Reykjavík Grapevine


Reykjavík Grapevine - 25.08.2017, Side 44

Reykjavík Grapevine - 25.08.2017, Side 44
Photography 44The Reykjavík GrapevineIssue 15 — 2017 The industrial revolution came late to Iceland, if at all. The fishing fleet was modernised and later we got fish freezing plants and alu- minium smelters, but certainly no large scale 19th century factories run on coal and steam. Therefore, steampunk might seem out of place here. Or perhaps this is just the place for it, har- kening back to a past that never existed. For three years, the Ice- landic Steampunk Festi- val was held in Bílduda- lur, but has now moved to the town of Akranes, a 45 minute drive (or 25 minute boat ride) from Reykjavík. There is even a shop-slash-café, Du- larfulla búðin (The Mys- terious Shop), which is something of a year- round Steampunk festi- val. Dukes and Duchesses Proprietor Ingimar Oddsson looks the part, wearing Victorian gentle- man’s ensemble with an impressive moustache appendix. The waitress goes half-way, with a corset-and-jeans combo. The guests are also properly at- tired, this after all, being the season for Steampunk. I am here on a Sunday, so many erstwhile Dukes and Duchesses are still sleeping it off. They tell me that the night before was busy, with gin and tonic a particular favourite. There were also games of the sort that have become a festival staple. Among these are bicycle jousting, wherein men with suitcase in one hand and umbrella in the other try to push each other of a bike. There is also something for the la- dies, a race where women carrying mops and other household arti- cles try to outrun one another while having a washtub chained to their ankles. An hom- age to the plight of 19th century women. One of the most popular is the tea duel, wherein contes- tants dip biscuit in tea and then try to hold them upright for a s long as they can before they break. “ S o m e p e o p l e walk around with tea bags on their hats and biscuits in their pockets, challenging all com- ers,” Ingimar says. HG Wells and Jules Verne Today, however, the highlight is an overview of the history of steampunk, presented by Ingimar. In a sense, Ste- ampunk has been around since the 19th century–glimpsed in the fiction of writ- ers like HG Wells and Jules Verne. And in this sense there is a minor Icelandic connection. As everyone knows, Jules Verne’s ‘Journey to the Centre of the Earth’ is set in Snæfellsjökull, which can be glimpsed from the Akranes shore, although that is one of Verne’s less steampunk-y novels. Teslapunk and Dieselpunk The phrase steampunk was first coined by a journalist in 1987 and the concept has taken off since. There are various subcultures of the genre: Such as Tesla- punk, based on the inventor’s ideas; dieselpunk, which is an alternative ‘30s showcased in the movie ‘Sky Captain and the World of Tomorrow’; and atom- punk, which is largely based on Soviet space age propaganda posters. Sadly, steampunk’s major forays into cine- ma, such as ‘Wild Wild West’ and ‘The League of Extraordinary Gentlemen’, have not been great successes. Imaginary past Steampunk in some ways sprang up as an alternative to cyberpunk, which was a ‘90s based longing for things to come–during the last era when people still believed in the future. But instead of looking to the future,, the steam- punks turned to an imaginary past. It is interesting to note that many of the ste- ampunks might otherwise have been (or were) goths, emo or metal. As all these genres are a revolution of sorts, an escape from an increasingly oppres- sive and bizarre reality, a way for people of different countries to come together, while embracing the same (imaginary) culture. Perhaps it even makes more sense than other imaginary communi- ties, such as nations or religions. Here, one is free to choose what one wants to be and act out that fantasy. Words & Photos: Valur Gunnarson “Proprietor Ingimar Oddsson looks the part, wearing Victorian gentleman’s dress with impressive moustache appendix.” NO BUN NO FUN The Mad Hatters of Akranes A Steampunk Oasis Overlooking the Ocean

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