The Icelandic Canadian - 01.06.1973, Qupperneq 23

The Icelandic Canadian - 01.06.1973, Qupperneq 23
THE ICELANDIC CANADIAN 21 HAROLD STEPHEN SKAPTASON by Mattie Halldorson In the Icelandic Canadian magazine, in the summer issue 1961, Judge Walter J. Linda! wrote: . . that a descendant of the Vikings should chose costume cutting as a profession and designing is very unique.” Since that time Stephen Skaptason has found his niche in his chosen field and has become a chief cutter and de- signer for the wardrobe department with the National Theatre in London, England, and has been with that theatrical organization since Septem- ber 1962. His talent was evident at an early age. When he was thirteen he designed and sewed a jumper dress for his sister Holly, who was nine. It fitted perfect- ly and was greatly admired by her family and friends. He also made a beautiful gown in greyish blue bro- cade for his mother. When he was fifteen years of age he designed and cut costumes for The Manitoba Theatre Centre productions, under the direction of John Hirsch. At Rainbow Stage costumes were executed by Stephen for “South Pac- ific”, directed by R. Moulton; “The Lady is Not for Burning”, an Eliza- bethan play, and “The Boyfriend”, under the direction of John Hirsch, as well as others. Stephen was with the Stratford Theatre in Canada for a season. While there he had the opportunity to work with the head cutter, Mr. Ivan Alderman, costume supervisor of the National Theatre, London, England, who was so impressed with his work Harold Stephen Skaptason that he urged Stephen to go to Eng- land. In 1962, at nineteen years of age he set out for London and has been there ever since. He soon caught the attention of the film stars and has designed cos- tumes for Ingrid Bergman, for a film to be released in America, Lord Olivier and Claire Bloom. He designed and cut costumes for Miss Bloom’s role in the film “A Doll’s House” by Henrik Ibsen, now being shown in London. While Stephen does some designing he works in the main from patterns of various designers. Mr. Kenneth Tynan, literary con- sultant of the National Theatre and noted art critic, requested Stephen to make for his wife a copy of a tinselled
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The Icelandic Canadian

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