Reykjavík Grapevine


Reykjavík Grapevine - 16.07.2018, Blaðsíða 24

Reykjavík Grapevine - 16.07.2018, Blaðsíða 24
When crafting a fairytale world, it can be easy to idealise the characters and create a universe that’s completely disconnected from our real world. In an effort to shape a place that is “kid friendly,” authors can end up leaving out the more difficult elements of life that make us human. Imperfections, nuances and complexities may be omit- ted and each character can come to symbolise just one personality trait, so that children can more easily under- stand the concepts at hand. For the co-founders of award-win- ning Icelandic design brand Tulipop, it was essential to create an enticing fairytale world without such simplis- tic depictions. The Tulipop world, with its flawed and sometimes insane Tu- lipoppers, has now been spotted by the production company Zodiak Kids, which recognised the brand for this exact quality. The two companies are currently working together to turn the Tulipop universe into an animated TV show, while retaining Tulipop’s dark and original artistic vision. The beginnings of Tulipop Tulipop was created by Helga Arnadót- tir and Signý Kolbeinsdóttir in 2010. The two originally met in high school and Signý went on to study product de- sign in Iceland, while Helga pursued an MBA from the London Business School. Upon returning home from London, Helga saw the potential in Signý’s cre- ative works. “Signý was drawing these fantasti- cal characters that would later become the Tulipop characters,” Helga says. “I sensed that there was a magical quality to her work, and I loved the aesthetic. When I showed friends and family the designs, they wanted to know the background stories of the characters and who they were. It really spiraled from there. Signý and I shared the belief that we could cre- ate something togeth- er.” T h e i n s p i r a t i on for the characters came intuitively to Signý, who has always been drawn to natural elements such as the mush- rooms and trees that characterize the Tulipop world. “When I was little, I did a tiny, tiny book about mushrooms,” she says. “I think the designs are part of my subconscious. And the stories behind the characters take inspiration from the folk stories of Iceland I grew up with.” No bad guy Signý is now the Creative Director at the company, while Helga manages the business side as the CEO. They’ve creat- ed a merchandise line based on Signý’s origi- nal designs, featuring products such as lamps shaped like the various mythical beings, and everything from water bottles, to stationary and tableware bearing their images. Signý comes up with the stories behind the characters, which cus- tomers can read about in pamphlets that ac- company the Tulipop products. Everything is based on her original ideas. “I wanted this world to showcase darkness and complexity, alongside goodness,” she says. “The characters are based on family mem- bers and friends. No one is perfect. The characters are like human beings in fairy tale costumes. They are not ide- alised.” Signý adds that she often sees char- acters in children’s TV shows who are stripped of flaws. “There’s a good guy and he’s really good,” she says about these types of shows. “And there’s a bad character and he’s really bad. In the Tulipop world, there is no bad guy. You don’t need a bad guy—it’s not rel- evant. Do you know anyone in real life who is strictly bad? Everyone is flawed. Everyone has their good side. We want to avoid creating a simplistic world.” The kids will be fine Speaking of the impact that these sto- ries and characters have on children, Signý emphasises that children can handle much more than we give them credit for. “Many children’s shows speak down to children,” she says. “The material has been sterilised so that kids ‘can un- derstand.’ They depict worlds that turn a blind eye to the difficult aspects of life. I have always admired the films of Studio Ghibli and the stories of Astrid Lindgren because they can be mystical and scary even though they’re for chil- dren.” “The kids will be fine,” she adds. “They engage in these stories and they Words: Christine Engel Snitkjær Photos: Art Bicnick Helga Arnadóttir and Signý Kolbeinsdóttir, the minds behind Tulipop Culture The Dark Dreamworld Tulipop redefines the boundaries of children’s TV shows Info Visit the Tulipop flagship store on Skólavörðustígur and find out more at tulipop.com. sjavargillid.is SKÓLAVÖRÐUSTÍG 14 | 101 REYKJAVÍK | +354 571 1100 | SJAVARGRILLID.IS “Everyone is flawed, but everyone has their good side. We want to avoid creating a simplistic world.”
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