Reykjavík Grapevine - 02.02.2018, Síða 32

Reykjavík Grapevine - 02.02.2018, Síða 32
Music Sónar Reykjavík, which takes place March 16-17th, has added a raft of new names to the 2018 lineup. Iconic UK duo Underworld join an impressive lineup that includes Danny Brown, Bjarki, Nadia Rose, Jlin, Lena Willikens and more. Also announced are Lindstrøm, LA R’n’B producer TOKiMONSTA, feminist hip-hop collective Reykjavíkurdætur, and Icelandic artists Flóni, Joey Christ and Blissful. Australian Íslandsvinur and electronic/noise music star Ben Frost also joins the lineup. Ben’s last album, ‘The Centre Cannot Hold,’ is a monolithic work—and his last two Iceland shows were both cancelled. So, here’s hoping this one works out. Dance music veterans Gus Gus are back in action for 2018. Currently operating as a duo comprising singer Daníel Águst and producer Biggi Veira, their tenth studio album, entitled ‘Lies Are More Flexible,’ comes out February 23rd. The first taste of the album is the single ‘Featherlight,’ which suggests a continuation of the pop-techno direc- tion the band have pursued in recent years. A remix EP will drop on Febru- ary 9th, with versions by Johannes Brecht, Alex Banks, Metodi Hristov and Attmoss. Some Icelandic bands have announced international tours for 2018. Slick electronic pop trio Vök will tour the UK in March, between the 19th-27th. Folkie crooner Ásgeir has announced three dates in Australia—he’ll play Sydney on April 1st, then Melbourne on the 4th and 5th. Björk has announced that she's playing several summer festivals, including All Points East in the UK and Primavera Sound in Spain. Björk is also up for a BRIT award; if she wins, it would be her sixth. MUSIC NEWS Killing It Masked duo Madonna + Child on cats, socks, Megas, and their second album Words: Alexaner Jean de Fontenay Photo: Art Bicnick Madonna + Child live at Húrra on February 8th In a packed Reykjavík alehouse two black-clad, masked figures appear onstage with a minimal setup of a computer, a keyboard, and a couple of mics. This equipment is accompa- nied by a tableau of props including knives, scissors and small animal figurines. The music that follows is raw, unruly and experimental, backed by a minimalistic but steady electronic beat. The pair occasion- ally flash secretive hand gestures, covering their eyes as they sing about killing, cutting, death and sorrow. They are Madonna + Child, a myste- rious duo known for their alternative approach to music and performance. The horror The duo behind Madonna + Child insist on remaining anonymous. “Faces don’t matter,” they de- clare. “And they shouldn’t. We are both Madonna, and both Child.” When asked why they make mu- sic, they say: “Because why not?” Music is Madonna + Child’s way of welcoming people into their world. Before each gig, they drink coffee to- gether before collecting the things needed for the concert. “Everything is always lost,” they say. “We’re usu- ally running around the city for hours be- fore our gigs.” They mournfully reminisce about having to fetch windchimes in Breiðholt an hour before a soundcheck, and comb- ing through Reykjavík for match- ing socks. “Nobody sold the socks we wanted,” they say, with a grin. “We ended up in a horrible place called Kringlan. Oh, the horror.” A productive year Madonna + Child had a notewor- thy performance last January sup- porting Panos From Komodo’s at Rauða Ljónið, a tucked-away pub at the Eiðistorg mall. They wore vi- sion-obscuring cat masks, and were joined by a cat dancer for “Kisu- lagið,” their kind-hearted ode to an undisciplined cat. “We kept bump- ing into the walls, each other and nearly everything else,” they smile. "It made it hard to play the keyboard." This offbeat approach has gained them a cult following. In July of last year, a cassette release of their debut album ‘All Around You’ quickly sold- out. After some Airwaves off-ven- ues, they opened for Icelandic music legend Megas at a sold out show in December. “One half of the people were very confused and didn’t un- derstand what was going on, while the other seemed to like it,” they re- call. Perhaps Megas himself received a similar reaction, back in the day. Black hole future The masked duo are planning to bolster their live performanc- es by adding visuals to their set- up. “We’re working on a choreo- graphed dance, which we will reveal this year,” they eagerly announce. Plans for a Japanese release of their debut album are in the works, and a new vinyl/cassette entitled ‘Sisters’ is due this summer on Lady Boy Records. On February 8th, they’ll play a con- cert at Húrra with a black hole theme, sharing the stage with Andi, dj. flug- vél og geimskip, Harry Knuckles and Sveimur. “We’re also planning an album based on the German children’s book ‘Der Struwwel- peter’,” they say. “It demonstrates the disastrous consequences of misbehaviour to naughty children.” With all these plans, and a song on the recent MYRKFÆLNI mag- azine compilation, it appears that Madonna + Child’s cult congre- gation is set to grow and grow. Gaukurinn bar & live venue TRYGGVAGATA 22 ...and all of these other events: 2/2: "A Nightful of Wonda" - Wonda Starr's leaving (drag) show 3/2: LEGEND album release concert 4/2: Singer/songwriter night 7/2: Don Joey farewell concert 8/2: Scotch on Ice comedy festival 9/2: Nexion album release concert, with Dynfari, CXVIII and 0 10/2: Nordic Folk Music and Rune magic: Læknishljómar, Seiðkonur Hjartans, Tanya 11/2: Poetry & Prose night 14/2: The Golden Mic (open-mic standup) 15/2: Blúsbrot annual concert 16/2: Drag-Súgur queer variety show 17/2: Soundgarden tribute 21/2: The Golden Mic (open-mic standup) 22/2: Drag-Súgur DRAG LAB 23/2: Saktmóðigur, DDT Skordýraeitur 24/2: Nordjevel (NO), Avslut (SWE), Nyrst, Örmagna 28/2: The Golden Mic (open-mic standup) www.gaukurinn.is STANDUP COMEDY in English every Monday KARAOKE PARTY every Tuesday Free entry and starts at 21 both nights We are very queer friendly, open and diverse. And we have Vegan cocktails. HAPPY HOUR every day from 14 to 21 gpv.is/music Share this + Archives From the left; Madonna/Child, Child/Madonna (or vice versa)

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