass of that other, greener side.
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