Reykjavík Grapevine - 01.08.2014, Qupperneq 2

Reykjavík Grapevine - 01.08.2014, Qupperneq 2
2 The Reykjavík Grapevine Issue 1 — 2011 Hafnarstræti 15, 101 Reykjavík www.grapevine.is grapevine@grapevine.is Published by Fröken ehf. www.froken.is Member of the Icelandic Travel Industry Association www.saf.is Printed by Landsprent ehf. in 25.000 copies. Editor In Chief: Haukur S Magnússon / haukur@grapevine.is Editor: Anna Andersen / anna@grapevine.is Journalist: Larissa Kyzer / larissa@grapevine.is Journalist & Listings editor Tómas Gabríel Benjamin / gabriel@grapevine.is Editorial: +354 540 3600 / editor@grapevine.is Advertising: +354 540 3605 / ads@grapevine.is +354 40 3610 Publisher: Hilmar Steinn Grétarsson / hilmar@grapevine.is +354 540 3601 / publisher@grapevine.is Contributing Writers: Fred Q. Labelle Eli Petzold Elliott Brandsma Björn Teitsson Davíð Roach Gabrielle Motola Hallgrímur Helgason Helgi Hrafn Guðmundsson Jonathan Pattishall Larissa Kyzer Michael Leonard Óli Dóri RX Beckett Haukur Már Helgason Varvara Lozenko Yasmin Nowak Editorial Interns: Arnulfo Hermes / arnulfo@grapevine.is Liam Harrison / liam@grapevine.is Rebecca Scott Lord / rebecca@grapevine.is Susanna Lam / susanna@grapevine.is Tyler Clevenger / tyler@grapevine.is Art Director: Hörður Kristbjörnsson / hordur@dodlur.is Design: Hrefna Sigurðardóttir Photographers: Alísa Kalyanova / www. alisakalyanova.com Matthew Eisman / www.mattheweisman.com Sales Director: Aðalsteinn Jörundsson / adalsteinn@grapevine.is Helgi Þór Harðarson / helgi@grapevine.is Óskar Freyr Pétursson / oskar@grapevine.is Distribution manager: distribution@grapevine.is Proofreader: Jim Rice releases: listings@grapevine.is Submissions inquiries: editor@grapevine.is Subscription inquiries: +354 540 3605 / subscribe@grapevine.is General inquiries: grapevine@grapevine.is Founders: Hilmar Steinn Grétarsson, Hörður Kristbjörnsson, Jón Trausti Sigurðarson, Oddur Óskar Kjartansson, Valur Gunnarsson The Reykjavík Grapevine is published 18 times a year by Fröken ltd. Monthly from November through April, and fortnightly from May til October. Nothing in this magazine may be repro- duced in whole or in part without the written permission of the publishers. The Reykjavík Grapevine is distributed around Reykjavík, Akureyri, Egilsstaðir, Seyðisfjörður, Borgarnes, Keflavík, Ísafjörður and at key locations along road #1, and all major tourist attractions and tourist information centres in the country. You may not like it, but at least it's not sponsored (no articles in the Reykjavík Grapevine are pay-for articles. The opinions expressed are the writers’ own, not the advertisers’). On the Cover: Páll Óskar Cover by: Börkur Sigþórsson (www.borkurs.com) Make-Up: Steinunn Þórðardóttir Editorial | Anna Andersen Music | Free To those that don’t understand Icelandic, “D.R.U.S.L.A.” (which roughly translates to ‘S.L.U.T.’) may seem just like an upbeat synth-y song with a hip hop-y vibe and a few “bitch” shouts. The lyrics, however, deal with a rather serious topic: slut-sham- ing and victim-blaming. The message, in typical Reykjavíkurdætur fashion, is that it doesn’t matter how you dress, whether you are wearing makeup or under the influ- ence, that doesn’t give anyone an excuse to violate your autonomy. The song then goes into the fact that people who are raped face an uphill legal battle in order to get justice, as there is an impossible burden of proof on the victim. The solution to all of these problems, according to the band, is em- powerment through information. And that is a nice solution, isn’t it? “D.R.U.S.L.A.” Reykjavíkurdætur Download the FREE track at www.grapevine. A Growing Divide? Anna’s 46th Editorial It’s that time of year again, when everybody is talking about everybody else’s salary. “Did you see? Grímur Karl Sæmundsen [CEO of the Blue Lagoon] makes 6.2 million per month [645,000 USD per year],” some- one will say. “Wow, Davíð Oddsson [Editor of daily newspaper Morgunblaðið and former Prime Minister and head of the Central Bank] makes 3,3 million per month [345,000 USD per year],” another will say. “Did you see how grossly un- derrepresented women are amongst the top earners?” It might sound strange to foreign readers, but Icelanders’ salaries come under scrutiny every July, when income tax data becomes publicly available. A publication called Frjáls Verslun, for instance, has been printing ex- tensive lists of well-known people and their salaries for nearly 20 years now. It’s their annual “Salary issue,” and it reportedly sells like hotcakes. While it is uncomfortable for some to have their high salaries published, it is also undoubtedly embar- rassing for others to have their low salaries made pub- lic, and it might have been a case of social justice when newspaper DV published the salary of Gylfi Ægisson, a musician known for his opposition to the Gay Pride parade. “Well Under Average,” the DV headline read. “Gylfi Ægisson, artist and musician, makes 87.078 ISK [9,000 USD per year].” This is par for the course. What’s more interesting, however, is the fact that the numbers seem to betray a growing income inequality. “The salaries of the top 200 CEOs in the private sector increased on average by 300,000 ISK per month last year, from 2.3 million ISK per month to 2.6 million ISK. This is roughly a 13% increase—while the wage index increased by 5.7% from year to year,” according to Heimur, which publishes the aforementioned Frjáls Verslun. Reading this, I’m reminded of a recent memo published in the July/August issue of Politico maga- zine, in which American entrepreneur Nick Hanauer warned his “fellow zillionaires” that an uprising was on the horizon. “No society can sustain this kind of rising inequal- ity,” he wrote, referring to the growing divide between the haves and the have-nots in the States—the gap between the top 1%, who share roughly 20% of the national income, and the bottom 50%, who share just 12%. “In fact, there is no example in human history where wealth accumulated like this and the pitchforks didn’t eventually come out. You show me a highly unequal so- ciety, and I will show you a police state. Or an uprising. There are no counterexamples. None. It’s not if, it’s when.” Here in Iceland the “the pitch- forks” actually came, in the form of the Pots and Pans Revolution, after the financial collapse in 2008 when the actions of the top 1% caused the col- lapse of the economy. In the decade leading up to the crisis, there was a growing class divide, with the top 1% sharing nearly 20% of the national income in 2007, not far off from the 23% share enjoyed by the 1% in the States. “Ice- land went from having one of the greatest income equalities amongst Western countries in 1995 to hav- ing one of the greatest income inequalities amongst Western countries in 2005-2007,” according to re- search by Stefán Ólafsson, a professor of sociology at the University of Iceland. This great income inequality decreased signifi- cantly after the crash, with the top 1% enjoying only a 6-7% share of the national income by 2012, bringing us closer, but not quite back to level of equality that prevailed before 1995. This last year, however, it seems Iceland is headed in reverse and, as Heimur notes, “when you look at salary increases amongst CEOs and other top execu- tives at companies, the question arises if everything is returning to the same madness as before.” But will all of us, the employees, who took low wages after the crash so as not to bankrupt our com- panies, or even the country, as it was sometimes phrased, sit back this time? 2 The Reykjavík Grapevine Issue 11 — 2014 What’s The Deal With Those Crazy Icelandic Letters Yo? Here Is Your Kreisí Æcelandic Frase For Þis Issue! ÞþÆæÖö æ ð þ We thought we’d explain. We’re ripping the idea off from the Icelandair magazine. Go read that magazine if you can. It’s free. We like spelling things using Icelandic letters like ‘æ’ and ‘þ’ and also those crazy accents over the vowels. Like Icelandair’s inflight magazine—IcelandairInfo—says, the Icelandic language can use accents on all of the vowels, making them look all unique, like this: á, é, í, ó, ú, ö, ý (the accent also changes the pronounciation of the letters. The á in “kjáni” sounds quite different from the a in “asni”, for instance). We also have an additional three letters. As IcealandairInfo notes: (often written as ae) is pronounced like the i in tide. (often written as d) is pronounced like the th in there (often written as th) is pronounced like the th in think” “Sæl frú mín góð! Hvar er eiginlega þetta Bláa lón sem allir eru að tala um?” (Saah-iihl froo meen goeth! Quarh ehr ay- yin-lehgha thett-tah Bl-ow-ah lone sehm ah-dlir eh-ruh aeth tahwla uuhm?) Greetings, madam! Where can I find this Blue Lagoon that everyone keeps talking about?
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