Iceland review - 2014, Side 63

Iceland review - 2014, Side 63
ICELAND REVIEW 61 international network of people creating a design and development platform in east iceland, and will start receiving interna- tional guest artists as part of a residency program which launches in June. return to roots Born in reykjavík, rósa has spent most of her life in Stöðvarfjörður, but she too moved away for work and further study. Many of those who have stuck around need to travel to the surrounding areas for work. “There’s no work here—nothing. Maybe if i was a seaman with 40 years’ experience i could find something,” she says of the desperate employment situation. “Young people move and they simply don’t come back. Without young people, there are no babies being born here, fewer and fewer children in the school and it will get to the point where the school will simply have to close and then people will definitely not want to move here,” she stresses. Today the school counts 22 enrolled, plus six children at the kindergarten. This has its advantages too, though, rósa points out. “They get such personal teaching … i couldn’t imag- ine putting him in a big class now.” Family is what ultimately brought rósa back to Stöðvarfjörður. during her time in reykjavík she met Zdenek, who was on an exchange program at the iceland Academy of the Arts. The two later moved to prague but returned to iceland when she became pregnant. “i didn’t want to give birth in a country where i didn’t understand the lan- guage, didn’t understand the system, so we decided to move back here, where i had my family,” she explains. Surrounded by natural beauty and spectacular mountain peaks, Stöðvarfjörður is also an idyllic setting. rósa’s parents, visual artist Sólrún Friðriksdóttir and graphic artist ríkharður valtingojer, were surprised to see her return. “i thought she was such a city girl after living in reykjavík and abroad,” Sólrún laughs. But having also returned “It’s healthy for young people to grow up with art around them. When we painted the fish on the side of the factory everyone in town watched it develop over the three days. It sparked discussion about art.”

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