Iceland review - 2014, Side 61

Iceland review - 2014, Side 61
ICELAND REVIEW 59 Tourism BoosT The hotel was originally supposed to be open in summer only, but with bookings for the winter looking promising, it will remain open year-round. “We’ve had noth- ing but great reviews,” beams Sigfús. Guests appreciate the atmosphere and access to the museum, which is included in the price. “They pretty much all take advantage of it. Kids love it, too.” A building with 19 new rooms is under construction, making their total 45. “Skeptics asked: ‘How are you ever going to fill 45 hotel rooms?’” says Sigfús. “I responded: ‘You’re never going to fill them unless you have 45 rooms.’” The hotel gives tourists a reason to stay longer and explore Fjarðabyggð municipality in more detail, including Fáskrúðsfjörður and five other fjords. Residents appreciate the initiative, too. “In the slow season, we’ll focus more on locals, offering Christmas buffets, for example,” reveals Sigfús. The hotel’s restaurant, L’abri (meaning ‘shelter’ in French), serves fresh fish, game and other dishes using Icelandic ingredients with a French twist. The outside seating area on the hotel’s private pier has proven popular on sunny days, whereas the cozy lounge with a fireplace and panel wall from the old hospital tempts as winter falls. Optimism and confidence in the local tourism industry is growing. “A resident asked whether we weren’t planning to open a bike rental. I said: ‘No, but why don’t you?’” ocean of memories Standing on the uneven wooden deck of a century-old schooner, taking in the scent of salt and fish, staring at the open ocean as waves violently crash against the ship’s fragile hull… The Fransmenn á Íslandi museum exhibition designed by Árni Páll Jóhannsson takes visitors back in time. The artwork, ‘Ocean of Memories’ (‘Haf minninganna’), waves on a screen where names of lost fishermen—Pierre, Louis, Yves and thousands of others—are swal- lowed by the sea, has a hypnotizing effect, the spell broken only when a feeling of seasickness sets in. No less effective is a reconstruction of the cabin space of a typi- cal schooner, where realistic wax puppets squat in 150-cm (59-inch) bunks. “People were smaller back then but not that small,” comments museum guide Annette Schaafhirt. The bunks, padded with hay rather than mattresses, were kept narrow so that more space could be reserved for fish, she explains. “Each bunk was shared by two fishermen, working up to 20-hour shifts. They sometimes wouldn’t bother taking their clothes off, so everything was wet. The cabin was also filled with smoke.” It’s hard to imagine how crew members, the youngest of whom were not even ten years old, could live under such conditions for months at a time. The exhibition is located in the tunnel underneath Hafnargata, while the rest of the museum and hotel reception share the ground floor of Læknahúsið. There, visitors can learn more about the history of French fishermen in Iceland through mul- timedia displays, see what the hospital used to look like, browse through books and observe artifacts, many of which come from the original Fransmenn á Íslandi museum, which is still in the process of being moved to the new facilities. Officially opening dur- ing the Franskir dagar festival in late July, the museum has been well-visited, peaking at 4,000 visitors that month. People are visibly touched by the exhibition, Annette says, especially those whose family his- tory is connected to Fáskrúðsfjörður. “One woman from Paimpol came here and found her relative’s grave, which moved her to tears. She didn’t know he had been buried here.” * History The new hotel, former French hospital, located by the shore in the center of Fáskrúðsfjörður.

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