Bibliotheca Arnamagnæana - 01.06.1968, Side 279
CELI ENARRANT GLORIAM - LAUS TIBI CHRISTE QUI ES
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f
I J J § l-+-t
que au- di-sti a pa- tre no- ti- fl-cas (13) Ml- se-re- re
sl-mus slc-ut ln pa-tre tu es u- nus
In AH 11 MSS. are enumerated, mostly German (plus Austrian,
Swiss). The author was Godescalcus Lintpurgensis (d. 1098).
LAUS TIBI CHRISTE QUI ES
MS: q. Fac. 334-fac. 335,1. 2; the latter part of the sequence from v. 8a
pbariseo onwards [in the following transcription of the music n is
used for this MS.].
Text printed in AH 50, No. 268.
Textual differences from AH: 8a satiatus] saturatus, 10b spernit
pharisaei] spernis phariseus, 10b vexat] uexans, 11a and 11b are
transposed, 12 nos]
In the following transcription the missing part, vv. 1-7, is supplied
from Schubiger No. 58 and Moberg No. 23.
In accordance with Moberg’s rendering the signature b flat is
carried through consistently, which is not the case in Schubiger’s,
which represents a MS. where the signature is quite often forgotten.
Moberg, who collates 11 MSS., says: “Alle Quellen schreiben die
8. und folgenden Strophenmelodien in der oberen Quinte”, viz. c,
e, g, etc., which he transposes down to F, a, c, etc., except that
b flat cannot come down to E flat, but to E natural.
The following consideration speaks for his being right. In vv. 1-6
the final is F, while in all the following verses it is c. Certainly, in
the middle of a sequence the final of a verse or verses is quite often
lifted up a fifth; but as a rule, the end of the melody uses the same
final as the beginning.
It appears that our MS. q also begins v. 8 with the notes c, e, g,
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