Reykjavík Grapevine - 28.08.2009, Blaðsíða 31

Reykjavík Grapevine - 28.08.2009, Blaðsíða 31
The Reykjavík Grapevine Issue 13 — 2009 19 Stefson, literally dancing on the rooftops, drummed joyously along with various percussions. After the concert ended I began to notice f locks of inebriated kids milling about dubiously in the streets. The first time I enjoyed Menningarnótt in earnest I was sixteen and was on Ingólfsstorg for the fireworks display. It was right around the time of night when the ground seemed to become covered in shattered glass and everyone around me was throwing up. It was a little bit exciting in a gross and pathetic kind of way, to be derelict and part of a faceless crowd. But after a while, I remember, the aggression and chaos started to actually scare me. When I eventually ended up downtown long after the fireworks display had ended this time, I didn’t see even a hint of what I had experienced back then, although I made sure to stay far away from Ingólfsstorg. It is comforting to think that my habits may have matured beyond all that, and I really did think this to myself as I was downtown, awake and inebriated at an unreasonable hour, barely recovered from a day-long hangover, dishevelled and dancing at a bar amongst a faceless crowd. Creator of my own chaos. CATHARINE FULTON: It’s bright outside. Lækjargata is f lanked by imposing chain link barriers, marking the route of the marathon running simultaneously to Menningarnótt, and ensuring a drunkard-free space in which the runners can execute their task. Loud cheers emanate from a crowd too small in appearance to be making them as two glistening bodies hurl themselves over the finish line. Pedestrians have been relegated to a 30-cm wide strip of pavement between the metal fencing and the raised planters in front of Menntaskólinn í Reykjavík and those not interested in watching the final marathoners trickle in are instead traversing the school’s lawn. Point A to Point B. Save for the excess of paper plates and pylsa wrappers littering the interlocking pavement, Lækjartorg looks similar to any other day this summer, perhaps in the height of the tourist season. On the most popular festival day where, pray tell, is everybody? A walk up Laugavegur is busier than the everyday but depressingly sparse in the wake of the festivals that came before. Jazz ensemble overlaps convincing Silversun Pickups covers overlaps happy pre-teen electronica overlaps hardcore pönk. Backing melodies for the dance of an ocean of discarded blue Síminn popsicle wrappers. A sign advertising “FREE WAFFLES!” lures a crowd to the park adjacent to Hemmi og Valdi, but the sign has been erected prematurely and there are, in fact, no waff les to be had. Still, a man in his mid-thirties, noticeably lubricated, demands a full waff le, not just a quarter or half. He’s willing to make a donation if his demands are met. Jars of strawberry, apricot, cherry, and raspberry jam and a plastic tub of marmalade wait to seep into hot craters, fresh off the press. Cherry looks promising. Across the park, far removed from the prominent Domino’s kiosk and nothing else, colourful attire shrouds the form of a mysterious man. Turbaned head, painted on eyebrow, painted on moustache, authentic Scottish accent. The mystic is reading palms for 500 ISK. I’m unlucky in love. I think more than is good for me. I will be working two jobs simultaneously at some point. I may die soon but mysteriously come back to life. I’ve loved three people, none of them as deeply as I should. The jaunt back down Laugavegur smells. The sun has been out long enough to heat the detritus that is carelessly strewn about the streets, releasing the stenches once contained therein. It reeks of trash. Pizza, pylsa, cigarettes, alcohol, rot. The hours wear on and the crowd grows in size and inebriation. The increased number of people in varying states of chemical enhancement, save for the children one hopes, increases the depth of the layer of garbage being churned together by stomping feet. Broken glass shines like diamonds, pops like explosives, cuts into treads, is everywhere. A brief escape from chaos is found for many in the photography museum on Tryggvagata, where a more family- oriented crowd browses through black and white photographs of Reykjavík in the years of World War II and large foam-core mounted images of 1960’s glamour. Children and light-hearted adults alike take their turn at dressing up in the attire of antiquity and posing for souvenir photographs in front of a painted backdrop depicting a valley and lake bordered by a lush forest. Red velvet and woven gold accents gives everyone instant class. Ingólfstorg is boiling over at 9 pm, a welcome change to the patchy crowd taking in Retro Stefson and Sprengjuhöllin earlier in the afternoon. An awkward and odd couple motionless bodies and clapping, dancing, smiling performers do make. The masses slap their hands together repeatedly for Hjaltalín and scream with high-pitched joy. Adidas tracksuits generously adorned with metallic reliefs of the brand’s corporate logo seem to be a popular fashion statement among the <20 crowd, as does holding hands, forming a chain and running through the other patrons without regard for the persons being violently shoved by their actions. Oh, to be young and inconsiderate. The pungent odour of cigar smoke hangs low in my general vicinity, mingling toxically with the sharp spice of Ali Baba and the too-much-cologne of the man in front of me. Inside Edition aired an exposé in the early nineties in which a finger- wagging mom-jeans clad reporter examined the evils of pre-teen and public drunkenness thriving on the late night and early morning streets of downtown Reykjavík. On Saturday, once the fireworks had detonated, accompanied by screams and ohh’s and ahh’s, and the crowd vacated the harbour and migrated to a watering hole of their choosing, the overf low transported 101 to 1992. Too-young girls slouching in corners with too- drunk friends at a loss for what to do. Too-liquidly-confident men clashing violently with too-liquidly-confident men on every corner. Too-emotional girlfriends holding back too-liquidly- confident men on every corner. Too many people everywhere. A field day for an American reporter in mom-jeans. A piece of nostalgia for Icelanders who recall nights when bars would close early and streets picked up the slack in the good old days of reckless youth. Those were the days and this is their rebirth. Beer, white wine, gin, Red Bull, gin, tonic, gin, gin, gin. Garbage still litters the ground but the smell fails to permeate drink-numbed nostrils. People are still too rowdy and too much in one another’s personal space but, goddamnit, everybody’s a friend in the liquid haze of morning. The party could be heard long after the density of the streets lessened. The din of the crowd surges on as revellers wait their turn and don’t wait their turn at the taxi stand. In the hours that would on any other day be punctuated by an alarm clock the city is finally drifting off to sleep. Another successful Menningarnótt. VALGERÐUR ÞÓRODDSDÓTTIR CATHARINE FULTON JULIA STAPLES

x

Reykjavík Grapevine

Beinir tenglar

Ef þú vilt tengja á þennan titil, vinsamlegast notaðu þessa tengla:

Tengja á þennan titil: Reykjavík Grapevine
https://timarit.is/publication/943

Tengja á þetta tölublað:

Tengja á þessa síðu:

Tengja á þessa grein:

Vinsamlegast ekki tengja beint á myndir eða PDF skjöl á Tímarit.is þar sem slíkar slóðir geta breyst án fyrirvara. Notið slóðirnar hér fyrir ofan til að tengja á vefinn.