Iceland review - 2019, Page 117

Iceland review - 2019, Page 117
115 Iceland Review There’s a house on fire, right behind where the mother and son live. The blaze is reflected in neigh- bouring lawns and casts a warm light on the cold day. This house is neither the first that will burn nor the last. The only thing these houses seem to have in common is that right before the fire, a stocky teen- ager was seen prowling around the neighbourhood. * The mother and son look briefly out the window, but take no notice of the spectacle—they’re preoccu- pied. On a hot burner on the stove, there’s a pot filled with boiling water that the son then pours through a coffee filter and into a thermos. The old stove is doing its duty, heating up the little kitchen until it’s unbearable. They try to open the window, but the heat from the conflagration in their backyard makes it impossible to air the room out. The freshly brewed coffee offers no relief. They try running the tap, just long enough that the water will be cool, drinkable. What drips from the faucet is tepid at best. Standing in the pantry is their best option. The mother and son go in there periodically to cool down. They are hot and the air is cold and it smokes off them like incense. There’s only eighteen years between them. They are both middle-aged. A single ray of light shines through the little window at the back of the pantry. The sun never shines directly through the window, but the house next door is white, and the pantry is illuminated by the reflec- tion. When the clouds shift, beams of light kick off the wall and in through the little window with so much force that the window casings are fading in the glare. The mother and son break eye contact as she notices an open jar of peanut butter on the shelf behind her son’s head. – I think it’d be better if you’d close the jar when you’re finished with it. Because of the flies, remember. – That wasn’t me. – Who else eats peanut butter? – I’ll remember to close the jar. – What, are you making sandwiches in here? Story & Illustrations by Lóa Hjálmtýsdóttir Translation by Larissa Kyzer FICTION By publishing new short stories by Icelandic authors, Iceland Review hopes to bring readers a taste of the vibrant literary community of Iceland. While the novel has long been the dominant form of fiction among the country’s authors, the short story has become increasingly popular. For tourists, residents of Iceland, and armchair travellers alike, these stories can serve as entertainment as well as a bite-sized introduction to the country’s rich literature. The Neighbourhood
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Iceland review

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