Reykjavík Grapevine - 09.10.2015, Blaðsíða 46

Reykjavík Grapevine - 09.10.2015, Blaðsíða 46
The Reykjavík Grapevine Issue 16 — 201518 Two years later, frontman Óskar Logi Ágústsson clearly carries the stress of hav- ing been on the road for so long. Despite the excitement of performing at big fes- tivals like Roskilde and Wacken, playing upwards of 50 dates over a summer takes its toll. And the shows themselves are the easy part—Óskar tells me they’ve spent most of the past few months crammed into a small van with all of their gear, driv- ing across Europe for up to eleven hours at a time, suffering each others’ smelly feet and loud snoring. Now the trio is back home for a spell, recharging their batteries and preparing to celebrate their latest album, ‘Arrival’, with a grand release show. I chat with Óskar at Stofan café as he enjoys a much-needed cup of coffee. As always, he is personable, quick to laughter, a glint of excitement for what’s to come sparkling in his eyes. CLASSICS For many young people, the idea of touring through Europe and making a living off of your music sounds like a dream come true. What’s it like, being 21 and having already reached that cov- eted plateau? It’s all very surreal, and completely dif- ferent than I had expected. I’m very grateful for the opportunity, as it’s not a given that people will receive your music well—we’ve been lucky in getting the right people with the right connections to take an interest in us. You play ‘70s inspired hard rock, that doesn’t at all feel out of place com- ing on after Deep Purple or Zeppe- lin on classic rock radio. Why do you choose to play such an old-timey style of music? Because it’s so much fun! There are a lot of people that’ve asked us “you’re from Iceland, why don’t you play pop music?” Electro and black metal are Iceland’s two main musical exports, but that’s not what we’re interested in playing. I think a big part of the beauty of living in Iceland is that nobody expects to be able to make a living playing their own original music, so there’s less emphasis on “making it.” Peo- ple create their music the way they want to without compromising, and that’s what we’ve been able to do. TONGUE-IN-CHEEK The video for “Expand Your Mind” from ‘Voyage’ is loaded with refer- ences to taking a trip on psychedelic substances. How much do you guys, playing psychedelic rock, drop acid or do shrooms? Not at all. I mean, I can’t speak for the oth- er guys in the band, but I’m not interested in any of that. I haven’t said this before in an interview, but every song on ‘Voyage’ tells the tale of some absurd story or char- acter, and “Expand Your Mind” is about an encounter I had where these junkies were trying to get me to partake with them, say- ing “Dude, just try it, expand your mind!” Another song that was a bit more contro- versial but does the same thing is “Know Your Place” [a song that caused an uproar for its overtly misogynistic lyrics]. I really hoped that people would get it at the time, and I panicked when everyone thought we were endorsing these views. But fuck it, it’s art, and there are plenty of artists that write texts portraying trou- bling characters and their thought pro- cesses, like Nine Inch Nails. A large part of the metal scene also does this, such as Cannibal Corpse, and they’re not serial killers, even if their lyrics often focus on butchering people. We’re from Iceland, one of the most feminist countries in the world, and we’re all feminists in the band, so I don’t know… It was so absurd to us that people didn’t get that we were saying these chauvinists are assholes. PROGGY PARTY So what can you tell me about the new album? Oh, it’s good! It was released this May, and has been well received. We recorded it in January in a studio we set up in Borgar- fjörður. We were isolated there for two and a half weeks, writing, recording and finessing the album. The first four songs are much darker and heavier than the stuff that’s on ‘Voyage’, the next three songs are more party-friendly, and then the final tracks are very proggy. I feel like it’s a very cohesive album. Are there any songs that you foresee will cause as much controversy as “Know Your Place” ? No! [laughs] That song and album, they were both experiments that we don’t need to repeat. So what can you tell me about the al- bum release concert? We’re going to play the album in its entire- ty for the first time ever. We’ll be joined by Magnús Jóhann from Electric Elephant, who played keys on the album, so we can perform our songs differently than when it’s just the three of us. We’re working on getting the sound as tight as possible, be- cause we want to make sure it’ll be a once- in-a-lifetime kind of show. rauða húsið r e s t a u r a n tEyrarbakka “Very good food, excellent service and a very friendly restaurant.” “Amazing seafood in this little town...” “Not to be missed. Food fabulous and staff wonderful ... This spot is worth the trip to the small village alone.” raudahusid.is Búðarstígur 4, 820 Eyrarbakki • tel. 483-3330 open for lunch & dinner 7 days a week 1 1 Selfoss Hveragerði Eyrarbakki to Blue Lagoon ca. 50 min. to Reykjavík ca. 45 min. to Þingvellir, Gullfoss, Geysir ca. 45-60 min. 39 “One of the best restaurants in Iceland. Fresh lobster, amazing cod fi sh!!” Tired And Getting Old (but not really) The Vintage Caravan are back in Iceland to celebrate their new album The Vintage Caravan have sure come a long way. As they released their second album, ‘Voy- age’, they graduated from support slot jockeys to headliner status, their energetic stage pres- ence attracting swathes of young, party-hungry millennials. They went on to sign with Nu- clear Blast in 2013, subsequently relocating to Denmark, and started touring internationally full time. Photo Philippe Beck Words Gabríel Benjamin October 9 20:00 Gamla Bíó 2,900 ISK “But fuck it, it’s art, and there are plenty of art- ists that write texts portray- ing troubling characters and their thought processes, like Nine Inch Nails. A large part of the metal scene also does this, such as Canni- bal Corpse, and they’re not serial killers, even if their lyr- ics often focus on butchering people.” The Vintage Caravan
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