Reykjavík Grapevine


Reykjavík Grapevine - 03.02.2017, Side 49

Reykjavík Grapevine - 03.02.2017, Side 49
Unbeautiful Þórsteinn Sigurðsson lights up the shadows Art Hello Darkness, My Old Friend48The Reykjavík GrapevineIssue 02 — 2017 For some, seeing is more than a sense—it’s a sensation. “It’s pain- ful to be somewhere, see some- thing amazing and not be able to take a photo of it,” photographer Þórsteinn Sigurðsson says. “The other day I went food shopping and on my way back I see a car on fire, surrounded by some whacked-out folks. I didn’t have my camera on me but I could see the photo in my mind. That’s painful.” The image fits Þórsteinn’s style perfectly. The the burning, the wrecked, the wretched—the sickly beautiful. Human nature Photography for him started when he dropped out of upper second- ary school and applied for a job at Hans Petersen, a camera reseller and developing office. He started to develop his own skills by pho- tographing his friends in the graffiti crew CMF. “I felt a need to document the lifestyle these guys were living, which was rather in- credible, very bohemian for those times,” he says. On the streets of an arctic bohemia, Þórsteinn took root: “I don’t go out much into na- ture, I stay more within the city. Ugly, strange neighborhoods are my favourite.” The city is an eco- system of its own. That’s why they call it a concrete jungle. And Þórsteinn is its vines, de- liberate and creeping. He weaves the lines of human nature with his camera—into corners you didn’t know or didn’t want to know. “My photos aren’t taken when I’m walking my dog,” he says. “It doesn’t happen often that material walks in front of me. I go and find it.” The darkest hour In a recent series he photographed the deceased. “The smell, the bod- ies in different stages of decom- position: I couldn’t think about it like that, it had no effect on me. The camera was sort of like a physical and mental shelter. It’s a good tool to have in difficult situ- ations, the fear disappears.” His special access to a local mortuary resulted in a stunning series of six true gelatin silver fibre prints. He’s a documentary photogra- pher to the core—his inclinations to photography are physical. He is “obligated” to photograph what he feels people might otherwise not see. Oftentimes those photos expose a subject slightly unex- pected, slightly unbeautiful. But they say that beauty is in the eye of the beholder, and Þórsteinn’s got a wicked gaze. Find Þórsteinn online as xdeath- row.tumblr.com and follow him on Instagram @xdeathrow SHARE: gpv.is/unb02 Words PARKER YAMASAKI Photos ÞÓRSTEINN SIGURÐSSON I C E L A N D I C R E S T A U R A N T & B A R Tasty tapas and dr inks by the o ld harbour T a b l e r e s e r v a t i o n s : + 3 5 4 5 1 7 1 8 0 0 - w w w . f o r r e t t a b a r i n n . i s Certificate of Excellence ———— 2016 ———— Drawing Spatially — Raumzeichnung 14.1. - 25.2 2017 Monika Grzymala bergcontemporary.is Klapparstígur 16 101 Reykjavík / Iceland B E C R E M O A R P N R G O T Y H V ÍT A H Ú S IÐ /S ÍA – 1 5 -0 0 9 0 Įvairių tautybių tėvai Padres Internacionales International parents Międzynarodowi rodzice Për prindërit me origjinë të huaj Интернациональный клуб родителей Alþjóðlegir foreldrar ผู้ปกครองต่างชาติ Phu huynh quôc tê The Red Cross welcomes all parents with children at the age of 0-6 years who want to meet others with young children. Presentations concerning children and society will regularly be held. Toys for the children and refreshments are provided. Participation is free and no knowledge of Icelandic is required. Place: The Red Cross House, Hamraborg 11, 2nd floor, 200 Kópavogur Time: Thursdays at 10.00–12.00 Place: Ársel, Rofabær 30, 110 Reykjavík Time: Tuesdays at 10.30–12.30 Facebook group: International Parents Rauði krossinn The Red Cross House, Hamraborg 11 – open weekdays 9-15 570 4060 – kopavogur@redcross.is

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