The Icelandic Canadian - 01.09.2004, Page 23

The Icelandic Canadian - 01.09.2004, Page 23
Vol. 59 #1 THE ICELANDIC CANADIAN 21 Margaret Ann Bjornson and the Making of Iceland on the Prairies by Gene Walz What follows is an except from the memoir One Man’s Documentary, a new book by Graham Mclnnes. The memoir is a vivid account of the formative years of the National Film Board of Canada - 1939 - 1945 by one of its first employees, an accomplished novelist and broadcaster. Mclnnes, son of Angela Thirkell and brother of Colin Maclnnes, both famous British novelists, had previously written four other memoirs and two books on Canadian Art. During the early years of the NFB, Winnipeggers played an unusually large role in the creation of a Canadian film cul- ture. Ross McLean was instrumental in establishing the NFB and served as its first vice commissioner, and the Flonourable Joseph Thorson was the politician respon- sible for overseeing the Board’s operations as Minister for Wartime Services for Mackenzie King’s liberal government. Two western Icelanders are especially noteworthy - Gudrun Bjerring and Margaret Ann Bjornson. Both women had a profound impact on the then largely male bastion of Canada’s documentary film- making. Gudrun Bjerring is the more famous of the two women filmmakers, though per- haps not outside of a coterie of documen- tary and/or Canadian film buffs, historians and academics. In 1945 she made an influ- ential documentary film called Listen to the Prairies about the annual Winnipeg Music Festival, a work that broke with the insis- tent propaganda style of the NFB at that time. As writer, director or producer she contributed to dozens of NFB films, most notably The People’s Bank (1943) about a Starbuck, Manitoba credit union, Opera School (1952), and The Stratford Adventure (1954) about the founding of the Stratford, Ontario Shakespeare Theatre and festival as well as many films in the “What Do You Think” and “What’s Your Opinion” series. She had a special gift for making films about and for children. For a while she served as the head of the Education Unit at NFB. With her husband Morten Parker (a fellow Winnipegger and University of Manitoba graduate) she formed Parker Film Associates in the 1950s, a company that made award-win- ning documentaries. Margaret Ann Bjornson was the daughter of Dr. Olafur Bjornson, Professor of Obstetrics at the University of Manitoba School of Medicine. She was part of an extraordinary cohort of students of English literature at the university when Graham Mclnnes recruited her as a researcher for the movie Iceland on the Prairies in 1940. Her success on this pro- ject led to permanent employment at the NFB, principally as a researcher for Stuart Legg on the two major film series of World War II: “Canada Carries On” and “World in Action.” In keeping with film commis- sioner John Grierson’s policy, her name is not found on any films produced during this period, and little about her can be found in NFB archives. After the war Grierson, who had resigned from the Board, sent her to England to work on various of his post- war projects. There she met Arthur Elton, an outstanding documentary filmmaker who had gotten his start as a protege of Grierson at film units associated with the Empire Marketing Board and General Post Office in the 1930s. As Lady Elton she published Annals of the Elton Family, Bristol Merchants and Somerset Landowners shortly before her death 1995. In the accompanying excerpt from One Man’s Documentary Graham Mclnnes recounts the story of the making

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