Reykjavík Grapevine


Reykjavík Grapevine - 05.10.2018, Blaðsíða 40

Reykjavík Grapevine - 05.10.2018, Blaðsíða 40
List of licenced Tour Operators and Travel Agencies on: visiticeland.com Licensing and registration of travel- related services The Icelandic Tourist Board issues licences to tour operators and travel agents, as well as issuing registration to booking services and information centres. Tour operators and travel agents are required to use a special logo approved by the Icelandic Tourist Board on all their advertisements and on their Internet website. Booking services and information centres are entitled to use a Tourist Board logo on all their material. The logos below are recognised by the Icelandic Tourist Board. pho.is We specialize in Asian Cuisine Vietnamese Restaurant ➀ Laugavegur 27 ➁ Suðurlandsbraut 8 Tel: 588 68 68 40The Reykjavík Grapevine Issue 18— 2018Culture As we drift into autumn and both Air- waves and the end of the year get closer on the horizon, we thought it would be a good time to look back at the Icelan- dic music that most enthralled, inspired and surprised us over the last twelve months. From gothronica to nu-classical to doom-rock and zeitgeist-capturing in- die-pop, here’s the first part of our music team’s tracks of the year. John Rogers An underrated album this year was ‘Light Is Liquid’ from múm's Örvar Smárason. It’s loaded with crisp, clean electronic melancholia, produced with a beautiful retro-futurist sheen. Lead single “Photoelectric” is a highlight, with a guest vocal performance from up ‘n’ comer Sillus, but the tracks I’ve returned to most frequently are “Hail- storms & Hydrogen Bombs,” which expresses fleeting moments of posi- tivity under the twin spectres global warming and Trump-era politics, and “Cthulu Regio,” which offers a pretty stoic take on the end of the world. An- other must-hear is the forthcoming “Affliction/Absolution” 7” from emerg- ing goth-pop star Sólveig Matthil- dur—her band Kælan Mikla is going overground this year after opening for Placebo and The Cure, but her solo ma- terial is nakedly emotional and utterly compelling. Hannah Jane Cohen In my interview with Ólafur Arnalds earlier this year, he joked about how he wanted his music to be more than just something you put on in the back- ground while studying. I get what he meant, but Ólafur has a knack for turning passive listening into a vis- ceral experience. Managing to be at once both calming and completely in- offensive, his newest effort, ‘re:mem- ber’ is as good as mood music can get. Standouts for me include the title track and “they sink,” both of which are great to cry to. Ólafur may not be the most hip choice on this playlist, but hey, it’s been on rotation at my place. Phil Uwe Widiger My track of the year so far is the third track of Morpholith’s ‘Void Emis- sions’ EP. “VoidWalker” is the EP’s longest track, clocking in at 12 min- utes, and it’s worth every second of it. The song starts with a melodic riff, followed by a verse with clean singing that consequently breaks down into a heavier part with feverish screams—a little taste of what is yet to come. Mor- pholith are known for incorporating psychedelic elements into their ston- er-doom sound, and the solo on this track is no exception. At around five minutes, the track slows down, and we are led into a melancholic section, featuring spoken word, with amazing drum parts. The song builds in inten- sity, only to climax into a breakdown that makes my neck hurt every sin- gle time. When the song finally ends, I always have trouble remembering where I am at, as if I had just travelled into another world. Pure eargasm. Valur Grettisson It’s safe to say that the one of the most distinctive bands in the Icelan- dic music scene is the project of the brilliant farmer-slash-musician Prins Póló. His new album, ‘Þriðja kryddið’ (‘The Third Spice’) is full of humor- ous naive melodies and surprisingly inventive lyrics about carelessness— like what to do when the toilet paper is missing, and a melancholic ode to the let downs in life. Which brings us to the greatest track of the year, “Líf Ertu Að Grínast” (“Life, Are You Jok- ing?”). This depressing anthem about the mundane rituals of life is ampli- fied with sarcastic Disney-style steel drums, cheerful ‘whoos,’ and perky ‘80s drums. But don’t let all that fool you, for the mindfulness is busy, it’s out walking the dog. Everybody is just out working their ass off, and asking themselves vital questions like “do I have any chance to own a blue metallic Benz or a fake fur coat?” The album is easily one of the best of the year, and “Líf Ertu Að Grínast” is on its way to become a defining song of a genera- tion. Words: The Grapevine Music Dpt. Photo: Ingibjörg Birgisdóttir This Year’s Must Hears The Grapevine team’s favourite tracks of 2018, part one Cry me a waterfall, it's the end of the world as we know it gpv.is/culture Share this + Archives “‘Líf Ertu Að Grínast’ is on its way to become a defining song of a generation.” Listen: Hear the tracks at gpv.is/tymh, and check out our latest playlists at gpv.is/play.
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