Iceland review - 2013, Blaðsíða 24

Iceland review - 2013, Blaðsíða 24
22 ICELAND REVIEW fAshION Anna Moiseeva: How did your interest in fashion design begin? Guðmundur Jörundsson: I think it began when I started work- ing at Herrafataverzlun Kormáks & Skjaldar. I was fascinated by the vintage and classic British Savile Row suits that we sold in the store. It was from that point on that I decided to apply for Fashion Design at the IAA, graduating in 2011. Increased popularity for vintage tweed suits among Icelandic men was inspired by TV series such as Mad Men and it got us thinking. In collaboration with the owners of the store, Kormákur Geirharðarson and Skjöldur Sigurjónsson, we launched a pure Icelandic label for true Vikings with style called K&S. Our trademark piece is a vintage tweed suit made from the best tweed fabrics you can get. The store Herrafataverzlun Kormáks og Skjaldar has been in Reykjavík for many years and is well known for its vintage and styl- ish menswear. It sells beautiful vintage accessories such as top hats and canes. Designing for K&S, I kept in mind the store aesthetic and developed from it the strong masculine male silhouette with the beard and slightly long hair. I became fascinated by this look and was actually kind of obsessed with it because I couldn’t have it, I am not this big plump man and I don’t have a beard. AM: So you were already out there in the real world of the fashion industry while studying at the IAA. How different were these two worlds? GJ: The best thing about the IAA is how trendy and edgy the acad- emy is. We learned about everything that was happening in fashion design at that time. What the new trends were and how we should exert ourselves in order stay up-to-date within the industry. In terms of work experience with K&S, the most important thing I have learnt is how important it is to have a good team around you. I prefer to work with individuals who are experts in what they do and together, we are capable of creating fine pieces of craftsmanship. AM: What sort of man wears your clothes? GJ: It’s a man who understands something more about clothes, a man who values quality craftsmanship and the hard work behind it. AM: Tell us about the new female collection? GJ: It has masculine elements, and the same fabrics and ideas as I use in my menswear collection, designed for the strong and femi- nine woman. AM: What is Icelandic fashion design in one sentence? GJ: Wool and fish-leather ... I am of, and will not part from that scene. There are many young up-and-coming designers in Iceland, creating new and bold designs, free from commercial pressure. That is good, and keeps us apart from our Nordic cousins, who are very commercial in thinking. AM: Which individual do you admire most in the fashion industry and why? GJ: I adore Karl Lagerfeld for how clever and cool he is. I would not say that he is my favorite designer, but I admire him for being true to himself and for his honest opinions on life. My idol, on the other hand, is the late Alexander McQueen. I am fascinated by his amazing tailoring skills and very much admire his work. AM: What are you most excited about? GJ: Now I am very excited about our new JÖR by GUÐMUNDUR JÖRUNDSSON store, which just opened on Laugavegur 89 in Reykjavík.  Three simple steps 1. You place your order, at least 24 hrs in advance 2. You pick up your products at the Departure/Arrival store 3. You pay for your products when you pick them up Take The Shortcut – Start Your Trip at Home ORDER & PICK UP KEFLAVIK, ICELAND Anna Moiseeva is a graduate student in international marketing at the University of Sussex and press manager for RFF. The catwalk premiere of guðmundur Jörundsson’s new JEWlia collection during rff at Harpa, March 16, 2013.
Blaðsíða 1
Blaðsíða 2
Blaðsíða 3
Blaðsíða 4
Blaðsíða 5
Blaðsíða 6
Blaðsíða 7
Blaðsíða 8
Blaðsíða 9
Blaðsíða 10
Blaðsíða 11
Blaðsíða 12
Blaðsíða 13
Blaðsíða 14
Blaðsíða 15
Blaðsíða 16
Blaðsíða 17
Blaðsíða 18
Blaðsíða 19
Blaðsíða 20
Blaðsíða 21
Blaðsíða 22
Blaðsíða 23
Blaðsíða 24
Blaðsíða 25
Blaðsíða 26
Blaðsíða 27
Blaðsíða 28
Blaðsíða 29
Blaðsíða 30
Blaðsíða 31
Blaðsíða 32
Blaðsíða 33
Blaðsíða 34
Blaðsíða 35
Blaðsíða 36
Blaðsíða 37
Blaðsíða 38
Blaðsíða 39
Blaðsíða 40
Blaðsíða 41
Blaðsíða 42
Blaðsíða 43
Blaðsíða 44
Blaðsíða 45
Blaðsíða 46
Blaðsíða 47
Blaðsíða 48
Blaðsíða 49
Blaðsíða 50
Blaðsíða 51
Blaðsíða 52
Blaðsíða 53
Blaðsíða 54
Blaðsíða 55
Blaðsíða 56
Blaðsíða 57
Blaðsíða 58
Blaðsíða 59
Blaðsíða 60
Blaðsíða 61
Blaðsíða 62
Blaðsíða 63
Blaðsíða 64
Blaðsíða 65
Blaðsíða 66
Blaðsíða 67
Blaðsíða 68
Blaðsíða 69
Blaðsíða 70
Blaðsíða 71
Blaðsíða 72
Blaðsíða 73
Blaðsíða 74
Blaðsíða 75
Blaðsíða 76
Blaðsíða 77
Blaðsíða 78
Blaðsíða 79
Blaðsíða 80
Blaðsíða 81
Blaðsíða 82
Blaðsíða 83
Blaðsíða 84

x

Iceland review

Beinir tenglar

Ef þú vilt tengja á þennan titil, vinsamlegast notaðu þessa tengla:

Tengja á þennan titil: Iceland review
https://timarit.is/publication/1842

Tengja á þetta tölublað:

Tengja á þessa síðu:

Tengja á þessa grein:

Vinsamlegast ekki tengja beint á myndir eða PDF skjöl á Tímarit.is þar sem slíkar slóðir geta breyst án fyrirvara. Notið slóðirnar hér fyrir ofan til að tengja á vefinn.