Lögberg-Heimskringla


Lögberg-Heimskringla - 15.11.2018, Qupperneq 10

Lögberg-Heimskringla - 15.11.2018, Qupperneq 10
VISIT OUR WEBSITE LH-INC.CA 10 • Lögberg-Heimskringla • November 15 2018 When does something come to be? That is a profound philosophical question. In this case, was it growing up in a household, a copy of Minningarrit Íslenzkra Hermanna, a visit to the Menin Gate, or an advertisement in Lögberg-Heimskringla, the English-language Icelandic paper in the fall of 2014? Before answering such profound questions, I’d like to take you back half a century with a shout-out for Duff Roblin and Maitland Steinkopf. In the 1960s, I was Duff’s executive assistant and without my knowledge or consent he gave me the challenge of managing Maitland Steinkopf as the first Director of the Manitoba Centennial Corporation, something cabinet couldn’t do but a young 27-year-old was supposed to. It was a huge challenge but Manitoba had by far the best centennial project in all of Canada with the museum, concert hall, and planetarium – thanks to Maitland. Contrast this with New Brunswick where they built an administration building, in contrast to the purpose of the centennial grant. I would also like to give a shout- out to the Eaton family: John Craig and Sally Eaton, Fredrik Stefan Eaton and Helga Stephenson. Not only did they donate money to the exhibit but they also took time to fly out for this opening. Many of you may not know that in an article in Canada’s History (published in Winnipeg) I wrote on the top ten Canadian businessmen of all time. Sir John Craig Eaton, grandfather (afi) of John and Fred was one of my choices because he made Eaton’s a national company when he built the Winnipeg store. For those of you who are not Icelandic, the Memorial Tribute to North American Soldiers of Icelandic Origin and Descent was published in 1923. It was compiled by the Jon Sigurdsson Chapter of the IODE, here in Winnipeg, and printed by Viking Press. It contained pictures and biographies of the over 1,000 Canadians of Icelandic origin that served. Three of my uncles are in the biographical section, including my Uncle Jon, the first Canadian-born member of our family, who made the supreme sacrifice at Passchendaele. His body was never discovered. His name is carved on the wall of the Menin Gate in Ypres, Belgium, along with the 6,000 others whose bodies were not found. In 1965, former Prime Minister John Diefenbaker, while cleaning out files in his office, came across a picture taken overseas of the two of them together (John and Jon) and he mailed it to us. They met in the 196th Battalion, Western Universities. Fourteen years later. Mr. Diefenbaker wrote again and told us about the Menin Gate where 364 days a year there is a memorial service at 8:00 p.m. My wife, Sally, my older son, Jon, and his son, Erik, visited the Menin Gate and were incredibly moved by the ceremony. A few months later, I was startled to see an advertisement in Lögberg- Heimskringla asking for pictures, letters, and artifacts from World War I for an exhibit at the National Museum of Iceland in Reykjavík. I was startled for two reasons: (1) it seemed such a coincidence with my visit to Ypres and (2) why was someone in Iceland interested in this topic because attitudes towards the war in Iceland had been negative? I entered into correspondence with Kristín María Hreinsdóttir, who placed the ad, and who I very much wish could have been at this wonderful event. The year passed quickly and the exhibit opened on June 29, 2015. I made a point of being there. I was impressed. I was particularly struck by the photograph on your invitation. I had never seen it before the exhibit in Reykjavík. The two figures on the left are quite famous, at least among Icelandic Canadians. On the far left is Konnie Johannesson, who was a fighter pilot but better known as a member of the Winnipeg Falcons, the first team to win Olympic Gold in hockey. Next to him is Frank Fredrickson, the captain of the Falcons and later a Stanley Cup winner with the Victoria Cougars. In the middle is my uncle Bill, or “Villi.” What I learned is that Konnie and Frank, like Villi, were musicians (as well as hockey players – but Villi was no hockey player) who used to play in the silent movie theatres accompanying the drama on the silver screen with rousing music at the old Walker Theatre in Winnipeg. On returning to Canada I was so enthused about the exhibit, I felt something must be done. I also thought we needed to translate Minningarrit Íslenzkra Hermanna and we needed more research on Icelandic Canadian participation in the war. The first person I went to was Arni Thorsteinson. Arni is an entrepreneur who gets things done. He convinced the Manitoba Museum of the merits of the exhibit. Then a few of us agreed to put up some money and we paid for the translation of the memorial book. In addition, we engaged a University of Winnipeg student to do research, specifically on nominal rolls, but also items in the Winnipeg Free Press or wherever she could find them. What did we learn? In his remarks, Roland Sawatzky, curator of the museum, spoke of the role of a specific ethnic group and World War I. It is indeed that. Remember, before and during the war, the Icelandic Canadians were not allowed to participate in the mainstream hockey leagues in Winnipeg because of their ethnicity. And while there were those in the community who were either neutral or negative towards the war, such as Stephan G. Stephansson from Markerville, the leadership in the community favoured participation because of the importance of fitting in to their new country. Sam Hughes, the driving force behind Canada’s early war efforts, recognized there were a few ethnic groups which he could tap for much needed soldiers. While most of the battalions – for example, the 27th, City of Winnipeg – were geographically based, Hughes also went after “safe” ethnic groups, which included 29 Canadian Scottish units, five Canadian Irish, five American, one North American Indian/First Nation, and 2 Nordic: one, the 97th, predominantly Norwegian, and the other, the 223rd, predominantly Icelandic. The 223rd were called the Scandinavian Battalion and while there were Danes, Swedes, and Norwegians, the largest group were Icelanders – some born in Iceland, a few in the U.S., but the largest group in Canada. An interesting aspect of the 223rd was that the largest group, after the Icelanders, was a Bohemian detachment from the Bohemian Gymnastics Association in Chicago. After the 223rd, the largest group of Icelanders was in the 108th, based in Selkirk. However, our research found Icelanders far and wide in Manitoba and particularly in Winnipeg – and as far away as the Nova Scotia Highlanders. Once these units were shipped overseas, they were placed in Reserve units. Both the 223rd and the 197th were incorporated directly into the 11th Reserve Battalion, which provided forces for combat units primarily from Winnipeg and Manitoba units. These units fought in the Last 100 Days, a period that created more casualties than any other – more than the Somme, more than Vimy Ridge, more than Mount Sorrel. They would capture Mons and at the 11th hour of the 11th day of the 11th month, an armistice would be signed. We have just received the translation of the war dead and an examination of their original battalion confirms the 223rd and the 108th as the largest source of front line soldiers. The obituaries show the war dead in Winnipeg-based battalions – the 79th Cameron Highlanders, the 144th Winnipeg Rifles, and the 184th. But also widely distributed – the 16th Light Horse in Saskatchewan, the 1st Division Ammunition Column of the Canadian Field Artillery, and Christine Frederickson, the only nurse to be killed. In the memorial tribute published in 1923, the original authors assumed the tribute would be translated into English and now, 95 years later, it has been – and a searchable database is being posted online for people who want to know about their loved ones and the sacrifices they made so that we in Canada could live in peace and tranquility. Earlier, I noted that not all Icelandic Canadians favoured the war. There were some like Borga, the mother in Laura Goodman Salverson’s The Viking Heart, who was angered when her son Thor enlisted. But when she saw them marching, turning the corner of Portage and Main (special permission required?), “They might have been an army of ancient Norsemen, so dear they seemed. … Ahead of these men for whom she now felt such possessive love, she saw, not a white silken banner with its raven mascot, but that tri-coloured badge of a great empire – the Flag of Britain – a holy thing, created so by her immortal heroes and sustained in that holiness by her loyal children.” Let us never forget their sacrifice – not just of the dead but also of the living. As a result of this research, I have come to the conclusion that the dead may have been the lucky ones because it would be impossible to imagine what life was like in the trenches of World War I. To paraphrase Siegfried Sassoon, “They lived in hell, they called it Passchendaele.” And then they returned to live a “normal” life, which it would have been next to impossible to do. Let us never forget! In conclusion I would like to thank the Manitoba Museum for making this exhibit possible and takk fyrir, Þórður, for this reception. This address by Joe Martin was delivered at the official opening of Vikings of the First World War: Icelandic Canadians in Service at the Manitoba Museum on Thursday, October 25, 2018. This exhibit commemorates the 100th anniversary of the end of the First World War and features medals, photographs, letters, and various other artifacts from two Winnipeg battalions – the 197th Vikings of Canada and the 223rd Canadian Scandinavians. Complementing these artifacts is a video installation curated by Kristín María Hreinsdóttir in collaboration with the National Museum of Iceland and the University of Iceland. The exhibit continues at the Manitoba Museum, 190 Rupert Avenue, Winnipeg, until March 3, 2019. VIKINGS OF THE FIRST WORLD WAR: how the commemorative exhibit came to be Joe Martin Toronto, ON PHOTO: BILL ACHESON / MANITOBA MUSEUM Joe Martin speaking at the opening of Vikings of the First World War

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