Reykjavík Grapevine - 19.06.2009, Page 32

Reykjavík Grapevine - 19.06.2009, Page 32
20 The Reykjavík Grapevine Issue 8 — 2009 The History of Icelandic Rock music: Part 5 Dátar – Iceland’s most tragic band The Beatles had completely changed the landscape of the pop scene and therefore, by 1965, every Icelandic garage was full of young boys (and way too few girls) belting out Beatle covers and other hits du jour. The Swinging Blue Jeans, The Searchers and Brian Poole and the Tremeloes – all second division beat groups from Britain – had already visited Iceland when The Kinks came in September 1965. By now The Kinks were highly popular thanks to their megahit, You Really Got Me. The band wasted no time and started their set with that song, making the crowd of 800 in Austurbæjarbíó cinema break out in a frenzy. Kinks played four nights in a row, eight shows total, and Ray Davies alleg- edly wrote his semi-hit “I’m on an Island” while holed up somewhere in Reykjavík. Footage made by a Swedish TV crew from one of the shows can currently be found on YouTube. The Beatle-craze took Iceland by storm. After Kinks came Hollies and Herman’s Hermits, and The Beatles film A Hard Days Nights was a smash hit. Mi- nor league beat-groups Tempo and Bravo from Akureyri had supported The Kinks. They never crossed to the major division by releasing a record. Other minor league beat-groups of the sixties had names like Tónar, Fánar, Ómar and Sómar, all echo- ing the main band’s name, Hljómar. While Hljómar were busy getting their wild fuzz beat rock heard abroad (as Thor’s Hammer), other Icelandic acts grasped at the beat pop crown. Óðmenn, Toxic, Sóló and Tónar blossomed in Hljó- mar’s absence, but Dátar (The Soldiers) soon became the ruling beat band. De- cades later, the tragic fate of all the mem- bers but one has wrapped the band in cryptic aura. Immediately after forming, Dátar began playing a lot and soon gained popularity with their trustworthy covers of the newest hits by groups such as The Who and The Kinks. Their first EP was released in February of 1966. It had three songs by the band’s mentor and organist Þórir Baldursson, plus one cover song. During the summer of 1966, Dátar ruled the ball scene. Their singer Rúnar Gun- narsson, then only 18 years old, started to write songs and on the second EP that came out in 1967, all the songs were writ- ten by him. Of those, Gvendur á eyrinni – a song about a lonely old sailor – was a huge hit. It has lived on to this day as an Icelandic pop classic. The original guitarist and the band’s founder Hilmar Karlsson left in 1966, and was replaced by a guitarist called Magnús Magnússon. Dátar were very popular during the summer of 1967. The band toured fiercely and by all accounts there was a lot of drinking and partying involved. Karl Sighvatsson – a legendary musician that later played with bands such as Trúbrot and Þursaflokkurinn – had joined, and the band was the island’s tightest beat combo. In the autumn of 1967 Hljómar re- turned. They wanted their throne back and news spread that the band was work- ing on an album. Dátar had no other op- tion but to make an album too. That was not to happen, unfortunately. “The gui- tarist Magnús had never been a part of the band,” says Þorsteinn Eggertsson, the bands lyricist and friend. “He never came to parties and always vanished quickly af- ter gigs. He seemed almost like an alien to me. He was the first of those guys to commit suicide. There never was another guitarist in Dátar.” Magnús’ suicide in 1967 was a blow to the band, and when Karl left to form Flowers, Dátar were over. Rúnar joined Sextett Ólafs Gauks, a very popular but not very hip “oldies style” pop combo. He wrote few songs with the band but left in 1969 to form Tilvera, a band he stayed with for a short time. Rúnar’s trip to the top of Icelandic pop scene had been quick, but his way down was slow and drawn out. He grappled with mental and drinking problems and lost the battle late in 1972, when he committed suicide. This was only few months after he had released two new original songs on a solo single. Rúnar Gunnarsson was only 24 years old. The original guitarist Hilmar clocked off in 1978, Karl Sighvatsson died in a car accident in 1991 and Stefán the drummer died of cancer one year later. This left bassist Jón Pétur the only sur- viving member of Dátar, Iceland’s most tragic band. - DR. GuNNI By Dr. Gunni, based on his 2000 book Eru ekki allir í stuði? (Rock in Iceland). A revisited up- date of the book is forthcoming in 2010. 1. Life is a tug-o-war The record sleeve for Dátar’s first EP: Stefán, Hilmar, Rúnar, Jón Pétur. Call us on 555 3565 or visit www.elding.is Whale Watching from Reykjavík Take part in an adventure at sea with an unforgettable trip into the world of whales and sea birds. Conveniently located in Reykjavík’s Old harbour, a three hour tour can bring you up close to whales in their natural habitat. Free entry to the Information Centre for our passengers. P IP A R • S ÍA • 8 0 6 9 3 U N I V E R S I T Y O F I C E L A N D P R E S S haskolautgafan.hi.is – hu@hi.is – tel. 525 4003 RING OF SEASONS. ICELAND: - IT’S CULTURE AND HISTORY Terry G. Lacy brings both the perspective of an outsider and the familiar eye of a long-term resident to this delightful exploration of all facets of Iceland, past and present. She conveys her story with a skillful interlacing of history, religion, politics, and culture to paint a vivid picture of the way Icelanders live today. „This fascinating book is a must for anyone who is interested in Iceland.“ - Dick Ringler SURTSEY - AN ECOSYSTEM FORMED Dr. Sturla Fridrikson describes the birth of the island in 1963 and how in itself it became an interesting geological phenomenon and a biological laboratory, where scientists could investigate how organisms disperse across the ocean to remote islands and how plants and animals colonize completely barren areas such as Surtsey. Available in English, French and German Surtsey was inscribed on UNESCO’s World Heritage List in 2008. THE MANUSCRIPTS OF ICELAND In this collection of articles scholars present the story of Icelandic manuscripts, their medieval origins, the literature they contain and its influence up to the present day. This book is a tribute to the central role that medieval Icelandic literature played in forging national identities in N-Europe. 1100.- kr

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