Reykjavík Grapevine - 28.08.2015, Blaðsíða 22

Reykjavík Grapevine - 28.08.2015, Blaðsíða 22
22 The Reykjavík GrapevineIssue 13 — 2015 experienced art as something so impor- tant in one’s life. Four more years There is a sort of complicated relationship between politics and the arts, because there needs to be someone making and safekeeping artistic space. And it’s perhaps a bit counterintuitive for artists to think about their art from this perspective—that is to say, not from a creative, but rather a sort of practical standpoint. Do you think much about the political dimensions of art? Perhaps with regard to recent debates about gender quotas in certain artistic fields? HG: I’m up for trying out gender quotas wherever. If we’ve been around for a couple thousand years and we’ve always tilted to this one side, then I say: Can’t we be the generation that tilts to the other side for just a hundred years? Don’t we have the endurance for at least that? I say: Only women now in the upcoming presidential race. There’s been a man for twenty years, let’s just say: Only women can run. Isn’t that just alright? I’m up for having only women in positions of power. Only women in Alþingi. Why not? What have we got to lose? We’ve got nothing to lose. I don’t understand thinking only in terms of four years. Everyone’s just thinking as far as four years. When the economic crash happened, people were complaining after two years that things hadn’t gotten better. I say: :Let’s think about the country in terms of one hun- dred years. That’s why I don’t under- stand Kárahnjúkar [a highly disputed dam project in east Iceland that was built despite mass protests in the mid-aughts] and I don’t understand aluminum smelt- ers and I don’t understand people who need jobs by tomorrow. Can’t we think things a little more long-term? Do we not have any endurance? These things don’t even have to happen within the life-span of my children—I’m ready to think in terms of my grandchildren. Can’t it take thirty or forty years? Just as long as we know where we’re headed and we know what we want, I think we can stand for things to take a little time. We are in such ideal conditions here, we should easily be able to make an enviable, long-term vision for the future. Would you run for president? HG: Me? I haven’t figured out yet a rea- son why I should want to. But that’s just because I haven’t plunged myself into thinking about the position. If I got this role in a movie or a play, I’m sure I would find something interesting about it and find freedom within the frame, you know. If I were to do it I would have to have a very clear vision of what I was go- ing to do with it. Because I have no inter- est in what it appears to be. I saw the other day someone writing that Jón Gnarr had been a clown of a Mayor. And I just thought, where did this person get that from? I can’t see that Jón Gnarr’s mayoral term was anything but eye- opening, for everyone. Sort of like what you were talking about earlier, humour leading one towards some truth. That’s maybe what he was doing in a way. EÓ: I never imagined taking on a posi- tion like the one I am in now, but some- thing about how he did things and tried to discover new ways of doing things was very inspiring to me. To see that shouldering this kind of formal re- sponsibility doesn’t have to be limited to doing things a certain way. It’s like that for me to be in this position I am in now. I’m thinking, “can I do it my way, or do I have to do it like the people who came before me…” HG: Like it’s supposed to be done. EÓ: Right. And what exactly is that? Like it’s always been. Can’t it just be done a little differently, maybe? That must also be the reason I was asked to do this in the first place. To do things a little dif- ferently. rauða húsið r e s t a u r a n tEyrarbakka “Very good food, excellent service and a very friendly restaurant.” “Amazing seafood in this little town...” “Not to be missed. Food fabulous and staff wonderful ... This spot is worth the trip to the small village alone.” raudahusid.is Búðarstígur 4, 820 Eyrarbakki • tel. 483-3330 open for lunch & dinner 7 days a week 1 1 Selfoss Hveragerði Eyrarbakki to Blue Lagoon ca. 50 min. to Reykjavík ca. 45 min. to Þingvellir, Gullfoss, Geysir ca. 45-60 min. 39 “One of the best restaurants in Iceland. Fresh lobster, amazing cod fi sh!!” Erna Ómarsdóttir Occupation “I’m the artistic director of the Iceland Dance Company. I’m also a choreogra- pher, dancer and performer. My job is sometimes locked up in the office, but I’m always trying to blend that with some artistic things. I’m also a mother— but that’s not a job, is it? Or maybe it is!" Background “I’ve been working as a performer with companies and directors in Europe and Belgium, and started in the meantime doing my own dance works, and tour- ing them in Europe. I have a project with my partner also—a company called Sha- lala—it sits between dance and music, and works around concepts too. We call it a "borderline musical” when we have to describe it! I’ve curated dance festivals too, in Iceland and France.” Education "I studied in Europe—I did dance initial- ly as a hobby, and studied in Iceland, then I went abroad to study in Rotterdam and then Belgium at the PARTS school, and got my diploma there." Upcoming Projects “Right now I’ve been working on re- staging 'Blæði', a big piece from last year, for some extra shows. Black Marrow, the longest element of that piece, will then go on tour. We’re also starting the sea- son at the dance company with our new choreographers—it’s going to be a very exciting season! And I’ll be working on a new piece myself based on a story from an Icelandic saga. The company is also working on a collaboration for the Reyk- javík Arts Festival, something very big, exciting and scary!” “I love that pause, because it’s like a window. It’s a place where you can preach, and say all sorts of things.”
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