Reykjavík Grapevine - 19.07.2019, Blaðsíða 34

Reykjavík Grapevine - 19.07.2019, Blaðsíða 34
Music West Coast Summer Sound Wholesome fun in a lost village at Post-Dreifing’s Hátiðni festival Words: Josie Gaitens Photos: Art Bicnick Festival Hátiðni took place in Borðeyri on July 5th-7th Google translate told me that the word ‘Hátiðni’ meant ‘radio’ but my friend shook her head when I told her. “It’s more like noise,” she said. “Like static.” “Hátið” also means “festival,” meaning “Hátiðni” is a play-on- words and also the name of a small, curious three-day music event pulled together by the amorphous group that is Post-Dreifing, an in- dependent collective of artists and musicians based in Reykjavík. The festival, like everything Post-Dre- ifing does, is DIY in nature. It took place in Borðeyri, a good two- hour drive away from the capital city, which seems an interesting choice. The tiny hamlet is barely a village, and is part of the smallest municipality in Iceland. There are 16 people living in the village, and 100 in the wider area. At the very least, it’s not a bad place to make a lot of noise. Finding neverland The festival was a three day affair, running the entire weekend. Par- ticipants, volunteers, musicians and attendees—the line between any of these groups was intention- ally vague—stayed at the camp- site or in the school building that was also the main venue. Class- room doors were adorned with hand-painted signs declaring ‘No party here, only sleeping!’ These rooms were filled with mattresses and often a few folk taking a siesta. Hátiðni-goers wandered back and forth between the school and the campsite, filling the town with their voices and bright clothes. Of- ten you would find a group of them flopped in a corner of the car park like over-sized puppies, enjoy- ing the sunshine. They ran down the lupine-filled hill, p l a y e d f o o t b a l l on the tiny pitch, hung their coats and wooly jump- ers up in a line on the pegs in the school’s foyer. The whole thing felt like summer camp meets Peter Pan’s lost boys. Extra-curricular The weather added to the dreamy, surreal atmosphere. The sun beat down ferociously, gleaming off the sea. A yoga class took place outside in the campsite and slowly collect- ed participants who congregated quietly on the warm grass. The sky was the bluest it seemed possible for the sky to be. In addition to the yoga, there were a number of other ‘fringe’ events, mostly taking place in the old slaughterhouse. The organis- ers had cordoned off a section of the building and pulled in a variety of sofas and chairs to make a cosy communal space. This was the site for poetry readings and the like, as well as a well-attended presenta- tion on the history and nature of Post-Dreifing. Waffles for days The other main congregation point was the oldest building in the village, the Riishús, named af- ter the rich merchant who built it in the early 1900s. This compact building has many functions: museum, a store selling both sec- ond-hand and hand-made goods, an information point, public bath- room and a cafe of sorts, albeit one that only sells hot drinks and waf- fles. During Hátiðni the benches outside were heaped with young adults drinking coffee, like some incredibly hip cafe in the city had accidentally been unceremonious- ly dropped on a tiny corner of northwest Ice- land. Inside, a small group of l o c a l w o m e n beamed at their new customers and kept a steady stream of waf- fles flowing. There was literally no other food available in the village, other than what Hátiðni was pro- viding for volunteers and perform- ers at the school. Just waffles. I w a s i nterested to k now what the waffle-making women thought of this strange influx of noise-makers to their normal- ly quiet home. They told me they were delighted. I asked one par- ticular woman in a bright pink sports top, with a warm, matri- archal air, “Will you be going to see any of the bands later?” She laughed uproariously. “Oh, may- be,” she grinned, with a conspir- atorial wink. I wasn’t surprised “The whole thing felt like summer camp meets Peter Pan’s lost boys.” 34The Reykjavík Grapevine Issue 12— 2019 Salóme Katrín opens the stage and steals the show at Hátiðni gpv.is/music Share this + Archives Opening Hours Daily 10–17 Closed on Mondays 16/9–30/4 The National Museum of Iceland Suðurgata 41, 101 Reykjavík The Culture House Hverfisgata 15, 101 Reykjavík www.nationalmuseum.is +354 530 2200 @icelandnationalmuseum @thjodminjasafn NATIONAL MUSEUM OF ICELAND THE CULTURE HOUSE WELCOME TO THE CULTURE HOUSE Points of view: A journey through the visual world of Iceland.
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