Reykjavík Grapevine - 01.11.2018, Síða 33

Reykjavík Grapevine - 01.11.2018, Síða 33
Th e R ey kj av ík G ra pe vi ne Ic el an d A irw av es S pe ci al 2 0 18 33 Berghaim is a character that is half-hidden and half-visible. The only thing that can be seen is his face, protruding from the ground. Having spent most of his life in solitude, he was shaped by the sounds around him, to which he is constantly listening. His two best friends are ducks that come to hang out with him regularly, and to lis- ten to him sing. They also study camouflage. When one duck disappears because it was al- ready better at camouflage than the other duck, an epic search for “the ghost duck” ensues. Welcome to the fantastical world of Berghaim. A face in the earth Bergur Thomas Anderson is the mastermind behind Berghaim. After playing in bands such as Grísalappalísa and Oyama, he has been focusing on perfor- mance art for the past few years. “When I moved to the Nether- lands, all of a sudden I had no- body to make music with,” he re- members. “So I started writing music on my own, which evolved into making music for perfor- mance pieces.” Berg ha i m—“a cha rac ter who is essentially a face in the earth”—came into existence about a year ago when Bergur began researching camouflage theories. “I’ve always thought about him as a younger, more in- nocent earth, related to Iceland being a relatively recent geo- graphical phenomena compared to the rest of the world,” Bergur explains. “By constantly listen- ing to all the sounds around him, he has acquired knowledge and ideas about society and cul- ture.” After spending all those years since the formation of Iceland in solitude, Berghaim learned how to speak and sing on his own. Operating a pirate radio station that broadcasts a mix of sounds, he became the world’s first ever sound collage artist. A voice in progress This summer, Bergur had the opportunity to go record in a music studio in Rotterdam, us- ing mainly the old synth and keyboard equipment available at the studio. The evolution of the songs was spontaneous, as Bergur was learning how to use the instruments at the same time he was recording. “With this project I was able to free myself from the burden of per- fection, which is dominant in the making of a pop album,” he explains. Berghaim is a voice in progress, finding perfection in imperfection. The hermit and the magician The theme of the concept album, inspired by the practice of tarot, revolves around the epic journey of regaining something lost and growing through the journey itself. In Berghaim’s case, it is the search for one of his duck friends that disappeared. Along the way, the protagonists also meet “the hermit’s friend,” who is a magician and the gatekeep- er to the underworld. He has the powers to make things disap- pear. Is the hermit’s friend the reason for the ghost duck’s dis- appearance? Berg u r a i m s to relea se Berghaim’s debut album “Songs From The Young Earth” before his performance at this year’s Iceland Airwaves music festival. Will the ghost duck be found? We’ll find out this November. BERGHAIM THU 8th, 23:30, Hressingarskálinn “With this project I was able to free myself from the burden of perfection, which is dominant in the making of a pop album.” The epic journey of Berghaim’s concept album “Songs From The Young Earth” Words: Phil Uwe Widiger Photo: Video Still The Search For The Ghost Duck

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