Reykjavík Grapevine - maj 2021, Qupperneq 24

Reykjavík Grapevine - maj 2021, Qupperneq 24
‘Mobile Home’ by GusGus The le!ends of Icelandic electro talk throu!h their new album, 80s synth arpe!!ios and the devil on roller skates Words: John Pearson Photo: Art Bicnick Track By Track ‘Mobile Home’ will be released on May 28th across all platforms. GusGus join forces with Vök vocal- ist Margrét Rán on their new album ‘Mobile Home’, as well as hooking up with former bandmates Siggi Kinski and Stefán Árni for lyrical and vi- sual collaborations. Grapevine met GusGus mainstay Biggi Veira, fellow founding member Daníel Ágúst and Margrét Rán at the band’s Reykjavík studio to talk us through the album. Stay The Ride Daníel: “Stay The Ride” is about the disorientation of a person and his connection to reality; creating his virtual reality through a smart- phone. Biggi: This track has a massive chorus featuring Dan, but we felt that it needed an extra voice. Mar- grét tried it and I thought, “Yes, this is what’s needed to finish the album; her just doing the final touches.” Higher, feat. Vök Margrét: Biggi sent me the demo and I was like “That's an odd one, but really cool.” I was really into watching ‘The Crown’ at the time, so I linked the song to the whole concept of majesty and power. The characters were so powerful, in a way, but in another way so power- less and isolated from reality. Daníel: And the concept of isola- tion from reality comes up in more lyrics on the album. Biggi: Maybe what Margrét feels is majestic is the Vangelis influence. It’s a reggae-dub-techno Vangelis track. Simple Tuesday Daníel: The guy in “Simple Tues- day” is totally lost. He's not even trying to be the best version of himself. He's lost in procrastina- tion and trying to decide when he's going to be himself. When can he stop being so lost and just get a grip on his life? Love Is Alone Daníel: When working on new tracks, you sometimes come up with stupid lyrics like this, as placeholders just to create a mel- ody. T hat phrase kind of rang in my head. Margrét: And you sometimes cre- ate gold by doing that. Daníel: But in the final lyrics we decided to keep this strange con- cept of love being alone, because it is sadder than sad to say that love is alone. Our World Daníel: It’s about the frame that society puts you in, which we then just carry around because that's how people want us to be. And that's how we think we should be- have for others. Biggi: Or maybe it’s the frame that you choose in context with the re- ality you want to seek. You say “I want to be like this,” and then you have to fit into that frame. Daníel: Yes. So it’s a self-made frame, basically. Original Heartbreak Daníel: The broken heart of youth. It’s about unrequited love and a very fragile relationship between people who are attracted to each other, but shouldn’t be because it’s… Biggi: …socially illegal. It’s love and shame. And then it’s discov- ered, and the bomb blows up. Daníel: And that’s when the origi- nal heartbreak happens. Silence Daníel: This was one of the demos that I really loved. That arpeggio was just so fast, busy and hypno- tizing that it pushed me to write about silence. Because it was so noisy, so busy, and so eager to grab you, I used silence as a weapon against the noise. The Rink Daníel: We share this fond memo- ry from our teenage years—roller skating in those rinks that had been set up in town. We shared that experience, and then we came up with this idea of a struggle be- tween good and evil in this sup- posedly innocent recreational world. Biggi: Yeah, “The Rink” is a song about a fight between good and evil on roller skates. Flush Biggi: And the story is over. So where do we go from here? Just flush it down the toilet so it gets washed away, and start again. Daníel: Clear the mind and start over. Biggi: So basically that’s what “Flush” is about. It’s just a spiral- ling toilet flush. The best of Icelandic produce with a nod to Japan and South America. Modern Icelandic flavours, share plates and award winning cocktails. Sushi Social !ingholtsstræti 5 • 101 Reykjavík Tel. 568 6600 • sushisocial.is Our kitchen is open 17.00–23.00 sun.–thu. 17.00–24.00 fri.–sat. SOCIALIZE WITH THE LOCALS ICELANDIC SEAFOOD makes world’s best sushi 24The Reykjavík Grapevine Issue 05— 2021 GusGus in their studio, which is unfortunately not a mobile home Track By Track “Maybe what’s majestic is the Vangelis influence. It’s a reggae-dub-techno Vangelis track.”

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