Bibliotheca Arnamagnæana - 01.06.1968, Page 159
LAUDES SALVATORI - REX OMNIPOTENS
lu-cun- den-tur et cun-ctl era-tu- le-mur ln ce- lis spl-ri-
ta- les cho-rl J
In AH 54 MSS. are enumerated, mostly German and Swiss; less
numerous are the French, Italian, and English ones. Place of origin:
S. Gallen (Notker) or perhaps France? (cf. AH).
REX OMNIPOTENS
MSS: A. Facs. 8-9; the recto and verso of two conjoint fragments;
the recto runs from v. 4b (7) [laxanjdi to 7a (12) enim, the verso
from 10a (18) est to 11b (21) tar[tara], — J. Fac. 86,1. 4 — fac. 87;
half of each line is cut off and two lines are lacking at the bottom;
the fragment ends with 10a (18) vo[bis]. — ZZ. Fac. 165—fac. 166,
I. 11, text without music; the top lines and a vertical strip of the edge
are cut off.
Text printed in AH 53, No. 66.
Textual differences from AH in A: 6a (10) Ierosolyma] ierosolimis,
10a (18) nobis] uobis, 10b (19) veniet] ueniens, 10b (19) commissi]
commissa, 11a (20) fraude] quem fraude (also in Missale Nidro-
siense, where the words of the sequence are printed); — in J:
7a (12) multos] multu[m?], 10a (18) nobis] vo[bis]; — in
ZZ: 6a (10) Ierosolyma] hierosolimis, 8b (15) aera] ethe[ra], 11a
(20) fraude] quem fra [ude], 12a (22) gaudia] gaudiis, 12b (23)
II. 1-2 and 3-4 are transposed (as in Miss. Nidr.), 12b (23) quaesumus,
sempiternam requiem] petimus sempiterna gaudia (as in Miss. Nidr.),
12b (23) cum] dum, 13 (24) omnes] T-.
In the bottom line of fac. 31 there is a heading, “In die sancto
In ascensione d[omini]”, which probably belongs to this sequence.
If so, the page rendered as fac. 31 originally preceded the page
rendered as fac. 8.
The music of this sequence is essentially the same as that of
85