I & I - 2011, Page 10

I & I - 2011, Page 10
Sonic RetRo 10 I&I “We at Redwing Amps view the tube guitar amplifier as an instrument. dave Hunter, the author of The Guitar Amplifier Handbook, hit the nail square on the head when he said: ‘Tube amps are not rocket science, they are much more complicated than that.’ Playing them involves personal taste, feelings, emotions and other factors […]. A good amp reacts to a musician’s playing dynamics and preserves the signature sound of the guitar,” the makers of the Redwing amplifiers proudly state on their website. They are currently developing hand-wired guitar amplifiers, which were inspired by the blackface and brownface American circuits from the 1960s. The amplifiers have been tested by a number of musicians, including blues guitarist Vasti Jackson during the Reykjavík Blues Festival in April 2011, Nels Cline of Wilco who played with the Plastic Ono Band in Iceland in October 2010, and established Icelandic guitarist Gudmundur Pétursson. “Gudmundur Pétursson, a renown Icelandic guitarist, hardly uses anything else,” says Thröstur Vídisson, who founded Red- wing with Sigurdur Karl Ágústsson and Júlíus Valsson. “dikta used Redwing amps during the Iceland Airwaves festival and Börkur Hrafn Birgisson uses them with his brother dadi during recordings in Stúdíó Sýrland—he was the first to compliment us.” Vídisson, a guitarist himself, has been making his own ampli- fiers as a hobby for 15 years, but the product’s real development started in 2009. “We did it with our own money in our free time and own everything debt-free,” he stressed. In 2010 Redwing received the Encouragement Prize from the Icelandic universi- ties’ House of Ideas Workshop, and a grant from the Innovation Center Iceland the same year towards designing the product’s look and a prototype. “Redwing amplifiers will have their own special look,” Vídisson told news website smugan.is at the time. Not only do they want to make Redwing amplifiers in Iceland, but also use as much Icelandic material in the production as possible. “We have also been coming up with our own technique, making amendments and finding our sound […] and have put a lot of effort into de- veloping the business idea.” Given how warmly musicians have welcomed the product, Vídisson and his associates are now pre- paring its official launch. Fashion goes in circles, they say, and now it looks as if the sound of the 60s and 70s might be back in soon. redwingamps.com By Eygló Svala Arnarsdóttir. Icelandic start-up company Redwing designs hand-wired vintage amplifiers. P ho to b y P ál l S te fá ns so n Photo by Júlíus Valsson.

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