Reykjavík Grapevine - 12.12.2016, Page 20

Reykjavík Grapevine - 12.12.2016, Page 20
The R eykjavík G rapevine Iceland A irw aves Special 20 16 20 Typically it’s animal instinct to flee south for the winter. But Alvia Islandia, who has spent the past year in Copenhagen, is ready to come home. It’s been a productive year for her on the European mainland making music videos, perfecting her live performance, and releasing her album ‘Bubblegum Bitch’ in early June. But a month ago she quit her job as the shake girl at Copenhagen’s Laundromat Café and bought her ticket home. As she puts it: “I’m not leaving because I don’t like to be here. I love it here. But I feel like you should be where you want at any given time. Now it’s time for me to be in Reykjavík.” It’s not as if she’s heading back to hole up. Alvia is ready to hit the ground running. On No- vember 4 she takes to the stage at Húrra at Iceland Airwaves, squished into a nice 22:30 spot between GKR and Lord Puss- whip, two of her big influences in the Icelandic rap scene. Her other winter plans include pro- ducing her own beats, drinking red wine, and getting onto every child’s Christmas list. It’s just as easy to imagine her appeal to a nine-year-old girl writing to Santa as it is to imag- ine her in front of the crowd at Húrra. “I’ve been writing music since I was sixteen,” she says, “but it was nothing like the mu- sic I make now. It’s evolved a lot. Then I was just a teen, trying to pull it all together. Now I feel re- ally comfortable with my music. I feel like it’s really me.” Quick Lips Sink Ships What is “me?” From this side of the Atlantic, “me” is one hand painted with pale yellow nail polish and the other with bright pink. It’s a pigtail up-do that bobs while she bounces around her seat, never staying too long in any one corner of the screen that we’re talking through. Though in photos she comes off as the lean-back, droop-in- the-eyelids kind of cool, Alvia is charged with energy. It’s ev- ident in her brightly flavored style and her quick-lipped lyri- cism. It’s evident in the way she bounces around from Prague to Sweden to Denmark to Reyk- javík (“I think of the world as my home,” she tells me). And it’s ev- ident, lucky for us awaiting her Airwaves arrival, in her perfor- mances. Back in June she caught the attention of media around the scene with her Hubba Bubba-fu- elled show at Secret Solstice Festival. “I love to perform,” she nods. “I’m always trying to improve my show. I saw Die Antwoord perform this year at Secret Solstice, they were a kill- er show. And Gísli Pálmi, he al- ways gets everyone hyped.” Her attraction to performance may stem from being part of a big, wide-spread family. Or, it could just be that Alvia really likes to get hyped. That’s not to say that her songs and lyrics are as bubble- gum-pink as her image. A lot of times the lyrics—constant- ly swirling in her head—come from some sort of dark place. “Especially when I first started writing music, I would write when I was upset,” she says. “Then it would start to rhyme. And then, if I was lucky, it would turn into poetry.” Just like when she was first starting out, Alvia writes about what she knows. And right now, that means: “Chasing dreams, loving, put- ting in work, travelling, enjoy- ing—my vision is Sally pink mystic vibes and putting myself into situations that make me grow in a bubbly way.” Catch Alvia’s Airwaves perfor- mance at Húrra on November 4 and her off-venue night at Paloma on November 3. Home Is Where The Hype Is Words Parker Yamasaki Photo Nanna RúnarsThe return of Alvia Islandia

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