Reykjavík Grapevine - 04.08.2008, Page 24

Reykjavík Grapevine - 04.08.2008, Page 24
24 | REYKJAVÍK GRAPEVINE | ISSUE 10—2008 CONCERT REvIEW By By Ben H. Murray — pHoto By gaSCD REvIEWS A Palestine benefit concert in Iceland – not an obvi- ous event for a Thursday night at Organ, but who cares when they mix and match some pretty decent music with the sort of awkward harmony that’s sad- ly missing from the aforementioned region. Gunnar Jónsson started the evening of strange bedfellows with a selection of tracks that highlight- ed his impressive solo skills and warming voice, including a cover of Neil Young’s ‘The Needle and the Damage Done’. An odd choice considering its opiate subject matter but memorable due to his pas- sionate performance, a theme carried on by Númer Núll, who impressed with their soaring Feeder- esque riffs and a substantial amount of noodling that Tom Morello would have cast a wry smile at. As the evening progressed, the music got heavier and heavier but this was almost perfectly in tune with the audience; the crowd built and levels of enthusiasm crept up from a rather stale 8pm start to a rowdy reception for three-piece punk band Morðingjarnir. Their set sparkled with humour, energy and blasts of metal that happily defied the language barrier to leave everyone won- dering what else the organisers could throw into the musical mixing pot. The evening, thus far, hadn’t seen much in- volvement from the fairer sex but that in-balance was more than redressed by another punk-influ- enced trio, Viðurstyggð. Reminiscent, perhaps la- zily so, of infamous female grunge band L7, they performed a set that was both smile-inducing and laced with acerbic musical wit, all backed by a grinding bass/lead guitar duo. Viðurstyggð de- scribe themselves as being ‘bitter girls’ but they translate this into a far happier experience than the description would suggest, despite their dense Icelandic lyrics and low-fi nature. They finished the evening with a slightly angry-sounding number (perhaps influenced by the political nature of the event) that was mostly sung by their drummer, who perversely seemed to be happiest person in the room. Who wants to see Don Henley warbling away from behind a kit when, all in the name of a good cause, you had the beaming Helga doing something much more interesting? Middle East Musical Fest viðurstyggð's bassist takes the Plocking seriously. WHERE Organ WHEN Thursday, July 10 WHO Gunnar Jónsson, History Sound, Númer Núll, Morðingjarnir and Viðurstyggð THE vERDICT An interesting night that showcased some diverse bands who aren't selling thousands of re- cords or headlining their own tour, just yet anyway. THE vERDICT More standard six shooter than .44 magnum but still useful in a fight. THE vERDICT Lively, dense instrumental folk that bears little com- parison to much else this side of the Balkans. A fine album once the individual tracks become familiar.. With a name like a spaghetti Western and songs such as 'Drifter' and 'Hillbilly Purgatory', you'd imagine the Tommygun Preachers to come across sonically like a posse of unwashed outlaws who found time to make some good 'ol guitar music in-between jumping freight trains. Instead, the album sits in a musical abyss between country rock and punk but is still enjoyable. 'The Burning Hell Machine' is one of the tracks where they come alive with a punk-infused riff and John Lydon-influenced snarling vocal that you'd love to hear at 1am in a sweaty club. Title track 'Jawbreaker' and 'Let's Go' follow a similar theme but with a degree more anger and drive coming out in satisfy- ing blasts. The album is sometimes formulaic and the vocals struggle to stand out from the energetic compositions, such as in 'Incinerate', but 'Jawbreaker’ has attitude, venom and some decent songs. It's just a few killer tracks short of being really good and that's a shame. Whilst Gogol Bordello seem to have the international monopoly on high-energy folk, using what might be described as a cynical find- a-niche-and-play-up-to-it approach, Stórsveit Nix Noltes have taken a less obvious route with their debut album. They rely heavily on tradi- tional Balkan folk music in its purest form with staccato scatterings of brass matched by a strings and a rampant accordion layered over the top of other instrumentation but present no vocals. The faster numbers, which include 'Pajdusko' and, best of all, 'Kopanista', are frenetic in the extreme and border on musical confusion, but just rein back the tide of noise before it becomes too much for anyone outside of a vodka-laden wedding party to comprehend. It’s a difficult record to listen to as most will have few points of reference to help acquaint themselves with the unique attitude the band convey but anyone who takes the time with Royal Family Divorce will be richly rewarded. ToMMyGun PrEacHErS Jawbreaker STórSvEIT nIx nolTES Royal Family Divorce reviewed By Ben H. Murray reviewed By Ben H. Murray Tell us a story – Win an invitation to Iceland www.spacity.is The most popular spots for foreign tourists visiting Reykjavík are the Thermal Pools and Baths, which are amazing sources of wellness, good health and relaxation. Send us an email at spa@reykjavik.is and briefly tell us about how you experienced Reykjavík’s Thermal Pools and Baths. With a little luck, you could win a trip for two to Iceland with Icelandair in 2009. Ten other contestants will receive a beautiful gift from Reykjavík Spa City. P.S. Tickets are valid from any Icelandair gateway in Europe and the USA. These tickets are not valid from 15 June to 15 August 2009. Reykjavík Spa City reserves the right to use any submitted material for promotional purposes.

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