Reykjavík Grapevine - 15.07.2016, Blaðsíða 31

Reykjavík Grapevine - 15.07.2016, Blaðsíða 31
1 6 -1 4 4 0 - H V ÍT A H Ú S IÐ / S ÍA We’re expecting a busy summer but you can check-in 2 1/2 hours before departure and have plenty of time for refreshments and shopping in KEF. We offer unlimited free Wi-Fi, many charging stations and a range of nice restaurants and stores. Icelandic design and quality brands tax and duty free at the Airport. German environmental concept artist Michael Thomas spent ten beautiful days in the Westfjörds building installations with flotsam. The three huge sculptures—the largest almost eight metres long— are now standing proudly on West Iceland soil. They are "Earth Valve,” “Ironbird's Nest,” and “Spaceship Mitschdóttir”—this last, the big- gest, which the artist named after himself. The aim of these installations is to release the pressure humans cre- ate on our planet, Michael claims: “The idea of building installations to Iceland was born three weeks ago in Germany. My wife Angela and her friend spent holidays in Iceland and found places in the Westfjörds with lots of driftwood and flotsam. She called me, sent me photos and prompted me to book a flight. So I arrived with an idea and a bicycle. All expectations were exceeded. It was like coming to the place with nothing and leav- ing the place with nothing, except some temporary manipulations and a photo documentation there- of.” Michael now must travel back home and abandon the sculptures to their fate. Michael adds that he really worked terrifically hard on these sculptures, and feels a bit sad to just leave his three babies here. “I woke up early in the mornings and cycled to the place near Kal- drananes where I was building them. Sometimes it was raining and my muscles were tired of hard work, but I proceeded till the late night,” he says. “But,” he adds, “I took pictures of them and the process and the meaning of that all is the thing that really matters.“ All around the world Despite the fact that Icelandic wa- ters are among the cleanest in the world and the country is famous for its unspoiled natural beauty, Michael still found materials, both driftwood and plastic, to use in his installations. “Although my move- ment radius has been limited here in Iceland, I can say that the Icelan- dic environment looks very pretty and healthy,” he explains. “Except some coast regions where plas- tic waste in all sizes was washed ashore.” But flotsam isn’t the only ma- terial he works with: “I use lots of materials usually given to me by fortune. For example, my valve with the most parts consists of ten thousand sustainable Danish ice cream sticks, and the heaviest and largest one is made of iron railway sleepers.” Michael adds that Ice- land isn’t the only place where he has unleashed his artistic mind. He started off in Germany and then began to conquer the world. “I have built installations in the USA, Kenya, Dubai, Austria and France. Three continents, Australia, South America and Antarctica, are so far without pressure compensation. All invitations of these regions are welcome.” It all began with a sandcastle Though Michael loves to work with materials that nature provides, and to travel the world while build- ing installations and raising peo- ple’s environmental awareness, he can’t quit his day job. “Installations are only one part of my concep- tual work and painting another,” he admits. “Recently a German art critic called me an ‘aesthetic mor- alist.’ Well, I'm part of the system because I’m making money with commercial paintings, and scruti- nize it simultaneously with instal- lations like ‘Earth Valve,’ ‘Spaceship Mitschdóttir’ and ‘Ironbird's Nest’.” But how did it all begin? Michael says he built his first installation from flotsam back in 1974, when he was a little boy. “I was on holi- days with my parents in Romania and I decorated my sandcastle with driftwood,” Michael recalls. In Ice- land, Michael hasn’t had a chance to go to beach, but he says that he still enjoys summer in this cold country: “It surprises me that here in Iceland summer days are nev- erending and the people look into your eyes when they talk to you.” Concerts & Nightlife Listings May 20 - June 2 Art It's all around you “Spaceship Mitschdóttir” Standing Gloriously In The Westfjörds Words GEIDI RAUD Photos MICHAEL THOMAS 31The Reykjavík GrapevineIssue 10 — 2016
Blaðsíða 1
Blaðsíða 2
Blaðsíða 3
Blaðsíða 4
Blaðsíða 5
Blaðsíða 6
Blaðsíða 7
Blaðsíða 8
Blaðsíða 9
Blaðsíða 10
Blaðsíða 11
Blaðsíða 12
Blaðsíða 13
Blaðsíða 14
Blaðsíða 15
Blaðsíða 16
Blaðsíða 17
Blaðsíða 18
Blaðsíða 19
Blaðsíða 20
Blaðsíða 21
Blaðsíða 22
Blaðsíða 23
Blaðsíða 24
Blaðsíða 25
Blaðsíða 26
Blaðsíða 27
Blaðsíða 28
Blaðsíða 29
Blaðsíða 30
Blaðsíða 31
Blaðsíða 32
Blaðsíða 33
Blaðsíða 34
Blaðsíða 35
Blaðsíða 36
Blaðsíða 37
Blaðsíða 38
Blaðsíða 39
Blaðsíða 40
Blaðsíða 41
Blaðsíða 42
Blaðsíða 43
Blaðsíða 44
Blaðsíða 45
Blaðsíða 46
Blaðsíða 47
Blaðsíða 48
Blaðsíða 49
Blaðsíða 50
Blaðsíða 51
Blaðsíða 52
Blaðsíða 53
Blaðsíða 54
Blaðsíða 55
Blaðsíða 56
Blaðsíða 57
Blaðsíða 58
Blaðsíða 59
Blaðsíða 60
Blaðsíða 61
Blaðsíða 62
Blaðsíða 63
Blaðsíða 64
Blaðsíða 65
Blaðsíða 66
Blaðsíða 67
Blaðsíða 68
Blaðsíða 69
Blaðsíða 70
Blaðsíða 71
Blaðsíða 72

x

Reykjavík Grapevine

Beinir tenglar

Ef þú vilt tengja á þennan titil, vinsamlegast notaðu þessa tengla:

Tengja á þennan titil: Reykjavík Grapevine
https://timarit.is/publication/943

Tengja á þetta tölublað:

Tengja á þessa síðu:

Tengja á þessa grein:

Vinsamlegast ekki tengja beint á myndir eða PDF skjöl á Tímarit.is þar sem slíkar slóðir geta breyst án fyrirvara. Notið slóðirnar hér fyrir ofan til að tengja á vefinn.