Reykjavík Grapevine - 14.08.2015, Page 28

Reykjavík Grapevine - 14.08.2015, Page 28
Breakfast Brunch Lunch Happy Hour Dinner K-Bar is a gastro pub with a Korean, Japa- nese, Icelandic inspired kitchen and quirky cocktails. We have eight icelandic craft beers on tap and over 100 types in bottles. Open all day from breakfast to late night snacks. K-Bar is located at Laugavegur 74. Ask your reception how to find us or find us on facebook.com/kbarreykjavik Tonik Ensemble is a unique act, with many distinguishing factors that set it apart. Case in point: the stage was nota- bly free of Macs and other Apple prod- ucts, which is refreshing for a scene that mostly consists of guys hunched over laptops. Instead, sounds were tweaked and samples set off in visible real time by Anton and Hörður using physical con- trollers, the show flowing like a smooth DJ mix with no pauses between tracks. Tumi’s eerie saxophone playing could only be described as Lynchian, and Hörður's vocals sounded like they were floating in a vast ocean of manipulated melancholy. If we had hats, we would take ’em off for Tonik Ensemble’s live show—catch it if you can! In other electronic news, Reykjavík musician Stefán Páll Ívarsson has been making a buzz of late, releasing a slew of great tracks as MSTRO. His latest offer- ing, “All I See Is You” does not disappoint. The tune is an extremely great-sounding, left-leaning electronic pop gem, with the vocals in the chorus manipulated beyond recognition, giving a dark, somewhat stalkerly edge to the otherwise sentimen- tal line “All I see is you.” We look forward for a full-length album from MSTRO, but until then head down to YouTube for the moody and dramatic video for “All I See Is You.” Great songs keep hitting us from out of the blue these days. One such track recently popped up courtesy of one Hjalti Þorkelsson, formerly of the band Múgsefjun. “Mælum myrkrið út” (“Let’s Explore The Darkness”) is a delicate and well-constructed indie-pop ballad. The song itself is extremely catchy—in that low-key Shins-slash-Belle and Sebastian way—its lyrics a meditation on being a social outcast in times when “Those who own the world paint it in whichever co- lours they choose.” Óli Dóri and Davíð Roach document the local music scene and help people dis- cover new music at straum.is. It is asso- ciated with the radio show Straumur on X977, which airs every Monday evening at 23:00. Straumur’s favourite electronic album of 2015 (so far), ‘Snapshots’ by Tonik Ensemble, was celebrated with a long-overdue release concert on August 6. Openers Asonat got people moving with their atmospheric trip-hop, which is nicely reminiscent of Björk’s early solo work. Ensemble mastermind Anton Kaldal Ágústs- son then took the stage along with singer Hörður (of M-Band fame) and saxophone player Tumi (from Grísa lappalísa), performing a set of soulful techno that runs deep into the unknown registers of human consciousness. Photo Thomas Humery Words Davíð Roach Gunnarsson & Óli Dóri STRAUMUR Snapshots Of Excellence Straumur radio show airs Mondays on X977 at 23:00 Straumur www.straum.is Logn come screaming through the gates with a vicious noise attack egged on by a pair of voices battling to out-aggress one another, like two demons in thumb- screws howling insults at their tormentors. The instruments flail about in a barely controlled cacophony of pure punishment and bestial beauty. While the songs are based in grindcore, their manifestation is a streamlined, even melodic form of power- violence. The result is as crushing as Logn’s endless ideas are interesting. Fitted within the context of their blunt-force live per- formance, these tunes are guaranteed to produce an outpouring of pores, along with a collective catharsis of the crowd every time Logn burn down their backline on stage. - BOGI BJARNASON 'Unortheta' is a forty-minute frisson full of looming doom, blasting fury, and cavernous bellows that seem to emanate from the deep, below. The record’s atmospheric palette ranges from the ethereal to the oppres- sive, oftentimes simultaneously. The strings pluck out atonal intricacies half- hidden behind the thick curtain of bass and errant melodies that tie the proceed- ings together, like a singular, continuous piece of infernal aural brooding. This album is the culmination of a band steeped in death metal tradition throwing off the genre’s shackles and painting a fresh narrative in hues of black and blood. It is by no means easy listening. Rather, it is a treasure trove of rewards for your patient eardrums covered in high- quality headphones late on a dark, star- spangled night. - BOGI BJARNASON Logn Shrine ‘Í sporum annara’ facebook.com/lognlognlogn A band of youths punching way above their weight ‘Unortheta’ facebook.com/shrineiceland Rewarding late-night listening 28 The Reykjavík GrapevineIssue 12 — 2015MUSIC

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