Reykjavík Grapevine - 13.07.2018, Page 8

Reykjavík Grapevine - 13.07.2018, Page 8
IHave you ever confused ‘The Green Mile’ with ‘8 Mile’? ‘10 Years A Slave’ with ‘10,000 BC’? Yes, pretending to be a film intellectual is hard, especially in Iceland, where there’s only one movie theatre dedicated to the more chichi side of film. But don’t worry—to show the world you’re an Icelandic film connoisseur and show your smarts off to that hot TA, there’s one work that you should know. It’s called ‘Börn náttúrunnar’ (‘Children of Nature’) and it’s the only Icelandic picture to ever be nominated for an Oscar (in 1991), and as we know, Oscar picks are the crème de la crème. Cinematic seduction Directed by Friðrik Þór Friðriksson, the film is about an old couple, Þorgeir and Stella, who decide to bucket-list it and go visit the town they grew up in. It’s a lighthearted work, for sure, but still filled with those lovely emotional m o m e n t s t h a t ’ l l give you butterflies. The New York Times described the film as, “an intelligent film, not easily categorised,” that, “consid- ers death as the perfectly natural, inevitable end of the life cycle”. High praise, right? If you want to sound particularly contemplative and brainy, recite that word-for-word to that sexy TA you’re trying to impress. This is fail-proof cinematic seduction. Punishing the innocent Unfortunately, the film didn’t win, and instead the academy chose ‘Medi- terraneo’ by the Italian director Gabriele Salvatores. That said, ‘Mediterraneo’ is a film about WWII and, as we know, the Academy is a sucker for trauma porn. What, are we supposed to punish Icelanders for not sending all their young men to die just because some Germans took over a Polish radio station? We demand a recount. WHAT HAVE WE WON? An Oscar (Nomination) #ChildrenOfNatureWasRobbed 8 The Reykjavík Grapevine Issue 12 — 2018 LÓABORATORIUM Children Of Nature, a classic Icelandic film Listen, watch & more tracks: gpv.is/play ASTVALDUR - Abundance This scorching track features a sparse sound palette that manages to sound both surgically cold and tinnitus-inducingly maxed-out the same time. The drop, when it comes, is an insistent arrhythmia that sounds much like a motherboard having a nervous breakdown whilst lost in the club. The album, ‘CORRELATION ATTEMPTS,’ is out now. JR Omotrack - Way Home “Way Home” is about the diaspora the brothers of Omotarck—Markús and Birkir—feel about their homeland. Born in the small town of Omorate, Ethiopia, the two boys explore the feelings of being caught in between the two lands in this upbeat melodic track that still projects a lovely feeling of wistfulness. HJC Hekla - Muddle The beguiling theremin experiments of Hekla continue to catch the ear of experimental music lovers, at home and abroad. Her latest single, “Muddle,” has breathy vocals floating inside an ambient, bassy cloud. An album, ‘Á,’ will follow on August on the UK-based Phantom Limb label. JR Kristín Anna - Forever Love Holding the torch for the gossamer- delicate, precious and precocious sound of Icelandic indie music is sometime múm- member and solo artist Kristín Anna, nee Kría Brekkan. “Forever Love” is a galloping piano-and- strings ballad; the lush video bears the fiery fingerprints of collaborator Ragnar Kjartansson. A promising harbinger for her album, ‘I Must Be the Devil.’ JR MAMMÚT – Kinder Version The video for MAMMÚT’s “Kinder Version” is a work of art in itself. It’s provocative and avant-garde— probably too much so for most mainstream markets in the world, because of all the disinhibited nakedness. The song itself reminds of one of Trent Reznor’s better compositions, with a Björk-ish flair. VG Andi - Á döfinni This sparkling Italo disco track has several constantly evolving and intertwining synth melodies skating over its bass groove foundation. It’ll make you think a little of electronic music staples like Kraftwerk and Hermigervill, and leave you hungry to hear the rest of his forthcoming second album ‘Allt í einu.’ JR THE GRAPEVINE PLAYLIST The must-hear tracks of the issue “We demand a recount.” Ka rp hú s WORD OF THE ISSUE The word of the issue is karphús, a word of unclear origin but more than one meaning. Karphús is almost always used in the context of “að taka einhvern í karphúsið,” or “to take someone by the karphús,” which means to really give someone a firm scolding. The word appears in Icelandic as far back as the 17th century, and could have been derived from the Danish “kapuds”, which is a type of hat with earflaps. This word itself may have been derived from the Dutch “karpoets”, another type of hat. So if you were to take someone by the hat, presumably to hold their head steady while scream- ing at them, you would really be letting them have it. At the same time, there is an actual building called Karphús, home of the offices of state arbitra- tion, a possible wordplay with “karpa”, meaning to argue. You can find a simi- lar word in English, “carping,” which means to be very critical. It’s a weird and wonderful word, and that’s why karphúsið is the word of the issue. PF Words: Hannah Jane Cohen Photo: Still from the film First

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