The Icelandic Canadian - 01.09.1981, Síða 45

The Icelandic Canadian - 01.09.1981, Síða 45
THE ICELANDIC CANADIAN 43 cabin on Matheson Island. When the novel ends, the family is breaking up, Stephanie and the girls to live in Gimli, Jon to work as hired help for a rival fishing company. And yet, they have grown closer and have ex- pectations of a more secure future. I hope their story is continued. These opening and closing chapters dominated by the Paulsons serve to unify what would otherwise have been a series of short stories. Each intermediary chapter concerns one person, occasionally a Paul- son but mainly other people of Icelandic, Indian or mixed blood. This format works well, disclosing the silent, private reaches of each person’s mind as well as variations on how these individuals are seen by the others. Not only is each character mar- velously realized but, in the process, com- munity and cultural ceremonies also emerge: a Christmas party, a square dance, an Indian funeral, the commingling of all ages and ethnics. Each chapter is introduced by a stunning line drawing by Virginia Krueger Woltzen, the author’s daughter-in- law. Here are some of the extraordinary people readers will meet: Helga is a lonely young widow with two small sons who feels guilt because she had enjoyed her husband’s ab- sence during a fishing expedition from which he never returned; an attractive bachelor renews her interest in life, and Helga anxiously waits during the fall freeze to learn whether he will return. Ben Mober- ly, a Saulteaux Indian youth, who mourns his best friend, a white university student washed overboard during a violent storm; Ben is obsessed with recovering his friend’s body. This is the most powerful and estheti- cally satisfying chapter of all. Other charac- ters include a demented Indian trapper; Ben’s mother, who is perpetually pregnant, and a childless storekeeper’s wife, unsatis- fied by her husband, who enjoys a brief, passionate interlude with a virile stranger. Sigrid Johannesson has skillfully blended time and place and character into a mem- orable whole; her stories are dramatic, her descriptions poetic. “Break-up time arrived . . . The large terrifying ice floes crashed against one another . . . Lumbering masses of ice were hurled about — merging into sparkling, jagged peaks against the April sky ... It was a time of creation and de- struction — life springing up from roots in the ground, or death appearing when a child lay ill, and it was impossible to cross the lake for help.” There is a legend about a man named Leifur, trapped during the spring break-up within sight of land. “The vigil on the shore continued long after the sun set, and the following morning the lone figure had dis- appeared. Each year the story grew, and each spring islanders with overworked imaginations saw the figure of Leifur stand- ing frozen in one of the ice blocks.” In a sense, Johannesson’s characters are like that: timeless, recurrent, caught forever now in the crystalline blocks of her prose. As Thomas Berger wrote of King Arthur, they are not “historical” but everything they do is true. —Jo Modert, St. Louis Post-Dispatch Sunday, January 11, 1981 IN THE NEWS Icelandic Canadian Club of Western Manitoba The annual meeting of the Icelandic Cana- dian Club of Western Manitoba was held on May 24th at Redeemer Lutheran Church. New executive elected: Harold Vidal, President; Elin Hood, Vice-President; Susan Thorsteinson, Secretary; A1 Gordon, News Letter and Membership; Lilja Martin, Pro- gram Chairman; Jeanette Holm, Social Convenor.

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