Reykjavík Grapevine - 14.03.2014, Blaðsíða 19

Reykjavík Grapevine - 14.03.2014, Blaðsíða 19
Dressmann offers a complete range of good quality basic and casual cloth- ing as well as a wide range of suits and formal wear in excellent quality and market-leading prices. Dressmann shops offer sizes ranging from S to 3XL. Dressmann XL offers a complete range of men’s clothing from size 2XL up to 9XL in our stores. 9œÕV>˜w˜`̅i˜i>ÀiÃÌÃ̜Ài…iÀi\ www.dressmann.com www.dressmannxl.com SMÁRALIND 5659730 / KRINGLAN 5680800 / AKUREYRI 4627800 SMÁRALIND XL 5650304 Step into the Viking Age Experience Viking-Age Reykjavík at the new Settlement Exhibition. The focus of the exhibition is an excavated longhouse site which dates from the 10th century ad. It includes relics of human habitation from about 871, the oldest such site found in Iceland. Multimedia techniques bring Reykjavík’s past to life, providing visitors with insights into how people lived in the Viking Age, and what the Reykjavík environment looked like to the first settlers. The exhibition and museum shop are open daily 10–17 Aðalstræti 16 101 Reykjavík / Iceland Phone +(354) 411 6370 www.reykjavikmuseum.is 19 Music Just Another Snake Cult Kjurr ‘Cupid Makes A Fool Of Me’ 2013 An avant-garde opus that transcends its many influences Brak 2013 Decent effort but as always, room for improvement Just Another Snake Cult's ‘Cupid Makes A Fool Of Me’ could be described as a concept album on the theme of love. But if the very idea of such a thing is enough to make you run for the hills, stop and think twice, because it's also something of an opus. For anyone interested in psych, lo-fi, prog-rock and acid-pop, this album has a lot to offer. If you're into Joe Meek, Phil Spector and Syd Barrett or more recent revivalists and trailblazers like Ariel Pink, Future Islands, John Maus or Bradford Cox, ‘Cupid Makes A Fool Of Me’ is like a musical selection box. From the trippy, backwards introduction to its hypnotic final track, it traces a lovelorn path through some varied sonic territory via a series of weird, wonky, memorable songs that transcend their many influences. The palette and production bear many ‘70s and ‘80s hallmarks, including a tight echo on the vocals, drum machines with reverb, atonal zither and some chunky-sounding guitars. It's a mixed bag of sounds that arrive with a crisp clarity, avoiding the common pitfall of obscuring the tunes behind a fog of effects. Another key element is the delivery of the lead vocal: an arresting mannered drawl that manages to be both theatrical and heartfelt. On the album's wonderful closer, a cover of Woody Guthrie & Billy Bragg's "Way Over Yonder in the Minor Key," it's easy to imagine the protagonist as a mournful Disney hippo roaming the forest in a melancholy haze, hollering his heartbreak. This album's rich internal landscape bears being wandered at length by the listener. Despite its intrinsic oddness, ‘Cupid Makes A Fool Of Me’ is a compelling record that feels ready-made for America's booming leftfield indie audience. Let's hope it finds its way into plenty of record collections. In retrospect, it seems that Músíktilraunir 2013 turned out to be decent in acting as a springboard for new music acts. You have electronica fauns Vök (AKA Samaris v2.1), ADD metal weasels In The Company Of Men and cartoon shit rockers Kaleo. But what about those other acts that graced the stage? Well, we now have the band Kjurr stepping up to the plate with ‘Brak,’ a six-song effort that, while rough and unrealised in areas, does contain several glimmers of promise. With the hushed intro of “Feed” before launching into the clanging stomp of “You,” the songs in ‘Brak’ seem to be going for a mix of early-era Radiohead atmospherics on a budget with tense, edgy post-punk. It’s all stop/start swinging rhythms, heavy rimshot action alongside the occasional reverb-heavy background vocals, low slung fuzzbass and brittle guitar lines. No one song delivers a knockout punch but there are moments when it all clicks, such as the interplay between the bass/guitar on “Upside Down” which fizzes with mystery and intention, and the first half of “Awake” which contains some decidedly cold sparse electronic beats. Kjurr do, however, let themselves down in other areas. The production is incredibly flat (which I put down to budget/ time constraints) and that smothers the energy they seem to be trying to build in their songs. Also, the vocals don’t have one iota of presence, which is something I think really needs looking at. But yeah, it will be interesting to see/hear what they’ll do next. Words John Rogers Words Bob Cluness Album Reviews Issue 3 — 2014
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