Reykjavík Grapevine - 12.08.2016, Blaðsíða 35

Reykjavík Grapevine - 12.08.2016, Blaðsíða 35
Words HREFNA BJÖRG GYLFADÓTTIR Photo SIGRÍÐUR UNNUR LÚÐVÍKSDÓTTIR Westman Islands-based singer- songwriter Júníus Meyvant first started to turn heads for his soul- ful folk pop after releasing his first single, “Color Decay,” and has been busy performing and work- ing on his recently released debut album, ‘Floating Harmonies’, ever since. Make sure to catch the al- bum release concert at Háskólabíó August 27. Here are Júníus’s thoughts on the album. “Be A Man” I listen to a lot of instrumental music and as I see it, you should always start with a strong intro track. The reason I named this track “Be A Man” is that I wanted to encourage people to do good deeds, to say they are sorry if they mess up and to try and make up for their mistakes by showing love. Ba- sically, to be a man. “Beat Silent Need” This song is about being bullied. “Don’t let my feet run over you” are words that haunted me while writ- ing it. I thought about us as human beings and how when we get scared we tend to freeze up. Stillness makes us look in the mirror for too long. We need to start walking and talking. Give them bullies some hugging. “Color Decay” I was folding my laundry when I wrote this song. A feeling hit me and I knew I was going to write a good song. The theme of it is time, and how every living thing has its moment of triumph and a moment of decay. This song created the sound of the whole album. Record- ing it, however, wasn’t easy; let’s just say it cost many hours, and many tears. “Neon Experience” This one goes: “Don’t let the whole world drag you down, new day will come, come around.” I’m saying that life is too short to be taken too seriously. Do what you feel like do- ing, as long as you don’t hurt the people around you. This song is in- spired purely by 60s soul. “Domestic Grace Man” My father and older brother play guitar with me in this song so it feels like home to me. It also re- minds me of the country music that my dad used to play when I was growing up. 6. “Hailslide” I was skateboarding when I wrote this song. The day started out warm and sunny but then it began to hail. I thought to myself, “just let the hail slide in the groove” and, lo and behold, my mindset was sun- shine again. “Mighty Backbone” This song makes me want to dance. My drummer started playing an African beat to my guitar play- ing, and the rest is history. The lyric is, “Come stir the water run- ning through the backbone of true peace.” If we would try to stir the water within and start helping our neighbors, the world would become a better place. “Gold Laces” This song came very easily to me. It made me sad to see on the news that about 50% of all marriages in Iceland end in divorce. We live in a fast-growing economy where society tells us to dream big and strive for greatness. In that process we tend to forget about our fam- ily. Gold is pure and laces tie your shoes together; “Bring out the gold laces” therefore means we should tie marriages together with some- thing greater then ourselves. “Signals” “Signals” is about people who truly love God. However, I also wanted to make a song about people who use God as a war tool. This was the result. “Manos” I wanted to create a song using only two chords and adding other instruments to them. In the song, I sing: “Without you love, we would die young.” I believe we are made of the body, spirit and soul and if one of those three things dies, we die as well. When that happens, we can’t walk straight. “Pearl In Sandbox” Have you ever felt so numb, you can’t laugh nor cry? “Pearl In Sand- box” is about that feeling. It is only me playing my guitar. What in- spired the track was a guy who had messed up his life over and over, and eventually had to sit down and write a sorry letter to his family. “Floating Harmonies” I call my band “The Floating Har- monies.” I wanted to name my band and album after this song because the title fits. I don’t know exactly what the song is about but I wrote a part of it in between sleep and wak- ing. It’s a late night song. SHARE: gpv.is/tbt10 TRACK BY TRACK Music 34The Reykjavík GrapevineIssue 12 — 2016 Whales are killed to feed tourists Be whale friendly www.ifaw.is I´M ICELANDIC I DON’T EAT WHALE MEAT ‘Floating Harmonies’ by Júníus Meyvant
Blaðsíða 1
Blaðsíða 2
Blaðsíða 3
Blaðsíða 4
Blaðsíða 5
Blaðsíða 6
Blaðsíða 7
Blaðsíða 8
Blaðsíða 9
Blaðsíða 10
Blaðsíða 11
Blaðsíða 12
Blaðsíða 13
Blaðsíða 14
Blaðsíða 15
Blaðsíða 16
Blaðsíða 17
Blaðsíða 18
Blaðsíða 19
Blaðsíða 20
Blaðsíða 21
Blaðsíða 22
Blaðsíða 23
Blaðsíða 24
Blaðsíða 25
Blaðsíða 26
Blaðsíða 27
Blaðsíða 28
Blaðsíða 29
Blaðsíða 30
Blaðsíða 31
Blaðsíða 32
Blaðsíða 33
Blaðsíða 34
Blaðsíða 35
Blaðsíða 36
Blaðsíða 37
Blaðsíða 38
Blaðsíða 39
Blaðsíða 40
Blaðsíða 41
Blaðsíða 42
Blaðsíða 43
Blaðsíða 44
Blaðsíða 45
Blaðsíða 46
Blaðsíða 47
Blaðsíða 48
Blaðsíða 49
Blaðsíða 50
Blaðsíða 51
Blaðsíða 52
Blaðsíða 53
Blaðsíða 54
Blaðsíða 55
Blaðsíða 56
Blaðsíða 57
Blaðsíða 58
Blaðsíða 59
Blaðsíða 60
Blaðsíða 61
Blaðsíða 62
Blaðsíða 63
Blaðsíða 64
Blaðsíða 65
Blaðsíða 66
Blaðsíða 67
Blaðsíða 68
Blaðsíða 69
Blaðsíða 70
Blaðsíða 71
Blaðsíða 72
Blaðsíða 73
Blaðsíða 74

x

Reykjavík Grapevine

Beinir tenglar

Ef þú vilt tengja á þennan titil, vinsamlegast notaðu þessa tengla:

Tengja á þennan titil: Reykjavík Grapevine
https://timarit.is/publication/943

Tengja á þetta tölublað:

Tengja á þessa síðu:

Tengja á þessa grein:

Vinsamlegast ekki tengja beint á myndir eða PDF skjöl á Tímarit.is þar sem slíkar slóðir geta breyst án fyrirvara. Notið slóðirnar hér fyrir ofan til að tengja á vefinn.