Reykjavík Grapevine - 01.11.2018, Side 32

Reykjavík Grapevine - 01.11.2018, Side 32
The R eykjavík G rapevine Iceland A irw aves Special 20 18 32 Amidst the noise and chaos of Iceland Airwaves, KEXP’s off-venue—which the Seattle radio station has hosted for the last ten years, mostly at Kex Hos- tel—has been a staple. Each year the station broadcasts live video sessions by established stars and up-and-coming prospects from Kex’s packed bar, transmitting the atmosphere and artistry of Airwaves to a global audience. Good start KEXP’s Chief Content Officer, and the host of the station’s afternoon show, is the affable Kevin Cole, who is instantly recognisable for his distinctive mane of silver hair. An easygo- ing presence with a clear rever- ence for music, Kevin is a long time Icelandophile who first vis- ited Iceland on holiday in 2005, sowing the seeds for the part- nership. “I wanted to experience the midnight sun and the solstice,” he says. “I was a fan of Icelandic music of the 80s and 90s—Sug- arcubes, GusGus and múm—but when I heard Sigur Rós’ second al- bum in 1999, that sealed the deal. I just had to come visit and see where this music was created.” Bringing the ‘P’ Kevin drove the Ring Road, “met a lot of people, and bought a lot of records.” Back in Seattle, he started playing them out, and kept tabs on the scene. Then, in 2007, he met Hlynur Guðjóns- son, Iceland’s U.S. Trade Com- missioner, at a music event in New York where KEXP was broadcasting live. “Band of Hors- es were playing, and there was a lot of excitement, and he turned to me and said ‘we have to do this in Iceland.’ Of course, I said ‘Let’s do it.’” The partnership started with a small team, Jim Beckmann and Scott Holpainen, filming sessions with handheld cam- eras at RÚV. Einar Örn hosted the sessions, which were sent to Kevin in Seattle—seven hours behind—who would air them later that day. The next step was to broad- cast live. “I came out to scout lo- cations in the summer of 2011,” says Kevin. “Kex was just being finished. Benedikt Reynisson took me there, and it just felt like a good vibe for us right away. And it was KEX… we could bring the ‘P.’ It was just fortuitous and cool.” Taking it home Seven years later, KEXP has made around 1,200 v ideos from 250 sessions, which have, astoundingly, garnered over 85,000,000 views. “It’s been re- markable,” says Kevin. “We look at these trips as an opportuni- ty for discovery. We get recom- mendations, try and listen to everything, see what we think our listeners would like, and think about artists that might not make it out to Seattle in the near future. We thought it would be cool to work alongside bands and help make it viable for them to come and play in Seattle.” Kevin has a clear fondness— and demonstrable geekiness— for the catalogue of sessions. He looks through the list of artists, rapidly reeling off the names of artists like Sudden Weather Change, FM Belfast, sóley, múm, ADHD and Daníel Bjarnason. “If you look at years one and two, it’s incredible,” says Kevin. “MAM- MÚT were a baby band, as were Pascal Pinon. It’s been super cool to build relationships with mu- sicians over the years, witness their growth, and play a bit of a role in their evolution.” When we talk, the KEXP schedule for 2018 is still com- ing together, but Kevin runs through a couple of the con- firmed names—from huge stars to bands playing the festival for the first time—with an equal amount of glee. “There’s just a lot of incredible music being made in Iceland,” he smiles. “We just feel humbled to be involved, to connect music lovers and bands, and to bring their music to the global audience of music lovers that is KEXP.” KEXP PRESENTS At Kex Hostel throughout the festi- val. Check The Airwaves App for info “I just had to come and see where this music was created.” KEXP's Airwaves sessions have 85m views Words: John Rogers Photo: Jim Bennett & Charina Pitzel All About The Music

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