The Icelandic Canadian - 01.11.2006, Side 21

The Icelandic Canadian - 01.11.2006, Side 21
Vol. 60 #3 THE ICELANDIC CANADIAN 107 Canadian Icelandic identity is keeping the ctilture in the past: “Still a great source of pride among Western Icelanders, this experiment in autonomy, coupled with an impressively adversity-laden history, is probably what has encouraged the commu- nity to remain as endearingly touchy and vain as they are.” Maddin thus portrays the Canadian Icelandic identity as a legacy to which subsequent generations have attached themselves without regard for its applicability in an evolved environment. The establishment of the Icelandic people in the New World was encircled in a shroud of hardship and isolation and a specific New World mythology was creat- ed as means of coping with these chal- lenges. This mythology also served in solidifying an Icelandic-Canadian pride that has been passed on to succeeding Canadian generations. However, it is the resistance of this identity to evolving with the needs of the culture that weakens its accessibility to experiences outside those of the immigrants. Charlie Thorson hints at this criticism in his poem Liceland in which he expresses frustration over the absence of Icelander resilience during the Depression. However, it is in Guy Maddin’s Tales from the Gimli Hospital that the futility of an empty Icelandic Canadian patriotism is fully articulated. Ultimately, it remains to be seen how the Icelandic-Canadian self- image, developed out of the immigrant experience, will itself persevere as an unal- tered relic in an ever-changing environ- ment. Bibliography Anderson, John.“Guy Maddin,” Film Comment 41.10 (1998). Church, David. “An Interview With Guy Maddin,” Offscreen 10.1 (2006), January 31, 2006 <http://offscreen.com/phile/essays/brand- ed_brain/>. Gunnars, Kristjana. Unexpected Fictions: New Icelandic Canadian Writing. Winnipeg: Turnstone Press, 1989. Losier, Marie, and Richard Porton. “The Pleasures of Melancholy: An Interview With Guy Maddin,” Cineaste 29.3 (2004). Neijmann, Daisy L. The Icelandic Voice in Canadian Letters: The Contribution of Icelandic-Canadian Writers to Canadian Literature. Amsterdam: Vrije Universiteit, 1994. Maddin, Guy. From the Atelier Tovar: Selected Writings. Toronto: Coach House Books, 2003. Vatnsdal, Caelum. Kino Delirium: The Films of Guy Maddin. Winnipeg: Arbeiter Ring Publishing, 2000. Walz, Gene. Cartoon Charlie: The Life and Art of Animation Pioneer Charles Thorson. Winnipeg: Great Plains Publications, 1998. Daisy L. Neijmann, The Icelandic Voice in Canadian Letters: The Contribution of Icelandic-Canadian Writers to Canadian Literature (Amsterdam: Enschede, 1994) 104. Neijmann 4. Neijmann 76-77. Neijmann 87. Kristjana Gunnars, Unexpected Fictions: New Icelandic Canadian Writing (Winnipeg: Turnstone Press, 1989) xiv. Neijmann 88. Gene Walz, Cartoon Charlie: The Life and Art of Animation Pioneer Charles Thorson (Winnipeg: Great Plains Publications, 1998) 15. Walz 37-38. Walz 58. David Church, “An Interview With Guy Maddin.” Offscreen 10.1 (2006), January 31, 2006 <http://offscreen.com/phile/essays/brand- ed_brain/>. Marie Losier and Richard Porton, “The Pleasures of Melancholy: An Interview With Guy Maddin.” Cineaste 29.3 (2004): 18-25. Guy Maddin, From the Atelier Tovar: Selected Writings (Toronto: Coach House Books, 2003) 12. Losier 22. Maddin 92. Church. John Anderson, “Guy Maddin.” Film Comment 41.10 (1998): 63-67. Caelum Vatnsdal, Kino Delirium: The Films of Guy Maddin (Winnipeg: Arbeiter Ring Publishing, 2000) 43.

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