Reykjavík Grapevine - 14.08.2009, Page 33

Reykjavík Grapevine - 14.08.2009, Page 33
 mumtheband Download the free track of the issue SING ALONG (RADIO EDIT) at www.grapevine.is The Reykjavík Grapevine Issue 12 — 2009 17 been thrashed and no one has the energy or will to start cleaning up. The party people had these big ideas at one time, but now everyone is just making calls, trying to score more booze. ÖÞS: Right now, the only issues that are being discussed are the IMF loan and the Icesave agreement. How to score the next fix, to increase our currency reserves. During those days in January, I don’t think anyone imagined that these were the only things our society would be emphasising. -How should things have progressed differently in your opinion? ÖÞS: All that energy that was f loating around at that time should have been steered into more constructive pathways. It should have been used to write a new constitution and to re-envision what sort of society we want to build for the long run. A re- imagining of what it is to be Iceland. The only demand that was taken seriously was that for an election, and that kind of corked it. GT: The problem is how late it all happened. That revolution should have happened two years earlier. One of the problems was that when it finally happened, we were in such a ridiculous situation that the biggest demand was just for it to stop. Right away. There wasn’t a lot of room to try and envision what should replace it. -You guys aren’t very optimistic, I take it? ÖÞS: I am optimistic about life and for humanity and all of us, but not particularly when it comes to public affairs in Iceland, cleaning up the corruption etc. AND THE MUSIC? -Moving on to merrier subjects, we do have a lot to be thankful for in Iceland, not the least the awesome music scene we enjoy and all the good people that contribute to it... ÖÞS: Exactly, that should be celebrated. It’s great how many good people there are making music and trying their best to entertain and surprise themselves and their friends. GT: And the furthest thing from anyone’s mind is making money or making a living. I mean, getting paid to play is excellent, everyone should get paid. But you rarely do in the Icelandic music scene, and no one seems to mind. Folks are doing it for the joy. -A lot of international publications actually contact the Grapevine to talk about Iceland’s music scene, almost on a daily basis. All of them are surprised and impressed at the proficiency and output of the Icelandic music scene; they want to know why and how. We sometimes tell them it’s because no one gets paid, that people are in it for different reasons... ÖÞS: I think that’s definitely a contributing factor to the atmosphere. People seem to have different motives than earning a paycheck. GT: I agree. I believe musicians and artists contribute greatly and positively to Iceland’s image abroad, and the country’s appeal to tourists and travellers. They should get a tax discount. ÖÞS: A tax discount, hahaha. GT: Why not? Almost no one in these fields is making a decent living, and the amount of positive publicity a lot of them raise for Iceland is invaluable. That contributes directly to the country’s wealth. Whenever we tour, we are interviewed numerous times and we always have to answer a million questions about the country. I’d like to see any ambassador or tourism spokesperson field as many questions about visiting Iceland as we do. ÖÞS: But the feeling that we’re some kind of tourism officers whenever we tour abroad is still really depressing. Working for the tourism propaganda department.... it feels weird. I try and slip in things about whaling or the aluminium smelting plants, just to clear my conscience. -Still, you may have a point about the tourism. This spring, we reported on an American Express poll that named Iceland one of the world’s ten hottest travel destinations, especially citing the local music scene as one of the main reasons why. To quote the poll: “"Iceland is the locale for those in search of a vibrant music scene with popular indie bands, punk rock, electronic music and Icelandic folk music acts.” GT: Yeah. I guess this means we should pour more money into aluminium smelting plants. Go talk to Rio Tinto. Talk to aluminium-assed panty soilers. Lick their behinds. That’s the only thing they think of... MUSIC PALACE CONFERENCE CENTRE -You’ve been active in the local music scene since 1995 at least. How do you feel it’s evolved? GT: It’s great. Just great. There’s so much renewal going on all the time, it’s encouraging and heart-warming to watch these new kids with their new bands and ideas and fun things come forth every year. ÖTS: A lot of people have been expecting it to falter or fade away for the longest time, since the nineties. That a dry spell was in order. But it keeps getting better. We have a very healthy scene here. GT: It’s sad, though, how little the community or powers that be do to encourage and nurture it. Reykjavík is full of empty buildings at the moment, yet acquiring a practice space is as hard as always. There seems to be no ambition to help these kids. We’ve been playing in bands for over ten years and getting access to rehearsal spaces has never ever been easy, for instance. The only time was when Björgólfur [Guðmundsson, recently bankrupt bankster] lent a building he wasn’t using for Klink & Bank. It’s difficult to understand why the city or state don’t do anything to encourage or support young musicians, maybe by sponsoring a rehearsal space. It’s actually sort of ridiculous to think that this great treasure of musicians and artists has been growing in Iceland over the last 30 years and there’s no respect... nothing. Not a nod from the powers that be. Instead they build a ludicrous ‘Music Palace.’ ÖÞS: Actually, it’s a conference centre.... AND THAT NEW ALBUM -Speaking of music, you guys are in the process of releasing a new album, Sing Along To Songs You Don’t Know, that’s pretty awesome by all accounts... ÖÞS: Yes, it will launch on the 17th, through gogoyoko. It will be available exclusively through that store for the first week, before it’s formally released in Europe. We are excited about this gogoyoko thing and thus decided to pre-launch it there. It is a cool initiative, they for instance give you the option to easily donate some of the proceeds of album sales to a charity of your choice. We’ll be donating ten percent of the retail price to Refugees United, a remarkable charity organisation that aims at reuniting refugee families and loved ones that have been separated. Learn about it at www.refunite.org. -You two have made up the core of múm since its inception, but can you tell us something about the current line up? GT: We think of anyone who’s ever played with us as pat of the family, even if they’re doing something else at the moment. But the current line-up is comprised of Örvar and I along with Sigurlaug Gísladóttir, my girlfriend [Mr. Silla and Mongoose, The Gimmicks], guitar virtuoso Róbert Reynisson [Mark Noseby, Benni Hemm Hemm, Borko, etc], percussionist Samuli Kosminen [Edea, Kimmo Pohjonen Kluster], Hildur Guðnadóttir [Lost in Hildurness, Stórsveit Nix Noltes, Rúnk] and trumpet player Eiríkur Orri Ólafsson [Benni Hemm Hemm, Kira Kira, Stórsveit Nix Noltes]. That’s the core of the outfit right now, but others also contributed to the new album. Folks such as Högni Egilsson [of Hjaltalín], who did some arranging for us. These are all wonderful, brilliant people. Geniuses. Writing and performing music with them is a true pleasure. -What’s the album about then? GT: We can’t answer that. It’s abstract. No, that’s a hard question. We love the new múm record so much we decided to stick ‘em on the cover of our magazine. And that’s not all. The generous young men and women of múm agreed to bestow upon you readers a free sneak-preview track off their upcoming release, Sing Along To Songs You Don’t Know. It’s a radio edit of the first single, Sing Along, it’s an awfully pleasant track that gives good idea of what to expect from their sixth LP. It’s also fun to... sing along to. Sing Along To Songs You Don’t Know will be pre-released at www. gogoyoko.com, this coming Monday (August 17) where it will remain an exclusive until August 24, when it’s unleashed on Europe. múm Sing Along (Radio Edit) TRACK OF THE ISSUE Download your free copy at grapevine.is MUSIC & NIGHT LIFE The Galtarviti Lighthouse Project Says Gunnar: We were looking for a place to make some music, somewhere out in the country. We’ve tried to seek out new and different locations when we record, as it breathes fresh air into us and makes room for new ideas. I heard from my brother that his friend just bought a lighthouse in the Westfjords, so we got in touch with him and soon enough we’re hauling boatloads of stuff to this abandoned lighthouse on the corner of nowhere. What we worked on there wound up on the Finally We Are No One LP. The place has been close to our hearts ever since; we’ve gone there to work on subsequent releases and I often go there myself to work. I think everyone who ventures there forges a connection with the place and comes to understand it, in a way you fall in love, it takes a place in your heart. Anyway, Óli Ísfjörð, the lighthouse keeper, always had the idea that this would be a place for creative people— musicians, writers, artists—to work on their projects; he has no ambitions to turning it into a tourist destination but would be happy to see more art come to life there. But it hasn’t been happening too much, maybe it’s the remote location or maybe not enough people have heard of it, so we decided to embark upon this project. Basically Óli had the idea of making a compilation album to support Galtarviti and publicise it, to get a bunch of the artists that have been working there to contribute songs and sell it. The proceeds would go to improving the facilities, working on the roof or painting the house or whatnot. This seemed like a good idea, but I countered it with my own; that we would bring a bunch of instruments to the lighthouse, set up recording gear and make our very own record there on the spot. Basically to welcome everyone to come there, play their stuff and partake in a creative adventure with us. We did this in the summer of 2008 and came home with a lot of material, probably well over thirty tracks. We decided to keep working on the project; instead of mixing and releasing an album immediately we would upload the tracks to a web-site and give those interested a chance to fiddle with it—to mix or remix, sing over it, play the accordion or write some lyrics. A sort of communal creation, if you will. We are going to let it ferment for the next few months and then release an album with the results. We encourage everyone to partake in working the materials. This is a great cause, as well as a fun way to create some nice music. And next summer, we’re going to go back and record some more, do it all over again. But for now, you can and should access the tracks and contribute by logging on to www. galtarviti.illivill.com. It should be a grand old time for anyone who’s interested, at least I love messing about with tracks, remixing and dithering about, that whole Lego puzzle thing you do. HAUKUR S. MAGNÚSSON HÖRÐUR SVEINSSON

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