Iceland review - 2019, Page 25

Iceland review - 2019, Page 25
23 Iceland Review Using your voice While Bubbi is probably the best-known musician in Iceland, he’s never been one to court his audience, instead unabashedly reflecting and criticising Icelandic society. One example is his 1984 song Strákarnir á Borginni (The Boys at the Borg Club), about homophobia, which was rampant in Iceland at the time. “I was playing at clubs and I saw it happening right in front of me. They were beaten, they were spit on, they were banned from entering clubs. That’s why I wrote that song. And I remember it wasn’t popular. People were like ‘What are you doing?’” “I have always sung about how I see the world and Iceland. Sometimes it hasn’t been popular, but it’s always been very important to me to not keep quiet. Iceland isn’t big. And in such a small society, the danger is that you don’t dare to take a stance because you’re afraid your neigh- bour will disagree. It’s very important to reflect society and criticise and dare to do so. I have six children. I want to be able to say to them before I die: ‘I didn’t stay silent. I took a stance. I fought.’ So they know that it matters.” Rainbow Street His upcoming album Regnbogastræti (Rainbow Street) is no exception. The first single Velkomin (Welcome) is about refu- gees. “There’s a situation arising in Iceland which reflects the situation across Europe – massive nationalism, almost fascism. There’s a growing belief that foreigners are somehow bad, that refugees are bad, and there are people who are profiting from that. It is incredibly important to dare to step forward and dare to say that’s not the way things are. That we have to welcome refugees, without hesitation. We must show love and sympathy and social consciousness. Iceland is absolutely big enough to welcome people and give them opportunities and give their children opportunities. That view is not very popu- lar among a large group of people. But it’s incredibly important that it’s heard.” Bubbi is also working on a poetry book called Velkomin, on the same subject. Yet music, he says, has a particular advantage when it comes to getting through to others. “If you, for example, go on the Internet and write ‘Hey, let’s stop buying plastic, let’s use electric cars,’ there’s always a group of people that comes screeching. You never manage to have a conversation. It’s a lot easier
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