Fróðskaparrit - 01.01.1987, Side 19

Fróðskaparrit - 01.01.1987, Side 19
»Sandoyarbók«: A Faroese Ballad Collection, Its Collector and Patricia Conroy Johannes Clemensen’s2 career as a ballad collector began in 1818 when the Reverend Peder Hentze delegated to his parishioner the task of meeting a request received from Professor P. E. Múller of Copenhagen. Earlier that year, Professor Muller had learned of H.C. Lyngbye’s discovery of Faroese heroic ballads treating the Sigurd legend and had written to Hentze on Sand- oy, asking that Hentze send copies of what- ever ballad texts he could find dealing with this legend and with other ancient themes. And so it was that Hentze set Clemensen the task of assembling as many suitable texts as he could. Clemensen, who was in ill health at the time, recorded a scant eigh- teen ballad texts, which were then sent to Múller in Copenhagen. Clemensen’s fame as a collector does not stem from this modest first collection, how- ever, but rather from his second, larger one. The manuscript of this larger collec- tion is known as »Sandoyarbók« (The Book of Sandoy), a name given it by the Danish folklorist Svend Grundtvig when the Community1 he purchased it in 1872 from Clemensen’s heirs. Clemensen began his second collec- ting effort in 1821, after he had regained his health; ten years later, his manuscript collection had grown to comprise a total of ninety-three texts. Most importantly, Clemensen appended to his fair copy from 1831 an explanatory postscript and a re- gister containing the title of each ballad in the collection, along with the name of the informant, the village in which the infor- mant resided, and the date on which the text was recorded. The importance of Clemensen’s »Sand- oyarbók« cannot be exaggerated. It com- prises the most intensive collecting effort undertaken in any one Faroese district dur- ing the nineteenth century. Furthermore, the information contained in the »Sand- oyarbók« register sets this collection apart as the single most useful source for the study of the workings of an early nine- teenth-century Faroese ballad community: with this information we can not only as- certain, at least in part, the repertoires of Fróðskaparrit 34.-35. bók (1986-87): 23-41
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