Iceland review - 2019, Side 100

Iceland review - 2019, Side 100
98 Iceland Review With his legendary concentration and 50 years of experience our Master Watchmaker and renowned craftsman, Gilbert O. Gudjonsson, inspects every single timepiece before it leaves our workshop. All the watches are designed and assembled by hand in Iceland. Only highest quality movements and materials are used to produce the watches and every single detail has been given the time needed for perfection. Our Master Watchmaker never loses his concentration www.jswatch.com WORLD’S SMALLEST WATCH MANUFACTURER PROBABLY THE the ducks, even if you see it only once, you know it’s a ritual that is repeated. I often feel the bigger concept is more interesting than exactly what’s happening in front of you.” Ragnar is most often referred to as a performance artist. While he pulls from music and theatre, the scenes he stages with actors or musicians are transformed into visual art. For him, the repetition is what differentiates his work from theatre and music. “I often use repetition and time in order to make narrative art become more like a sculpture or a painting. It has no beginning or end, but becomes frozen in time.” Respectable riffraff Though he’s one of a handful of Icelandic artists to gain international attention, Ragnar doesn’t feel any pressure to excel – not from his own nation, at least. “I really don’t feel the pressure to make it. Not like abroad where you constantly feel that you’re either somebody or nobody. I like it that people in Iceland don’t take me as seriously as they do in other countries. I’m still that guy from Trabant who used to go by Rassi Prump [which could be translated as Butt McFartson] and that feels good to me. In other countries, I’m a terribly respectable artist.” It’s not just that the people of Iceland know his roots, where he came from and what he did before, he also thinks Icelanders have a different way to think about art and success. “I’m so happy to be from this land of losers. It would be terrible to come from the US, where everything revolves around winning. Here, there’s no pressure to stand out and that gives you an incredible freedom.” According to Ragnar, there’s less separation between artists and other people in Iceland. “It feels so good that around here, there is the same level of respect for professionals as amateurs. I think of it as an advantage. I can be this super cool artist with an exhibition at the Met, but there’s no real difference between me and a cab driver who paints in his free time.” Devoting his life to art also frees Ragnar in some ways from traditional metrics of success. “I think if you’re an artist, you’re already riffraff,” Ragnar quips. “If you’re looking for respect from your fellow citizens, you find something else to do. You become a doctor or a lawyer. But it’s more fun to be in the riff raff business. There is a certain respect for riff raff in Iceland, too.”
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Iceland review

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