Iceland review - 2006, Qupperneq 40

Iceland review - 2006, Qupperneq 40
I’ve been coming to Iceland since 1998, when we first printed our magazine, McSweeney’s, at Oddi Printing in Reykjavík. Though I’m usually in Iceland for just a few days, for presschecks at the printing plant, over the years I’ve been able to tour the country extensively, and even spent much of one summer in a rented house on Hvalfjördur. Iceland is my favorite place in the world to visit, and it’s difficult to explain why. Much of it has to do with the landscape, spare and dramatic and unspoiled, and part of it is the feeling of being both at the top of the planet, and also — due to the volcanoes, geysers and scarcity of people — at some semblance of its beginning. I live in San Francisco, which shares a similar palette as Iceland in the summer: electric greens and yellows, cobalt blues. In San Francisco, some friends and I started a nonprofit in 2002, dedicated to helping the students in the city. The point of the center originally was to simply use the McSweeney’s staff and freelance writers to tutor kids in the neighborhood — the Mission District — every day after school. We rented a building at 826 Valencia because a lot of interesting groups intersect in the area: a high percentage of immigrant families, public schools with low test scores and a vast number of writers, students, artists who might be willing to volunteer. Our first goal — of providing one-on-one attention after school — was met early on, with about 30 students, ages 8-18, coming in every day for help with their writing, spelling and other English homework. But the volunteer corps of 826 Valencia grew quickly, from 35 tutors to 200 in a matter of months, and now that we have 950 tutors, the scope of what we do at the center has greatly expanded. We send tutors into schools every day, to work with teachers in helping give concentrated attention to students and their writing. Every day at the center itself, we host field trips where young students write, illustrate and bind their own books, and every night, after drop-in tutoring, we hold classes for high school students who want to learn more about the written word — from poetry to rock journalism to screenwriting. Books, zines, newspapers and websites result from these classes, making the student work permanent and available to readers around the world. Now there are related centers in five other cities in the United States — New York, Los Angeles, Chicago, Seattle and Ann Arbor — and thousands of tutors are working with teachers, becoming involved in the public schools, and tens of thousands of students are benefiting from concentrated, one-on-one attention to their written words. Some of my own high school students in San Francisco — from a book-editing class I teach every year — were asked to write about what their lives might be like in Iceland. These are three examples of the essays they wrote. – Dave Eggers IMAGINE ICELAND BY RACHEL BOLTON, ALISON CAGLE AND LIA IRENE MEZZIO WITH AN INTRODUCTION BY DAVE EGGERS. PHOTOS COURTESY OF THE REYKJAVÍK MUSEUM OF PHOTOGRAPHY 38 ICELAND REVIEW PH O T O B Y G U N N A R R U N A R Ó LA FS SO N , 1 95 5- 58
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Iceland review

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