Reykjavík Grapevine - 15.08.2008, Blaðsíða 24

Reykjavík Grapevine - 15.08.2008, Blaðsíða 24
24 | REYKJAVÍK GRAPEVINE | ISSUE 12—2008 CONCERT REvIEW BY SveInn BIRkIR BJöRnSSon — pHoTo BY HöSkARInnCD REvIEWS Celebrating the release of their respective albums and the formation of their own record label, Mo- lestine Records, two Reykjavík metal bands, Mo- mentum and Celestine, seized the old Iðnó theatre by the Reykjavík pond for a night of industrial strength metal music. The night commenced with an appearance by Muck, a young sludge metal band that is fast building a reputation. Musically, these lads have taken strides since I last saw them and should be recognised as one of Reykjavík’s more promising underground bands. They built a thick, airtight wall of slow riffs that hit like a bulldozer. But as tight as they sounded, they left a boatload to be de- sired in stage presence. Isaac Hayes is more alive than these guys. I don’t share some people’s enthusiasm for Ask the Slave. Franky, I find their progish metal extremely boring, but I’ll readily admit that they were a vast improvement in stage performance. Front-man Ragnar has a sense for showmanship that could propel this band further. Celestine’s two albums blew me away, but ev- ery time I’ve seen them play they have failed to live up to the expectations of that promise. This was a different story. The band’s recent European tour and recent recording sessions have honed their rough edges and inspired them with confidence. Their guitars tuned down to the last letter of the alphabet, the band delivered a mind-numbingly heavy set with scientifically engineered precision that turned my insides out and left me vibrating long after I left the venue. Their delivery of Ghost Orchid was the night’s highlight. The show’s final act was Momentum, is a throwback to the golden years of death metal. Their performance rekindled memories of my mother banging on the door, demanding that I “turn that shit down!” Their sound is built around technical mastery as the three-piece rhythm sec- tion, featuring 19 strings, bears witness to. They pulled of a very respectable set, topped by guest appearance by Ask the Slave’s Ragnar, whose flair for the high notes established a nice contrast to vo- calist Hörður’s guttural barking. Metal: Industrial Strenght celestine shAke thinGs up. WHO Celestine Momentum Muck Ask the Slave WHERE Iðnó WHEN Friday, August 8 THE vERDICT Celestine delivered the goods, aptly backed up by Momentum and to a lesser extent, Muck and Ask the Slave. THE vERDICT Shows great promise but simple compositions soon become repetitious. LISTEN & BuY www.myspace.com/olafur- arnalds THE vERDICT Despite the isolation on the cover, new Andrúm al- bum glows right through. LISTEN & BuY http://www.myspace. com/foxfacemusic Ólafur Arnalds is a jack of all trades. Variations of Static is his sec- ond album of compositions for piano and strings, following Eulogy for Evolution (2007). Before starting his solo career, Ólafur had made a name for himself as a drummer with hardcore bands Fighting Shit and Celestine – all this at the tender age of 21. Five songs in all, Varia- tions of Static comes of like a single compositional piece. The mu- sic is simplistic, rooted in atmospheric creations rather than great technical display. It is all very pretty and tender at first but soon the simplistic compositions start to feel naively so, and as a result the al- bum becomes repetitive, despite its sombre tone. There are certainly moods and occasions that will fit this album perfectly, but in general I think this will best be filed in the ‘expect great things from in the future’ pile. For some reason, this debut album by the Glascow three-piece Fox- face ended up on my desk. It is a rather enjoyable mash of folk influ- enced pop with a dash of rockabilly. This sounds like it could be a great bar band. The albums strength lies in the steady baritone voice singer Michael Angus, who sounds a lot like Jarvis Cocker, and the interplay with songstress Jenny Bell. The songs Last Waltz and Face Looks Familiar are highlights, but overall, the album could do with more songs of that quality. There is nothing distinctively great on display here; mostly it just rolls through without much effort. Easy to enjoy, but probably easy to forget as well. ÓlAFuR ARNAldS Variations of Static FOxFAcE This is What Makes Us RevIeweD BY SveInn BIRkIR BJöRnSSon RevIeweD BY SveInn BIRkIR BJöRnSSon Licensing and registration of travel- related services The Icelandic Tourist Board issues licences to tour operators and travel agents, as well as issuing registration to booking services and information centres. Tour operators and travel agents are required to use a special logo approved by the Icelandic Tourist Board on all their advertisements and on their Internet website. Booking services and information centres are entitled to use a Tourist Board logo on all their material. The logos below are recognised by the Icelandic Tourist Board. List of licenced Tour Operators and Travel Agencies on: visiticeland.com
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