Reykjavík Grapevine - 10.08.2012, Blaðsíða 44

Reykjavík Grapevine - 10.08.2012, Blaðsíða 44
B O O K I N G S : T E L . : + 3 5 4 5 6 2 2 3 0 0 W W W . L I F E O F W H A L E S . I S Whale-Watching Tour Duration: 3 hours The tour includes a stop by Puffin Island 15th May - 20th August APR MAY JUN JUL AUG SEPT OCT NOV-MAR 08:55 08.55 08:55 08:55 08:55 12:55 12:55 12:55 12:55 12:55 12:55 12:55 12:55 16:55 16:55 16:55 ADULTS: 47€ / 7.500 ISK CHILDREN: 7-15 22€ / 3.500 ISK CHILDREN: 0-6 FREE Other Tours Puffin Island Tours Duration:1-1,5 hours 15th May - 20th August Every day 10:00 | 12:00 | 14:00 ADULTS: 3.800 ISK• CHILDREN: 1.900 ISK • CHILDREN: 0-6 FREE Sea Angling and Grill Duration: 3 hours May - September Every day 17:00 ADULTS: 10.500 ISK • CHILDREN: 5.000 ISK • CHILDREN: 0-6 FREE Gerður Kristný: Icelandic writer competes in the Poetry Olympics Part of the UK’s 2012 Cultural Olympiad and initiated by leading British light Si- mon Armitage, this was one of the larg- est poetry events the world has ever witnessed. Sharing centre stage with literary luminaries such as Saint Lucia’s Derek Walcott and Australian poet John Kinsella, Gerður read from her collection ‘Bloodhoof,’ published in English for the first time this year. The vast event was opened with a ‘Rain of Poems’ over London’s South Bank, as Chilean arts collective Casa- grande dropped 100,000 poems printed on bookmarks from a helicopter above the twilit River Thames. Gerður was at the heart of the action at the opening set-piece, where people jostled good-naturedly to catch one of the falling works of art, gliding and glit- tering through the sky like ticker-tape, even bartering for rare Latin American verses or perfectly-formed Japanese haikus. “I tend to become a little combative with anything like this,” admits Gerður, as she remembers witnessing an elderly man eagerly gazing heavenward hop- ing to catch his own literary memento. “I stood with him and made sure nobody else came near so that he would get something. I can be quite aggressive. I think it’s because at school I was never very good at sports.” This was just the beginning of six days of poetic performance and enjoy- ment, with talks and shows that spoke to the universal themes familiar to so many of those nations represented: identity, conflict, freedom. More like a big football match The festival atmosphere however was what constantly prevailed. “This doesn’t normally happen in poetry,” she laughs. “Poets have to look serious and earnest. This was more like a big football match!” Gerður first met the festival cura- tor Simon Armitage whilst travelling through Asia some years ago. Armitage is one of the UK’s best-loved contem- porary poets. His latest works take the English folkloric tales of King Arthur and the Knights of the Round Table and bring them to a modern readership. One of his earliest books was ‘Moon Country,’ published in 1996 with fellow British writer Glyn Maxwell following their voyage to Iceland, in turn evok- ing the travels of W.H. Auden and Louis MacNeice to the country in the 1930s, which inspired their collection ‘Letters From Iceland.’ For Gerður, the Parnassus was “a crash course in international poetry,” yet she is hardly a beginner in the global poetic kingdom. She flicks through her copy of ‘The World Record,’ the official anthology of voices from the Poetry Par- nassus (in which she herself is of course published), and recalls her favourite po- ems, some of which were written her old friends. Globetrotting with her poetry As part of the festival, Gerður travelled across the Irish Sea to Derry in Northern Ireland to take part in a ‘Poetry Death- match,’ competing against poets from Tuvalu, Grenada, and Oman among oth- ers in round after round as poets were voted out until a winner was declared. “It was more like the Eurovision Song Con- test,” she jokes. Such globetrotting is by now second nature to her. Gerður has read her own work across the world, from Scandinavia to Asia. Her works appear in anthologies published far and wide. She shows me a Dutch anthology of poems about wom- en, in which her own on Anne Frank is printed, alongside names such as Lorca, Nabokov, and Poe. She reads out the names still struck with awe, only then to conclude with a poet’s bathos and her own distinctive charming self-deprecat- ing humour: “They must be turning in their graves!” But her diary is filling up fast. Her next collection of poetry, ‘Strandir,’ in- spired by the remote north-western cor- ner of Iceland, is set to be released later this year. Soon she’ll be headed to Turku, the Finnish festival, as well as touring cities in the UK, and next year heading rather further afield all the way to Nica- ragua. And to hear poetry from every corner of the earth—not least her own deeply Icelandic work—remains, she says, a true thrill. “In Iceland,” she admits in stark contrast, “people talk of poetry like it’s a hospital patient in poor health.” Is it? Who in Iceland writes poetry today? “I do! And that’s all I care about,” she concludes with her teasing smile. But wherever she goes, she introduces yet more new followers to Iceland’s liter- ary heritage. . It is not only the handballers and the swimmers who are repping RVK in London this year. The British capital also played host to some of the world’s finest poets earlier this summer. Reykjavík’s own Gerður Kristný was selected to stand among writers from 204 Olympic nations and represent Iceland in an international ‘Poetry Parnassus.’ Words Mark O'Brien Photo Alísa Kalyanova Art | Poetry the opening ceremony at 12:30 in Hljómskálagarðurinn, Jimi Tenor’s photo exhibit at The Nordic House and performances from art- ists like Legend, Sóley and Melchior at Netagerðin. Speaking of drunken mad-ness, our Appy Hour app (available for iOS and Android RIGHT NOW), which lets you track 101 Reykjavík’s happy hours for the best offers currently avail- able, has become something of a hit as of late. There are report- edly thousands of happy drunks downloading the app and using it to get wasted for cheap. We try to constantly update the thing with the latest available info, so it should be pretty reliable, too (if it is not, drop us a line). App on, drunkards! Here’s to you! Preparations for the annual Reykjavík outpost of the Melodica music festival are in the final stages, with a slew of international and local performers set to folk out in style in the heart of 101 Reykjavík over the course of a weekend. The three-day party starts on August 24 and takes place at Hemmi & Valdi, Reykja- vík Backpackers, Café Rósenberg and Hjartatorg square. Visiting performers include Sweden’s Xenia Kriisin, US acts Kyle Woodward, The Nielsons and Elliot Rayman and—returning all the way from Australia—Owls of the Swamp. Scheduled hometown heroes include folks such as Myrra Rós, Svavar Knútur, Low Roar, Misery Loves Company and Sing For Me Sandra. More info at www. melodicafestival.org. The LÓKAL International Theatre Festival takes place for the fifth time on August 22-26. The event has been growing in ac- claim and attendance over the past few years, and this year’s edition promises to be a scorcher. The or- ganizers promise to bring “some of the most exciting theatre around”— this includes “intense physical performances” by Grandinger & Schubot, Amy Conroy’s “wonderful pseudo-documentary theatre” and “an experimental vocal trip with ac- tress Álfrún Örnólfsdóttir.” Seek out tickets and more info on this great happening at www.lokal.is. August WhAT ThE EFF IS GOING ON??? 44 The Reykjavík GrapevineIssue 12 — 2012LITERATURE
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