Reykjavík Grapevine - 05.07.2019, Síða 36

Reykjavík Grapevine - 05.07.2019, Síða 36
Find today's events in Iceland! Download our free listings app - APPENING on the Apple and Android stores Dungeons, Dragons And English Magic The wild world of William Morris Words: Berglind Jóna Hlynsdóttir Photo: Berglind Jóna Hlynsdóttir & William Morris Gallery Exhibition ‘Let Beauty Rule’ was made in collaboration with the William Morris Gallery, London, and Millesgården, Stockholm. See it at Kjarvalsstaðir until Oct. 6th. More info: artmuseum.is The Kjarvalsstaðir Art Muse- um is currently festooned with eye-pleasing patterns, hand painted originals, woven fabrics, printed plates, books, furniture, stained glass and tiles by legend- ary British artist, activist, poet and craftsman William Morris (1834-1896) and his collaborators, friends and family.   The most celebrated artist of the Arts and Crafts Movement, Morris was a socialist and activ- ist who founded the predecessor of the Labour Party in Britain. He also founded  Morris, Marshall, Faulkner & Co. with his friends— later known as 'The Firm'—pro- ducing  handcrafted household décor. They worked in resistance to the industrial revolution by preser v ing traditional tech- niques, and giving recognition to everyone involved in the creation of each piece. Sustainability and ethics Museum director Ólöf Kristín Sig- urðardóttir explains the aim of the exhibition is to bring to light not only the beautiful patterns that Moris is best known for, but also his political activism, his connections to Iceland, and the artists and collaborators who sur- rounded him.   “One thing that characterised him as a thinker and initiator is that he knew craft,” says Ölof. “He could do e v e r y t h i n g ; h e knew how to make stained glass win- d o w s , h e k n e w the processes for making tiles, how to weave and em- broider. He would acquaint himself with the processes from beginning to end. Sustainability in design is perhaps what that makes him interesting in our time. It’s exactly where we are today.” Dungeons and Dragons  While the works are often craft- based, Ólöf says the body of work has an emotional appeal. “These works are emotionally charged, and the craftsmanship is excel- lent,” she says. “They’re not ma- jestic, and they don’t discuss great events, but they deal with great emotions, even though the works look back to medieval times.”   Morris built his Southeast London home, Red House, to em- body his ideas. Every part was handcrafted, from the walls to the tables, with many medieval references. He often entertained friends, and it’s well-known that he and his circle owned armour. “Its evident that these guys were deep into Dungeons and Drag- ons,” Ólöf laughs. Travel diaries and Middle Earth ‘Let Beauty Rule’ also displays items Morris bought in Iceland during his travels in 1871 and 1873, and sagas he translated from Icelandic with Cambridge scholar Erík Magnússon. Mor- ris’s writing and translations in- spired many fiction and fantasy writers like C.S. Lewis and J.R.R. Tolkien, some of whose Middle Earth languages are believed to have been inspired by Morris’s Icelandic-sounding English. Morris also wrote extensive dia- ries about his time in Iceland addressed to his friend Georgiana Burne-Jones, which were poetically re- interpreted and re- published in Lavinia Green law ’s ‘Ques- tions of Travel.’   Morris’s work, pol- itics and complicated love life have capti- vated people’s imag- inations throughout the years. Ólöf references Jeremy Deller’s work ‘English Magic,’ which shows Morris as a giant throwing Roman Abramovich’s yacht into the ocean. “When we think about this work we see how close to the British spirit Morris is when he is chosen to represent what Deller calls ‘English Magic,’” finishes Ólöf. “At Kjarvalsstaðir there are, shown in tandem, col- laborative works by Morris’s wife, Jane, and paintings of her by her lover Dante Gabriel Rossetti. The exquisite works of Morris, his daughter, wife and friends will interest anyone keen on beauty, handcraft, textile, literature or politics.” Art “Sustainabil- ity in design is perhaps what that makes William Morris interesting in our time. It’s exactly where we are today.” The Arts And Crafts movements comes to Kjarvalsstaðir i8 Gallery Tryggvagata 16 101 Reykjavík info@i8.is t: +354 551 3666 www.i8.is 6 June - 12 August 2019 B.INGRID OLSON Fingered Eyed VISIT KÓPAVOGUR CULTURE HOUSES AND EXPERIENCE OUTLINE 06.04.–08.09.19 & MENNINGARHUSIN. K O P A V O G U R . I S Hamraborg 4–6 Kópavogur Bus 1, 2, 4, 28, 35 & 36 G er ða rs af n  Kó p av o g ur A rt M us eu m N át tú ru fr æ ði st of a Kó p av o g s  N at ur al H is to ry M us eu m o f Kó p av o g ur MANY FACES OF NATURE & MORE Salurinn Concert Hall Bókasafn Kópavogs Kópavogur Public Library

x

Reykjavík Grapevine

Beinleiðis leinki

Hvis du vil linke til denne avis/magasin, skal du bruge disse links:

Link til denne avis/magasin: Reykjavík Grapevine
https://timarit.is/publication/943

Link til dette eksemplar:

Link til denne side:

Link til denne artikel:

Venligst ikke link direkte til billeder eller PDfs på Timarit.is, da sådanne webadresser kan ændres uden advarsel. Brug venligst de angivne webadresser for at linke til sitet.