Reykjavík Grapevine


Reykjavík Grapevine - 05.05.2017, Page 29

Reykjavík Grapevine - 05.05.2017, Page 29
Afraid Of The Dark Iceland’s underground music reaches the surface Words: Steindór Grétar Jónsson Photos: Ulfar Loga The word “myrkfælni” translates as “fear of darkness”—apropos for the tension-filled music presented by MYRKFÆLNI, a new under- ground music organisation cel- ebrating Iceland’s grittier genres. The group has announced the launch of an international maga- zine of the same name, aimed at promoting the local underground scene. “ We f i r s t g o t this idea at a black meta l festiva l in Portugal,” says Kin- nat Sóley, one half of the team behind t he projec t . “We went to this record store and the guy had a bunch of black metal fanzines that some dudes ju st made themselves. They’d glued every- thing copy together by hand—real DIY.” Then it hit them: they should start a magazine of their own. Sólveig Matthildur Kristjáns- dóttir is the other half of MYRK- FÆLNI, and a member of synth- punk trio Kælan Mikla. “There’s so much great underground music in Iceland, but the platform for exporting it is missing,” she says. They quickly set about rectifying the situation, starting up a Karoli- na Fund crowdfunding campaign. “We’ve been touring with Kælan Mikla for two weeks all over Eu- rope,” says Sólveig, “and the whole time we’ve been on 3G internet in the car, promoting the campaign non-stop.” Unlimited Fernet Branca The two Berlin-based expats, dressed in the standard all black, are fired up about the project when we meet up at a vegan café in Berlin’s Neukölln neighbour- hood. Having released their first M Y RK FÆLNI compi lation on Easter Sunday—featuring mu- sic by bands like Godchilla, Lord Pusswhip and, of course, Kælan Mikla—they’re around halfway to their €3,300 goal for the magazine. “Our main objective is promot- ing Icelandic underground mu- sic abroad, and the MYRKFÆLNI magazine is a way to do that,” says Kinnat. The rewards for partici- pants vary from a copy of the f irst issue or compila- tion, to the one-off option—priced at €1500—for a party with the two found- ers, who’ l l of fer their benefactor a home cooked vegan meal and as much Fernet Branca as they can drink. “Ev- ery campaign has one crazy reward,” says Solveig, “so this is what we came up with.” The amount of unorthodox music coming from an island of 330,000 is teeming, and demand for it growing, they feel. It fits with the scene’s inquisitive cul- ture. “People go to concerts fea- turing Icelandic bands abroad, and if there’s someone selling mer- ch—CDs with Icelandic minimal wave—people want it,” Sólveig says. Kinnat agrees that there’s a niche, but also a substantial mar- ket for their kind of music. “Some people just showed up and asked for one of each CD,” she says. “They just trust that it’s good. There’s a practice of supporting the bands in underground scenes like this. When we played the more punk venues, we sold more merch.” None more dark The music distributed by MYRK- FÆLNI, as well as on Sólveig’s own label Hið Myrka Man (“The Dark Woman”) is diverse, but shares a Culture Feature “The musicians from Reykja- vík all really do know each other.” “There’s an alternative scene in Iceland, but it’s not just punk kids coming to the shows—it’s all kinds of people.” “There’s a practice of supporting the bands in underground scenes. When we played punk venues, we sold more merch.”

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Reykjavík Grapevine

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