Archaeologia Islandica - 01.01.2013, Side 14

Archaeologia Islandica - 01.01.2013, Side 14
AGUSTA EDWALD AND KAREN MILEK University of Aberdeen, faunal data was analysed by Megan T. Hicks at the City University of New York (Hicks & Harrison 2011), while botanical, micromorphological and etymological analyses are still pending. The excavation of the midden behind the farm represents the period, from the early 18th century to ca. 1900, while the excavation within the house spans the period from the middle of the 19th century to the farm's abandonment in the 1930s. During the time represented by the excavated deposits, eight different 2 households lived on the farm. The excavation cannot associate specifíc archaeological features or artefacts with specific households, but rough distinctions can be made by associating specific phases of the building to a series of households (Table 1). Building The farmhouse at Hombrekka was of a ‘typical’ Icelandic vemacular constmction, built of turf and stone walls with timber gables and a timber roof structure covered with turf (Fig 3). The farmhouse appears to have been located in the same place on the property throughout the habitation from the early 18th century and into the twentieth. Each new stmcture built in the Fig 3 Reconstruction drawing of Hornbrekka by Hjalti Pálsson same place as a former one or rather added to existing parts in a continual refurbishment of the house. Buildings have been interpreted as one of the clearest materializations of social stractures and analysed as embodying social, aesthetic and ideological values. For example, architectural analysis has been integral to the argument of progress and improvement (see e.g. McMurry 1988 for an analysis of farmhouse architecture and social change in 19th-century America). Modem ideas of comfort are associated with spaces specifically designed for leisure, changing attimdes to children leading to separate children’s rooms and so forth. Within historical archaeology much of this research has been framed with what has been termed the ‘Georgian Order’ thesis (Glassie 1975; Deetz 1999 [1977]; Leone 1988; Johnson 1993), which associates changes in building styles, amongst other things, with changing ideologies in the 18th century, emphasizing the individual over the communal. Buildings have furthermore been interpreted as mediators of power negotiation and legitimatisation of social stratification and unequal distribution of wealth, especially within Marxist approaches to the archaeology of capitalism (see e.g. McGuire 1991; Mrozowski 1991; Leone 1984). These interpretive approaches, however, usually focus heavily on the form of buildings rather than on the processes of dwelling and how the activities of families and households are integral to the biography of a building. The Icelandic turfhouse, its development and changing form has been 12
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Archaeologia Islandica

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