The Icelandic Canadian - 01.11.2007, Síða 44

The Icelandic Canadian - 01.11.2007, Síða 44
86 THE ICELANDIC CANADIAN Vol. 61 #2 MARTHA BROOKS mIStik lake Mistik Lake by Martha Brooks Groundwood Books, 2007 Reviewed by Kristin Perlmutter It has often been said about small town life that the bad news is that everyone knows your business and the good news is that everyone knows your business. The accuracy of this description is proven in Mistik Lake, the small lakeside community in Martha Brooks' latest novel. In 1981, when a carload of teenagers is lost beneath the ice of Mistik Lake with only one sur- vivor, a chain of events is set in motion involving three generations in a local fami- ly. Sixteen year old Sally McLean becomes the focus of local attention. Her subse- quent alcoholism and abandonment of her family add further grist to the mill. With its Icelandic and First Nations roots and its burgeoning summer popula- tion, Mistik Lake could also have been set where I read it - in Gimli, Manitoba on Lake Winnipeg, where I have spent decades of summers. Perhaps this sense of place and the fact that I am an Icelandic Canadian woman of "a certain age" who can appreci- ate the sensibilities of the two alternating narrators, Sally's teenage daughter and her Aunt Gloria, made it inevitable that it would cause me to reflect on some of my own life issues. It is certainly not essential to identify with the book in this way but it did create a powerful resonance and readers of Icelandic descent will appreciate the cul- tural references woven throughout. The book speaks to anyone who is part of a family and part of a community. Seeing the lives of the characters unfold from more than one perspective and having the text springboard you into making personal connections is what makes this novel work for both young adult and more mature readers. One of the issues that is hard to ignore when reading Mistik Lake is that of the validity of personal and family history. As I read, I sometimes visualized Odella, Sally's young daughter, as a patient lying on a ward, overhearing snatches of what the medical staff were sharing with family members about her condition that they had not seen fit to share completely with her. Some of the questions raised include "Who gets to know things that concern him or her in a deeply personal way? Who decides what information is appropriate to share, and when? Who knows what about whom? What is the "truth" about the past? Do we really know those closest to us? Have oth- ers in our community got inside knowledge from the past that would transform the way we see things?" Each generation has its secrets and, without access to these, one fills in the gaps and then varnishes the truth. Mistik Lake also provides a strong sense of the inter-connectedness of life and of how actions, omissions, triumphs and mistakes of family members past can colour the lives of future generations. We tend to see our own stories though rose coloured glasses or through dark shades,

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