Iceland review - 2015, Page 24

Iceland review - 2015, Page 24
22 ICELAND REVIEW UPHOLDING FREEDOM OF SPEECH Halldór’s love for politics and society is what drives his passion for drawing satir- ical cartoons. “I especially like drawing them because they combine several of my talents: I like to draw and to express what I think about politics and society, while maintaining my sense of humor,” he explains. “I admire the tradition of polit- ical cartoons. They’ve been around for a long time. I saw an exhibition recently about the history of political cartoons, and it was interesting to see how the way of saying things through irony hasn’t changed that much since the early days of political cartoons.” He believes political satire represents one of the best ways to celebrate freedom of speech. “In the 19th century politi- cal cartoons were incredibly popular, viewed as one of the purest forms of free speech. Charlie Hebdo is a good exam- ple of this freedom in modern times,” Halldór remarks. In a radio interview on Bylgjan on January 8, Halldór stated he was “deeply touched” by the terror- ist attacks on the offices of the satirical magazine in Paris the previous day. He explained that in his first cartoon about the event, he had wanted to approach his slain colleagues personally, portraying them along with some of the characters they had created. Halldór has worked in this profes- sion during some of the nation’s darkest hours. He started contributing cartoons to Morgunblaðið just weeks before the economic collapse of 2008, which imme- diately thrust him into the heat of the nation’s political dialogue. “Those were some intense weeks,” he recalls. “I did publish all of those cartoons in a book, and I think it made quite a good retro- spective of what happened during and after the crash.” SATIRE Published following the drowning of more than 800 asylum seekers and migrants in the Mediterranean in April. The Titanic reference hints at the idea that most Europeans seem to be more concerned about whether Kate Winslet dies a fictional death than the real-life fate of these people.
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Iceland review

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