Reykjavík Grapevine - jan. 2019, Blaðsíða 32

Reykjavík Grapevine - jan. 2019, Blaðsíða 32
Music Hatari announced at the end of 2018 that the band would call it quits, having failed to bring down capitalism. A final concert was also announced for December 28th. However, they are also slated to play at January’s Eurosonic festival— a top music industry networking event, and a hive of capitalism as such, according to the ostensible world view of Hatari. At the time of writing, what the future holds for the award-winning band is unclear, but it seems very likely there are further plot twists to come. In related news, Eurosonic is Iceland-rich this year, with Kælan Mikla, Bríet, Hildur, Hugar, RVKDTR and Une Misère also featured on the lineup. JR Sónar Reykjavík has announced the second wave of artists for 2019. The biggest name is 90s all-purpose dance music duo Orbital, alongside Little Dragon and Kero Kero Bonito. Resident Advisor will host the base- ment car park stage, bringing techno artists Avalon Emerson, Benjamin Damage and upsammy, alongside their Icelandic contemporaries such as EXOS and Árni. Icelandic artists also joining the bill include FM Belfast, Auður, dj. flugvél og geimskip, Prins Póló, Halldor Eldjarn, Hekla and Hildur. Tickets are on sale now. JR Ascension MMXIX , which unexpect- edly rose from the ashes of Studio Emissary’s late Oration festival, finally released their long-awaited lineup in early December. As promised, the Ascension festival will feature a more diverse soundscape than that of the purely black metal Oration. Interna- tional titans Keep Dude, MGLA , and Tribulation will take the stage with, surprisingly, Sólstafir, as well as local black metal stalwarts Svartiðauði, Zhrine, Misþyrming, and many more. The festival will be held from June 13th to 15th at Hlégarður in Mosfells- bær. HJC MUSIC NEWS Hip, Hip, Húrra A metaphorical fist-pump NYE with Jon Hopkins and Kiasmos Words: Grayson Del Faro Photos: Réza Kalfane John Hopkins & Kiasmos NYE show at Húrra - Review British electronic superstar Jon Hopkins teamed up with Iceland’s most prominent DJ duo Kiasmos to throw a sold-out party at Húrra on New Year’s Eve. Jon Hopkins has been rising to fame amongst the electro-intelligentsia from his be- ginnings as a keyboardist for Imo- gen Heap, to a Grammy nomination for his 2018 album ‘Singularity,’ and his work with Brian Eno, Bonobo, and many others along the way. Ki- asmos, comprising Icelandic com- poser Ólafur Árnalds and Faroese producer Janus Rasmussen, have become one of Iceland’s most pop- ular music exports in recent years, selling out their soft-edged techno shows all over the world. Hot and cold With credits like these, it’s no won- der that the event sold out more than a month in advance, even in a country where no one is capable of planning past their next meal. Tick- ets were so sought after that many desperate posts were made in the event page on Facebook pleading for passes . One ticket was even posted for sale for 10.000 ISK on the day of the event (original ticket price was 3.500 ISK). This may have been one of the hottest events of the year, but the theme was all about the cold. Húrra’s dance floor was redecorated entire- ly with white, hanging streamers and blue lights in glass cases filled with reflective material across the ceiling. This created the icy, wintry feeling that has been missing from this unusually warm winter, or, in the band’s own words: “Elsa from Frozen's ecstasy dream!” Fast and slow Jon Hopkins was up first. Most of his tracks start slow and build up with great nuance and artistry, but this being a DJ set instead of a concert (and New Year’s Eve, no less), there wasn’t much time for nuance. He came out hard with beats bumpin’ and fists pumpin’ (metaphorical- ly), and the audience was ready. The people scattered around the venue were magnetized toward the front, as more and more flooded into the venue. Unlike a typical weekend at Húrra, the crowd that night were there to dance first and drink sec- ond, so there was no time wasted. By the time Kiasmos took the stage, Húrra was truly at its abso- lute best. Everything from the look to the sound to the audience was in perfect harmony. Kiasmos oscillated from pounding beats to their more ethereal moments, with the crowd following along, alternately frenzied and blissed out. Out and in By the end, nearly every single per- son was on the dance floor, leaving the bar section of the venue eerily empty. After Húrra received a lot of criticism during Airwaves for overcrowding, which seriously de- tracted from some of the perfor- mances, they might have slightly overcorrected the attendance here. Or, maybe, many ticket holders just overdid it and missed out. Whatever the case, less is more. It made for a respectful crowd of music lovers, dancing with all the space they need in lieu of drunken festival zombies shoving each other. That is exactly the kind of har- binger we need for Reykjavík this year. For those who were left out- side in the actual cold, begging to get in: don’t fret. Kiasmos an- nounced on New Year’s Day that the event will become a series. 2019 might just be your year after all. gpv.is/music Share this + Archives Jon Hopkins & Óli Arnalds surrounded by traditional Icelandic TP decorations Rock Jocks Nerds Pervs events venue bar & Tryggvagata 22, 101 Reykjavík EVERY TUESDAY EVERY MONDAY KARAOKE PARTY 21.00 / FREE ENTRY STANDUP COMEDY IN ENGLISH / 21.00 / FREE ENTRY 4/1 5/1 11/1 12/1 17/1 18/1 19/1 24/1 25/1 27/1 AAIIEENN (ALBUM RELEASE ) ALSO: XGADDAVÍRX, AMFJ, TROUBLE NORN, MORONIC, HC LAXNESS, GAMLI DRAG-SÚGUR (QUEER VARIETY SHOW) “DÚM”: DYNFARI, ÚLFÚÐ, MORPHOLITH MORII + SUPPORT THE RETRO MUTANTS + SUPPORT “HELGARHALD”: CELESTINE, QUEST, OTTOMAN, ARI ÁRELÍUS, VOLCANOVA DRAG-SÚGUR: DRAG LAB EXPERIMENTAL DRAG SHOW KÆLAN MIKLA (ALBUM RELEASE) ALSO: SOME EMBER (US) SINGER/SONGWRITER NIGHT
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